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Pieter Hellendaal
Pieter Hellendaal (1 April 1721 – 19 April 1799) was a Dutch composer, organist and violinist. At age 30, he migrated to England where he lived for the last 48 of his 78 years, and where he was known as Peter Hellendaal. He was one of the most notable 18th century composers of Dutch origin. His son, also Peter Hellendaal (sometimes known as Peter Hellendaal the younger) was also a professional musician. Life Early and student years Hellendaal was born in Rotterdam on 1 April 1721, the son of Neeltje Lacroix and Johannes Hellendaal. Johannes earned a living to support his family as a candle-maker while seeking paid gigs, and teaching and working with amateur musicians. As a father, Johannes provided his son Pieter with an intense musical education, including organ and violin. In addition to his highly creative compositions and prodigious craft as a performer, Pieter in maturity maintained himself by compositions and self-publications that respected and supported amateur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pieter Hellendaal
Pieter Hellendaal (1 April 1721 – 19 April 1799) was a Dutch composer, organist and violinist. At age 30, he migrated to England where he lived for the last 48 of his 78 years, and where he was known as Peter Hellendaal. He was one of the most notable 18th century composers of Dutch origin. His son, also Peter Hellendaal (sometimes known as Peter Hellendaal the younger) was also a professional musician. Life Early and student years Hellendaal was born in Rotterdam on 1 April 1721, the son of Neeltje Lacroix and Johannes Hellendaal. Johannes earned a living to support his family as a candle-maker while seeking paid gigs, and teaching and working with amateur musicians. As a father, Johannes provided his son Pieter with an intense musical education, including organ and violin. In addition to his highly creative compositions and prodigious craft as a performer, Pieter in maturity maintained himself by compositions and self-publications that respected and supported amateur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fitzwilliam Museum
The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam, 7th Viscount FitzWilliam (1745–1816), and comprises one of the best collections of antiquities and modern art in western Europe. With over half a million objects and artworks in its collections, the displays in the museum explore world history and art from antiquity to the present. The treasures of the museum include artworks by Monet, Picasso, Rubens, Vincent van Gogh, Rembrandt, Cézanne, Van Dyck, and Canaletto, as well as a winged bas-relief from Nimrud. Admission to the public is always free. The museum is a partner in the University of Cambridge Museums consortium, one of 16 Major Partner Museum services funded by Arts Council England to lead the development of the museums sector. Foundation and buildings The museum was founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortepiano
A fortepiano , sometimes referred to as a pianoforte, is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1698 up to the early 19th century. Most typically, however, it is used to refer to the mid-18th to early-19th century instruments for which composers of the Classical era, especially Haydn, Mozart, and the younger Beethoven wrote their piano music. Starting in Beethoven's time, the fortepiano began a period of steady evolution, culminating in the late 19th century with the modern grand. The earlier fortepiano became obsolete and was absent from the musical scene for many decades. In the 20th century the fortepiano was revived, following the rise of interest in historically informed performance. Fortepianos are built for this purpose in specialist workshops. Construction The fortepiano has leather-covered hammers and thin, harpsichord-like strings. It has a much lighter case ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto Grosso
The concerto grosso (; Italian for ''big concert(o)'', plural ''concerti grossi'' ) is a form of baroque music in which the musical material is passed between a small group of soloists (the '' concertino'') and full orchestra (the ''ripieno'', ''tutti'' or ''concerto grosso''). This is in contrast to the solo concerto which features a single solo instrument with the melody line, accompanied by the orchestra. History The form developed in the late seventeenth century, although the name was not used at first. Alessandro Stradella seems to have written the first music in which two groups of different sizes are combined in the characteristic way. The name was first used by Giovanni Lorenzo Gregori in a set of ten compositions published in Lucca in 1698. The first major composer to use the term ''concerto grosso'' was Arcangelo Corelli. After Corelli's death, a collection of twelve of his ''concerti grossi'' was published. Not long after, composers such as Francesco Geminiani, Pietro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little St Mary's, Cambridge
Little St Mary's or St Mary the Less is a Church of England parish church in Cambridge, England, on Trumpington Street between Pembroke College's Mill Lane Project development site and Peterhouse. The church Is in the Diocese of Ely and follows the 'Anglo-Catholic' or 'high-church' tradition of the Church of England. In addition to its main Sunday Mass, the church has a strong tradition of daily morning and evening prayer, regular weekday Communion and the keeping of church festivals. The church has a particular ministry helping men and women to explore possible vocations to the priesthood. Little St Mary's has active overseas mission links, provides support to local mental health projects, and participates in Hope Cambridge's Churches Homeless Project. At present, the vicar is The Rev. Dr Robert Mackley. History There has been a place of worship on the current site since around the twelfth century. The earliest known records of the church state that the first churc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peterhouse, Cambridge
Peterhouse is the oldest constituent college of the University of Cambridge in England, founded in 1284 by Hugh de Balsham, Bishop of Ely. Today, Peterhouse has 254 undergraduates, 116 full-time graduate students and 54 fellows. It is quite often erroneously referred to as ''Peterhouse College'', although the correct name is simply ''Peterhouse''. Peterhouse alumni are notably eminent within the natural sciences, including scientists Lord Kelvin, Henry Cavendish, Charles Babbage, James Clerk Maxwell, James Dewar, Frank Whittle, and five Nobel prize winners in science: Sir John Kendrew, Sir Aaron Klug, Archer Martin, Max Perutz, and Michael Levitt. Peterhouse alumni also include the Archbishop of Canterbury John Whitgift, Lord Chancellors, Lord Chief Justices, as well as Oscar-winning film director Sam Mendes, and comedian David Mitchell. British Prime Minister Augustus FitzRoy, 3rd Duke of Grafton, and Elijah Mudenda, second prime minister of Zambia, also studied at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pembroke College, Cambridge
Pembroke College (officially "The Master, Fellows and Scholars of the College or Hall of Valence-Mary") is a constituent college of the University of Cambridge, England. The college is the third-oldest college of the university and has over 700 students and fellows. It is one of the university's larger colleges, with buildings from almost every century since its founding, as well as extensive gardens. Its members are termed "Valencians". The college's current master is Chris Smith, Baron Smith of Finsbury. Pembroke has a level of academic performance among the highest of all the Cambridge colleges; in 2013, 2014, 2016, and 2018 Pembroke was placed second in the Tompkins Table. Pembroke contains the first chapel designed by Sir Christopher Wren and is one of only six Cambridge colleges to have educated a British prime minister, in Pembroke's case William Pitt the Younger. The college library, with a Victorian neo-gothic clock tower, has an original copy of the first encyclopaedia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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