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Pierre Legros
Pierre Le Gros (12 April 1666 Paris – 3 May 1719 Rome) was a French sculptor, active almost exclusively in Baroque Rome where he was the pre-eminent sculptor for nearly two decades.Gerhard Bissell, ''Pierre le Gros, 1666–1719'', Reading, Berkshire 1997. He created monumental works of sculpture for the Jesuits and the Dominicans and found himself centre stage of the two most prestigious artistic campaigns of his era, the ''Altar of Saint Ignatius of Loyola'' in the Gesù and the cycle of the twelve huge ''Apostle statues'' in the nave of the Lateran basilica. Le Gros' handling of the marble attracted powerful patrons like the papal treasurer Lorenzo Corsini (much later to become Pope Clement XII) and Cardinal de Bouillon, as Dean of the Sacred College the highest ranking cardinal. He also played a prominent role in more intimate settings like the chapel of the Monte di Pietà and the Cappella Antamori in San Girolamo della Carità, both little treasures of the Roman la ...
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San Luigi Dei Francesi
The Church of St. Louis of the French ( it, San Luigi dei Francesi, french: Saint Louis des Français, la, S. Ludovici Francorum de Urbe) is a Roman Catholic church in Rome, not far from Piazza Navona. The church is dedicated to the Virgin Mary, to St. Denis the Areopagite and St. Louis IX, king of France. The church was designed by Giacomo della Porta and built by Domenico Fontana between 1518 and 1589, and completed through the personal intervention of Catherine de' Medici, who donated to it some property in the area. It is the national church in Rome of France.Les pieux établissements de la France à Rome et à Lorette (in French)
It is a

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Mont De Piété
A mount of piety is an institutional pawnbroker run as a charity in Europe from Renaissance times until today. Similar institutions were established in the colonies of Catholic countries; the Mexican Nacional Monte de Piedad is still in operation. The institutions called ''Monte di Pietà'' originated in 15th-century Italy, where these instutions gave poor people access to loans with reasonable interest rates. It used funds from charitable donors as capital, and made loans to the poor so they could avoid going to exploitative lenders. Borrowers offered valuables as collateral, making the mount of piety more like a pawn shop than a bank. History This fifteenth-century institution originated in Italy; Barnabas of Terni is credited as the originator of the concept. It was developed in cities as an early form of organized charity, and was intended as a reform against money lending. The public office was organized and operated by the Catholic Church and offered financial loans at a ...
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Felix Becker (art Historian)
Karl Günther Ernst Felix Becker (27 September 1864, Sondershausen - 23 October 1928, Leipzig) was a German art historian, best known today for the project ''Thieme-Becker''. Life He was the son of the glassmaker Johann Albert Adolph Becker (1811–1891) and Johanna Wilhelmine Christiane nee Kumst (1824–1888). He studied art history at Bonn University and Leipzig University, acted as assistant to August Schmarsow and gained his doctorate in 1897 with a thesis on Early Netherlandish painting. He travelled widely before settling in Leipzig as a private scholar - there he and Ulrich Thieme edited the first four volumes of the '' Allgemeinen Lexikons der bildenden Künstler von der Antike bis zur Gegenwart'' until he resigned in 1910 due to ill health. Works Author * ''Schriftquellen zur Geschichte der altniederländischen Malerei nach den Hauptmeistern chronologisch geordnet''. Sellmann & Henne, Leipzig 1897, zugleich Dissertation, Universität Leipzig 1898 * ''Beschreibender Kat ...
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Ulrich Thieme
Ulrich Thieme (31 January 1865 in Leipzig – 25 March 1922 in Leipzig) was a German art historian. He was the son of the industrialist and art collector Alfred Thieme (1830–1906), brother of the publisher Georg Thieme (1830–1906) and grandfather of the painter Peter Flinsch (1920–2010). Life He attended the and passed the Abitur in 1886. He enrolled at the Ruprecht-Karls-Universität Heidelberg for chemistry and physics and became active in the in 1886. Kösener Corpslisten 1930, 69, 809; 94, 261. He changed to the Humboldt University of Berlin and the Leipzig University. In 1887 he also joined the. In his home town Leipzig he studied art history and archaeology from 1888 to 1891. With a doctoral thesis about the painter and graphic artist Hans Leonhard Schäufelein with Anton Springer he was awarded the Dr. phil. in 1892. Dissertation: ''Hans Leonhard Schaeuffeleins malerische Thätigkeit''. After travelling through various countries, he was with Wilhelm von Bod ...
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Endpaper
The endpapers or end-papers of a book (also known as the endsheets) are the pages that consist of a double-size sheet folded, with one half pasted against an inside cover (the pastedown), and the other serving as the first free page (the free endpaper or flyleaf). Thus, the front endpapers precede the title page and the text, whereas the back endpapers follow the text. Booksellers sometimes refer to the front endpaper as FEP. Before mass printing in the 20th century it was common for the endpapers of books to have paper marbling. Sometimes the endpapers are used for maps or other relevant information. They are the traditional place to put bookplates, or an owner's inscription. , there are many styles of endsheets or endpapers that are specifically designed for use with different bindings. For example, endsheets reinforced with cloth are used in sewn bindings. The cloth holds the stitches and prevents the paper from perforating and tearing. Other styles are designed for use wit ...
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Jean Le Pautre
Jean Le Pautre or Lepautre (baptised 28 June 1618; died 2 February 1682) was a French designer and engraver, the elder brother of the architect Antoine Le Pautre, the father of the engravers Pierre Le Pautre and Jacques Le Pautre, and the uncle of the sculptor Pierre Lepautre. Jean Le Pautre was an apprentice to a carpenter and builder. In addition to learning mechanical and constructive work, he developed considerable skill with the pencil. His designs, innumerable in quantity and exuberant in content, consisted mainly of ceilings, friezes, chimney-pieces, doorways and mural decorations. He also devised fire-dogs, sideboards, cabinets, console tables, mirrors and other pieces of furniture. Le Pautre was long employed at the Gobelins manufactory. His work is often very flamboyant and elaborate. He frequently used amorini and swags, arabesques and cartouches in his work. His chimney-pieces, in contrast, were often simple and elegant. His engraved plates, nearly 1,500 in numbe ...
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Gaspard And Balthazard Marsy
The brothers Gaspard (born 1624 or 1625, died 10 December 1681) and Balthazar Marsy (baptised 6 January 1628, died May 1674) were French sculptors. Originally from Cambrai, they moved to Paris and were employed by King Louis XIV, particularly for the decoration of the palace and gardens at Versailles. Their sister Jeanne was married to the sculptor Pierre Le Gros the Elder and was the mother of the sculptor Pierre Le Gros the Younger. Works *''Bassin d'Encelade'' (Basin of Enceladus; 1675–1677), Versailles References * Gerhard Bissell''Marsy (family of sculptors)'' in: ''Allgemeines Künstlerlexikon Thieme-Becker is a German biographical dictionary of artists. Thieme-Becker The dictionary was begun under the editorship of Ulrich Thieme (1865–1922) (volumes one to fifteen) and Felix Becker (1864–1928) (volumes one to four). It was complet ... (Artists of the World)'', Vol. 87, de Gruyter, Berlin 2015, from p. 308 (in German). *Thomas Hedin, ''The Sculpture of G ...
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Louis XIV
, house = Bourbon , father = Louis XIII , mother = Anne of Austria , birth_date = , birth_place = Château de Saint-Germain-en-Laye, Saint-Germain-en-Laye, France , death_date = , death_place = Palace of Versailles, Versailles, France , burial_date = 9 September 1715 , burial_place = Basilica of Saint-Denis , religion = Catholicism (Gallican Rite) , signature = Louis XIV Signature.svg Louis XIV (Louis Dieudonné; 5 September 16381 September 1715), also known as Louis the Great () or the Sun King (), was King of France from 14 May 1643 until his death in 1715. His reign of 72 years and 110 days is the longest of any sovereign in history whose date is verifiable. Although Louis XIV's France was emblematic of the age of absolutism in Europe, the King surrounded himself with a variety of significant political, military, and cultural figures, such as Bossuet, Colbert, Le Brun, Le Nôtre, Lully, Mazarin, Molière, Racine, Turenne, ...
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French King
France was ruled by monarchs from the establishment of the Kingdom of West Francia in 843 until the end of the Second French Empire in 1870, with several interruptions. Classical French historiography usually regards Clovis I () as the first king of France, however historians today consider that such a kingdom did not begin until the establishment of West Francia. Titles The kings used the title "King of the Franks" ( la, Rex Francorum) until the late twelfth century; the first to adopt the title of "King of France" (Latin: ''Rex Franciae''; French: ''roi de France'') was Philip II in 1190 (r. 1180–1223), after which the title "King of the Franks" gradually lost ground. However, ''Francorum Rex'' continued to be sometimes used, for example by Louis XII in 1499, by Francis I in 1515, and by Henry II in about 1550; it was also used on coins up to the eighteenth century. During the brief period when the French Constitution of 1791 was in effect (1791–1792) and afte ...
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Pierre Le Gros The Elder
Pierre Le Gros the Elder (baptised 27 May 1629 Chartres – died 11 May 1714 Paris)Gerhard Bissell, ''Le Gros, Pierre (1629)'', in: Allgemeines Künstlerlexikon, vol. 83, de Gruyter, Berlin 2014, . was a French sculptor in the service of King Louis XIV. Family His first wife, Jeanne (married 1663), was the sister of the sculptors Gaspard and Balthazard Marsy, and gave him a son, the better known Pierre Le Gros the Younger who worked almost entirely in Rome. Shortly after Jeanne's early death in 1668, he married in 1669 his second wife Marie, the daughter of the builder and architect Jean le Pautre and niece of the engraver Jean le Pautre. With her, he had another son, Jean (1671-1745), who was to become a portrait painter. Life In Paris, Le Gros entered the workshop of Jacques Sarazin as a pupil and later close assistant. He was working on the large funeral monument for the heart of the prince de Condé in the 1650s and, after Sarazin's death in 1660, took on the responsib ...
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