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Pierre Julien
Pierre Julien (20 June 1731 – 17 December 1804) was a French sculptor who worked in a full range of rococo and neoclassical styles. He served an early apprenticeship at Le Puy-en-Velay, near his natal village of Saint-Paulien, then at the École de dessin of Lyon, then entered the Parisian atelier of Guillaume Coustou the Younger. In 1765 he won a Prix de Rome for sculpture with a bas-relief panel of a subject from Antiquity and entered the École royale des élèves protégés, which offered a special course of study under the direction of the painter Louis-Michel van Loo. He was a pensionnaire at the French Academy in Rome, 1768 to 1773, where he was influenced by the tide of neoclassicism that affected his fellow students. As pensionnaires were expected to do, he sent back to France a marble copy from the Antique, slightly reduced in scale, of the so-called ''Cleopatra'', the Vatican's '' Sleeping Ariadne'', which remains at Versailles. On his return to France and his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée Du Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jupiter (mythology)
Jupiter ( la, Iūpiter or , from Proto-Italic "day, sky" + "father", thus " sky father" Greek: Δίας or Ζεύς), also known as Jove (gen. ''Iovis'' ), is the god of the sky and thunder, and king of the gods in ancient Roman religion and mythology. Jupiter was the chief deity of Roman state religion throughout the Republican and Imperial eras, until Christianity became the dominant religion of the Empire. In Roman mythology, he negotiates with Numa Pompilius, the second king of Rome, to establish principles of Roman religion such as offering, or sacrifice. Jupiter is usually thought to have originated as a sky god. His identifying implement is the thunderbolt and his primary sacred animal is the eagle, which held precedence over other birds in the taking of auspices and became one of the most common symbols of the Roman army (see Aquila). The two emblems were often combined to represent the god in the form of an eagle holding in its claws a thunderbolt, freque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amalthea (mythology)
In Greek mythology, Amalthea or Amaltheia (Ancient Greek: Ἀμάλθεια) is the most-frequently mentioned foster-mother of Zeus. Etymology The name ''Amalthea'', in Greek "tender goddess", is clearly an epithet, signifying the presence of an earlier nurturing goddess or maiden-goddess whom the Hellenes, whose myths we know, knew to be located in Crete, where Minoans may have called her a version of " Dikte". Mythology There were different traditions regarding Amalthea. Amalthea is sometimes represented as the goat who suckled the infant-god in a cave in Cretan Mount Aigaion ("Goat Mountain"), sometimes as a goat-tending nymph of uncertain parentage (the daughter of Oceanus, Helios, Haemonius, or—according to Lactantius—Melisseus), who brought him up on the milk of her goat. The possession of multiple and uncertain mythological parents indicates wide worship of a deity in many cultures having varying local traditions. Other names, like Adrasteia, Ide, the nymph of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palais Du Louvre
The Louvre Palace (french: link=no, Palais du Louvre, ), often referred to simply as the Louvre, is an iconic French palace located on the Right Bank of the Seine in Paris, occupying a vast expanse of land between the Tuileries Gardens and the church of Saint-Germain l'Auxerrois. Originally a military facility, it has served numerous government-related functions in the past, including intermittently as a royal residence between the 14th and 18th centuries. It is now mostly used by the Louvre Museum, which first opened there in 1793. Whereas the area had been inhabited for thousands of years, the Louvre's history starts around 1190 with its first construction as a castle defending the western front of the Wall of Philip II Augustus. The Louvre's oldest section still standing above ground, its Lescot Wing, dates from the late 1540s, when Francis I started the replacement of the medieval castle with a new design inspired by classical antiquity and Italian Renaissance architectu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavillon De Flore
The Pavillon de Flore, part of the Palais du Louvre in Paris, France, stands at the southwest end of the Louvre, near the Pont Royal. It was originally constructed in 1607–1610, during the reign of Henry IV, as the corner pavilion between the Tuileries Palace to the north and the Louvre's Grande Galerie to the east. The pavilion was entirely redesigned and rebuilt by Hector Lefuel in 1864–1868 in a highly decorated Napoleon III style. Arguably the most famous sculpture on the exterior of the Louvre, Jean-Baptiste Carpeaux's ''Triumph of Flora'', was added below the central pediment of the south facade at this time. The Tuileries Palace was burned by the Paris Commune in 1871, and a north facade, similar to the south facade, was added to the pavilion by Lefuel in 1874–1879. Currently, the Pavillon de Flore is part of the Musée du Louvre. Location The Pavillon de Flore is in central Paris, on the Right Bank ( French: Rive Droite) and is connected to the Louvr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toga
The toga (, ), a distinctive garment of ancient Rome, was a roughly semicircular cloth, between in length, draped over the shoulders and around the body. It was usually woven from white wool, and was worn over a tunic. In Roman historical tradition, it is said to have been the favored dress of Romulus, Rome's founder; it was also thought to have originally been worn by both sexes, and by the citizen-military. As Roman women gradually adopted the stola, the toga was recognized as formal wear for male Roman citizens. Women engaged in prostitution might have provided the main exception to this rule.. The type of toga worn reflected a citizen's rank in the civil hierarchy. Various laws and customs restricted its use to citizens, who were required to wear it for public festivals and civic duties. From its probable beginnings as a simple, practical work-garment, the toga became more voluminous, complex, and costly, increasingly unsuited to anything but formal and ceremonial use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean De La Fontaine
Jean de La Fontaine (, , ; 8 July 162113 April 1695) was a French fabulist and one of the most widely read French poets of the 17th century. He is known above all for his ''Fables'', which provided a model for subsequent fabulists across Europe and numerous alternative versions in France, as well as in French regional languages. After a long period of royal suspicion, he was admitted to the French Academy and his reputation in France has never faded since. Evidence of this is found in the many pictures and statues of the writer, later depictions on medals, coins and postage stamps. Life Early years La Fontaine was born at Château-Thierry in France. His father was Charles de La Fontaine, maître des eaux et forêts – a kind of deputy-ranger – of the Duchy of Château-Thierry; his mother was Françoise Pidoux. Both sides of his family were of the highest provincial middle class; though they were not noble, his father was fairly wealthy. Jean, the eldest child, was educa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis XVI Of France
Louis XVI (''Louis-Auguste''; ; 23 August 175421 January 1793) was the last King of France before the fall of the monarchy during the French Revolution. He was referred to as ''Citizen Louis Capet'' during the four months just before he was executed by guillotine. He was the son of Louis, Dauphin of France, son and heir-apparent of King Louis XV, and Maria Josepha of Saxony. When his father died in 1765, he became the new Dauphin. Upon his grandfather's death on 10 May 1774, he became King of France and Navarre, reigning as such until 4 September 1791, when he received the title of King of the French, continuing to reign as such until the monarchy was abolished on 21 September 1792. The first part of his reign was marked by attempts to reform the French government in accordance with Enlightenment ideas. These included efforts to abolish serfdom, remove the '' taille'' (land tax) and the ''corvée'' (labour tax), and increase tolerance toward non-Catholics as well as abo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bâtiments Du Roi
The Bâtiments du Roi (, "King's Buildings") was a division of the Maison du Roi ("King's Household") in France under the Ancien Régime. It was responsible for building works at the King's residences in and around Paris. History The Bâtiments du Roi was created by Henry IV of France to coordinate the building works at his royal palaces. Formerly, each palace had its own superintendent of works. Henry gave the task of supervising all works to Maximilien de Béthune, Duke of Sully. In the 17th century, the responsibilities of the Bâtiments du Roi extended beyond pure building works, to include the manufacture of tapestries and porcelain. In 1664, Jean-Baptiste Colbert was entitled ''surintendant et ordonnateur général des bâtiments, arts, tapisseries et manufactures de France'' ("superintendent and director-general of building, art, tapestries and factories of France"). This title was retained by several of his successors. Other areas that came within under the control ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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