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Piazzetta
Giovanni Battista Piazzetta (also called Giambattista Piazzetta or Giambattista Valentino Piazzetta) (February 13, 1682 or 1683 – April 28, 1754) was an Italian Rococo art, Italian Rococo painter of religious subjects and Genre works, genre scenes. Biography Piazzetta was born in Venice, the son of a sculptor Giacomo Piazzetta, from whom he had early training in wood carving. Starting in 1697 he studied with the painter Antonio Molinari (painter), Antonio Molinari. By Piazzetta's account, he studied under Giuseppe Maria Crespi while living in Bologna in 1703–05, although there is no record by Crespi of formal tutelage. Thanks to Crespi, Carlo Cignani's influence reached Piazzetta. Piazzetta did find inspiration in Crespi's art, in which the chiaroscuro of Michelangelo Merisi da Caravaggio, Caravaggio was transformed into an idiom of graceful charm in his pictures of common folk. He was also greatly impressed by the altarpieces created by another Bolognese painter of a half- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Ricci
Sebastiano Ricci (1 August 165915 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was the uncle of Marco Ricci (1676 – 1730), who trained with him, and became an innovator in landscape painting. Early years He was born in Belluno, the son of Andreana and Livio Ricci. In 1671, he was apprenticed to Federico Cervelli of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young woman in question to avoid marriage. He was imprisoned, and released only after the intervention of a nobleman, probably a Pisani family member. He eventually married the mother of his child in 1691, although this was a stormy union ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulia Lama
Giulia Lama (1 October 1681 – 7 October 1747) was an Italian painter, active in Venice. Her dark, tense style contrasted with the dominant pastel colors of the late Baroque era. Biography Lama was born in the parish of Santa Maria Formosa in Venice. She was trained initially by her father, the painter Agostino Lama. She may have studied alongside a childhood friend, Giambattista Piazzetta (1682–1754), at the Scuola di Antonio Molinari (painter), Antonio Molinari in Venice. As a result of learning together their styles are similar in the sharp contrasts of light and shade. Piazzetta painted a portrait of his friend in c.1715–1720. A letter written by the Antonio Schinella Conti, Abate Conti to Marquise de Caylus, Madame de Caylus in March 1728 has been important in determining Lama's background and character. He remarks, "The poor girl is persecuted by the painters, but her virtue triumphs over her enemies. It is true that she is as ugly as she is witty but she speaks wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Dei Santi Giovanni E Paolo (Venice)
The Basilica dei Santi Giovanni e Paolo, known in Venetian as San Zanipolo, is a church in the Castello ''sestiere'' of Venice, Italy. One of the largest churches in the city, it has the status of a minor basilica. After the 15th century the funeral services of all of Venice's doges were held here, and twenty-five doges are buried in the church. Description The huge brick edifice was designed in the Italian Gothic style, and completed in the 1430s. It is the principal Dominican church of Venice, and as such was built to hold large congregations. It is dedicated to John and Paul, not the Biblical Apostles of the same names, but two obscure martyrs of the Early Christian church in Rome, whose names were recorded in the 4th century but whose legend is of a later date. In 1246, Doge Jacopo Tiepolo donated some swampland to the Dominicans after dreaming of a flock of white doves flying over it. The first church was demolished in 1333, when the current church was begun. It was not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Maria Crespi
Giuseppe Maria Crespi (March 14, 1665 – July 16, 1747), nicknamed Lo Spagnuolo ("The Spaniard"), was an Italian late Baroque painter of the Bolognese School. His eclectic output includes religious paintings and portraits, but he is now most famous for his genre paintings. Giuseppe Crespi, together with Giambattista Pittoni, Giovan Battista Tiepolo, Giovan Battista Piazzetta, Canaletto and Francesco Guardi forms the traditional great Old Masters painters of that period. Biography Crespi was born in Bologna to Girolamo Crespi and Isabella Cospi. His mother was a distant relation of the noble Cospi family, which had ties to the Florentine House of Medici. He was nicknamed "the Spanish One" (Lo Spagnuolo) because of his habit of wearing tight clothes characteristic of Spanish fashion of the time. By age 12 years, he apprenticed with Angelo Michele Toni (1640–1708). From the age of 15–18 years, he worked under the Bolognese Domenico Maria Canuti. The Roman painter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'Å“il'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Tiepolo
Giovanni Battista Tiepolo ( , ; March 5, 1696 – March 27, 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain. Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period. Successful from the beginning of his career, he has been described by Michael Levey as "the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman." Biography ''The Glory of St. Dominic'', 1723 Early life (1696–1726) Born in Venice, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a family th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Rococo Art
Italy, Italian Rococo art refers to painting and the plastic arts in Italy during the Rococo period, which went from about the early/mid-18th to the late 18th century. History and background Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the History of Italian culture (1700s), settecento. The leading artistic centres during the Rococo in Italy were Venice, Genoa and Rome. Most Italian Rococo artists came from Venice, such as Canaletto, Giovanni Battista Tiepolo, Tiepolo, Guardi, Piazzetta and Bernardo Bellotto, Bellotto, but also from Rome and Genoa, such as Giovanni Battista Piranesi, Piranesi and Giovanni Paolo Pannini, Pannini. Artists such as Giuseppe Castiglione (Jesuit), Castiglione and Alessandro Magn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Marco Pitteri
Giovanni Marco Pitteri (1703–1767) was an Italian engraver of the late Baroque period in his native Venice. He engraved densely incised portraits with shading of almost photographic quality. He is said to have trained under Giovanni Antonio Faldoni, and to have engraved in the style of Mellan. He engraved a drawing of Saint Philip by Piazzetta, in whose studio he worked. He had as one of his pupils Giovanni Domenico Lorenzi. (1891). page 434. Diego Zannandreis, Giuseppe Biadego Gallery [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gallerie Dell'Accademia
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the ''vaporetto'' water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili. History Early history The Accademia di Belle Arti di Venezia was founded on 24 September 1750; the statute dates from 1756.Accademia di belle arti di Venezia, 1750–2010. Cenni storici (in Italian). A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Marinetti
Antonio Marinetti, also called ''il Chiozzotro'' (Chioggia, born circa 1700) was an Italian painter, active in a late-Baroque style. ''Ragazzo con mela'' - Ca' Rezzonico, Venice Biography He was a pupil of Giovanni Battista Piazzetta. He painted the main altarpiece for the Church of Sant'Agostino in Treviso, depicting a ''Virgin and Child with St Augustine and the Blessed Girolamo Miani Gerolamo Emiliani, CRS ( it, Gerolamo Emiliani also Jerome Aemilian, Hiëronymus Emiliani) (1486 – 8 February 1537) was an Italian humanitarian, founder of the Somaschi Fathers, and is considered a saint by the Catholic Church. Born in Ven ...''. Miani was one of the founders of the Order of Somaschi priests. He also painted for the same church, a ''Guardian Angel'' and ''Glory of St Joseph with Saint Anne and the Holy Family''. For the church of San Lorenzo in Treviso, he painted a St Anthony Abbot. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Heinrich Tischbein
Johann Heinrich Tischbein the Elder, known as the Kasseler Tischbein, (3 October 1722, Haina – 22 August 1789, Kassel) was one of the most respected European painters in the 18th century and an important member of the Tischbein family of German painters, which spanned three generations. His work consisted primarily of portraits of the nobility, mythological scenes, and historical paintings. For his mythology paintings his models were mostly members of the upper nobility. Life His father was Johann Tischbein (1682-1764), a baker; five of whose eight children became painters. From 1736 to 1741, he studied wallpaper painting and, later, oil painting with Johann Georg von Freese (1701–1775), after which he worked in the service of small princely courts. In 1743, thanks to the sponsorship of Count Johann Philipp von Stadion, he was able to go to Paris and study with Carle van Loo. In 1749, he travelled to Venice to study with Giovanni Battista Piazzetta, then spent a year in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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