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Piano For Nuria
''Piano for Nuria'' is an album by pianist Tete Montoliu recorded in 1968 and released on the German label, SABA. Retrieved June 19, 2017 Reception Ken Dryden of stated: "The opening track is a startling original blues by Montoliu that mixes the flavor of Monk's dissonance with the Catalonian's own furious hard bop technique. Trunk contributed both the bluesy waltz 'Tranquillogy' and the unpredictable 'Visca l'Ampurda,' which must have been a challenge to learn. Montoliu's approach to standards like 'Alone Together' and 'Speak Low' is more typical, while he tackles 'I Surrender, Dear' as a solo. Unlike most recordings issued by Brunner-Schwer, the piano on ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tete Montoliu
Vicenç Montoliu i Massana, better known as Tete Montoliu (28 March 1933 – 24 August 1997) was a Spanish jazz pianist from Catalonia, Spain. Born blind, he learnt braille music at age seven. His styles varied from hard bop, through afro-Cuban, world fusion, to post bop. He recorded with Lionel Hampton in 1956 and played with saxophonist Roland Kirk in 1963. He also worked with leading American jazz musicians who toured in, or relocated to Europe including Kenny Dorham, Dexter Gordon, Ben Webster, Lucky Thompson, and Anthony Braxton. Tete Montoliu recorded two albums in the US, and recorded for Enja, SteepleChase Records, and Soul Note in Europe. Biography Montoliu was born blind, in the Eixample district of Barcelona, Spain, and died in the same city. He was the only son of Vicenç Montoliu (a professional musician) and Àngela Massana, a jazz enthusiast, who encouraged her son to study piano. Montoliu's earliest piano teaching took place under the tutelage of Enric Mas at the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Barris
Harry Barris (November 24, 1905 – December 13, 1962) was an American popular singer and songwriter. He was one of the earliest singers to use "scat singing" in recordings. Barris, one of Paul Whiteman's Rhythm Boys, along with Bing Crosby and Al Rinker, scatted on several songs, including "Mississippi Mud," which Barris wrote in 1927. Biography Barris was born to Jewish parents in New York City. Gary Giddins described him as "small, wiry, and moon-faced with glittery eyes, and dark hair slicked back and parted in the middle." He was educated in Denver, Colorado. Barris became a professional pianist at the age of 14. He led a band which toured the Far East at the age of 17. Barris married Hazelle Thompson in 1925 and they had a daughter, Hazelle Barris, in 1926. The same year, Barris played the piano and occasionally sang in Paul Ash's orchestra. In the same year, Al Rinker and Bing Crosby became members of Paul Whiteman's Orchestra as a singing duo. However, appearing at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tete Montoliu Albums
Tete is the capital city of Tete Province in Mozambique. It is located on the Zambezi River, and is the site of two of the four bridges crossing the river in Mozambique. A Swahili trade center before the Portuguese colonial era, Tete continues to dominate the west-central part of the country and region, and is the largest city on the Zambezi. In the local language, Nyungwe, Tete (or Mitete) means "reed". History The region was an important Swahili trade center before the Portuguese colonial era. On the east coast of Africa the Portuguese were drawn to Mozambique and the Zambezi river by news of a local ruler, the Munhumutapa, who was said to have had fabulous wealth in gold. In their efforts to reach the Munhumutapa, the Portuguese established in 1531 two settlements far up the Zambezi – one of them, at Tete, some from the sea. The Munhumutapa Kingdom and gold mines remained autonomous and mostly isolated from the Portuguese. But in this region of east Africa – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Heath
Albert "Tootie" Heath (born May 31, 1935) is an American jazz hard bop drummer, the brother of tenor saxophonist Jimmy Heath and the double-bassist Percy Heath. Born in Philadelphia, Pennsylvania, United States, he first recorded in 1957 with John Coltrane. From 1958 to 1974, he worked with, among others, J. J. Johnson, Wes Montgomery, Art Farmer and Benny Golson's Jazztet, Cedar Walton, Bobby Timmons, Kenny Drew, Sonny Rollins, Dexter Gordon, Johnny Griffin, Herbie Hancock, Friedrich Gulda, Nina Simone, and Yusef Lateef. In 1975, he, Jimmy and Percy formed the Heath Brothers. He remained with the group until 1978, then left to freelance. He has recorded extensively throughout his career. Among his many workshop and classroom teaching assignments, Heath is a regular instructor at the Stanford Jazz Workshop. Tootie Heath is now the producer and leader of The Whole Drum Truth, a jazz drum ensemble featuring Ben Riley, Ed Thigpen, Jackie Williams, Billy Hart, Charlie Persip, Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Trunk
Peter Trunk (May 17, 1936, Frankfurt – December 31, 1973, New York) was a German jazz double-bassist. Trunk played late in the 1950s in concert and on radio with Kenny Clarke, Stan Getz, Albert Mangelsdorff, and Zoot Sims. During this time he also recorded with Hans Koller. In the 1960s, he worked with Benny Bailey, Don Byas, Klaus Doldinger, Dusko Goykovich, Volker Kriegel, Tete Montoliu, Manfred Schoof, Lucky Thompson and Ben Webster. In 1972 he recorded with Kurt Edelhagen. On New Year's Eve, 1973, he was killed in a car accident. Discography As sideman * Benny Bailey, ''Midnight in Europe'' (MCE 1964) * Klaus Doldinger, ''Live at Blue Note Berlin'' (Philips, 1963) * Klaus Doldinger, ''Doldinger in Sud Amerika'' (Philips, 1965) * Klaus Doldinger, ''Goes On'' (Philips, 1967) * Dusko Goykovich, ''Swinging Macedonia'' (Philips, 1967) * George Gruntz, ''Jazz Goes Baroque'' (Philips, 1964) * George Gruntz, ''Jazz Goes Baroque 2'' (Philips, 1965) * Ingfried Hoffmann, ''From Twen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Golson
Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982. In addition to " I Remember Clifford", many of Golson's compositions have become jazz standards including "Blues March", " Whisper Not", and "Killer Joe". Biography While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackson's rhythm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gordon Clifford (lyricist)
Gordon Clifford (1902–1968) was an American lyricist who wrote music for Hollywood films in the 1930s. His best-known songs include Nacio Herb Brown's "Paradise", Alfred Newman's "Who Am I?" and Harry Barris's "It Must Be True" and "I Surrender Dear". Clifford was born in Rhode Island and started studying the violin as a child. His first success as a songwriter came in the early 1930s, when Bing Crosby recorded "It Must Be True" and "I Surrender Dear" with Gus Arnheim's orchestra. The latter song has been recorded by many artists and is considered a jazz standard. Pola Negri sang Clifford and Nacio Herb Brown's "Paradise" in the 1931 film ''A Woman Commands ''A Woman Commands'' is a 1932 American pre-Code film directed by Paul L. Stein and starring Pola Negri, Roland Young, and Basil Rathbone. Some additional scenes were directed by an uncredited Harry Joe Brown. Cast *Pola Negri as Madame Maria ...''. Although the film was unsuccessful, Bing Crosby's cover version of "Parad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Surrender Dear
"I Surrender Dear" (sometimes written as "I Surrender, Dear") is a song composed by Harry Barris with lyrics by Gordon Clifford, first performed by Gus Arnheim and His Cocoanut Grove Orchestra with Bing Crosby in 1931, which became his first solo hit.I Surrender Dear at ''jazzstandards.com'' - retrieved on 27 April 2009 This is the song that caught the attention of William Paley, president of CBS, who signed him for $600 a week in the fall of 1931. In 1931, it was performed by , as well as , under the pseudonym "Mickie Alpert". It has been covered by many arti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
