Piano Summer
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Piano Summer
Piano Summer is an international summer institute and festival dedicated solely to piano music it was founded in 1995. It features an integrated approach to learning and performance under the artistic direction of master pianist and teacher Vladimir Feltsman. Gifted students from around the world join devoted musicians and teachers to learn more about the art of the piano. The Piano Summer is a part of the SUNY New Paltz Music Department. Festival Symphony Gala The Jacob Flier Piano Competition was established to honor a distinguished Russian pianist. The pianist taught for many years at the Moscow Conservatory and brought up generations of prominent musicians including Vladimir Feltsman. The winner performs a piano concerto with the Hudson Valley Philharmonic as part of the Symphony Gala. The performance is conducted by Maestro Vladimir Feltsman and concludes the three-week program. The second and third-place winners share a recital. In addition, all three winners receive sc ...
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Vladimir Feltsman
Vladimir Oskarovich Feltsman (russian: Владимир Оскарович Фельцман, ''Vladimir Oskarovič Feltsman'' (born 8 January 1952) is a Russian-American classical pianist of Lithuanian Jewish descent particularly noted for his devotion to the music of Johann Sebastian Bach. Background Vladimir Oskarovich Feltsman was born on January 8, 1952, in Moscow. His father, the composer Oscar Feltsman, was known in the Soviet Union for popular songs and musical comedies. Vladimir Feltsman debuted with the Moscow Philharmonic at eleven (11) years of age. He studied at the Moscow Tchaikovsky, Moscow, and Leningrad (now St. Petersburg) Conservatories. In 1971, he won the Grand Prix at the Marguerite Long International Piano Competition in Paris, followed by tours in the former Soviet Union, Europe, and Japan, thus beginning his adult career. Career In 1979, because of his growing discontent with the official Soviet ideology and rigid governmental control of the art ...
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Music Festivals Established In 1995
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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Rhapsody In Blue
''Rhapsody in Blue'' is a 1924 musical composition written by George Gershwin for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects. Commissioned by bandleader Paul Whiteman, the work premiered in a concert titled "An Experiment in Modern Music" on February 12, 1924, in Aeolian Hall, New York City. Whiteman's band performed the rhapsody with Gershwin playing the piano. Whiteman's arranger Ferde Grofé orchestrated the rhapsody several times including the 1924 original scoring, the 1926 pit orchestra scoring, and the 1942 symphonic scoring. The rhapsody is one of Gershwin's most recognizable creations and a key composition that defined the Jazz Age. Gershwin's piece inaugurated a new era in America's musical history, established Gershwin's reputation as an eminent composer, and eventually became one of the most popular of all concert works. The ''American Heritage'' magazine posits that the famous opening clarinet glissando has ...
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Concerto In F (Gershwin)
Concerto in F is a composition by George Gershwin for solo piano and orchestra which is closer in form to a traditional concerto than his earlier jazz-influenced ''Rhapsody in Blue''. It was written in 1925 on a commission from the conductor and director Walter Damrosch. It is just over half an hour long. Genesis of the Concerto Damrosch had been present at the February 12, 1924 concert arranged and conducted by Paul Whiteman at Aeolian Hall in New York City titled ''An Experiment in Modern Music'' which became famous for the premiere of Gershwin's ''Rhapsody in Blue'', in which the composer performed the piano solo. The day after the concert, Damrosch contacted Gershwin to commission from him a full-scale piano concerto for the New York Symphony Orchestra, closer in form to a classical concerto and orchestrated by the composer. Because of contractual obligations for three different Broadway musicals, he was not able to begin sketching ideas until May 1925. He began the two-p ...
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Rhapsody On A Theme Of Paganini
The ''Rhapsody on a Theme of Paganini'', Op. 43, (russian: Рапсодия на тему Паганини, ''Rapsodiya na temu Paganini'') is a concertante work written by Sergei Rachmaninoff for piano and orchestra, closely resembling a piano concerto, all in a single movement. Rachmaninoff wrote the work at his summer home, the Villa Senar in Switzerland, according to the score, from 3 July to 18 August 1934. Rachmaninoff himself, a noted performer of his own works, played the piano part at the piece's premiere on 7 November 1934, at the Lyric Opera House in Baltimore, Maryland, with the Philadelphia Orchestra conducted by Leopold Stokowski. Rachmaninoff, Stokowski, and the Philadelphia Orchestra made the first recording, on 24 December 1934, at RCA Victor's Trinity Church Studio in Camden, New Jersey. The English premiere on 7 March 1935 at Manchester Free Trade Hall also featured Rachmaninoff with The Hallé under Nikolai Malko. The best-known variation in the piece is t ...
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Symphonic Variations (Franck)
The ''Symphonic Variations'' (''Variations symphoniques''), M. 46, is a work for piano and orchestra written in 1885 by César Franck. It has been described as "one of Franck's tightest and most finished works", "a superb blending of piano and orchestra", and "a flawless work and as near perfection as a human composer can hope to get in a work of this nature". It is a fine example of Franck's use of cyclic unity, with one theme growing into various others. The piano and orchestra share equally in the continuous evolution of ideas. The work is in F minor (with the last movement in F major). Duration in performance is about fifteen minutes, and the instrumentation is piano solo and orchestra: pairs of flutes, oboes, clarinets, and bassoons; four horns; two trumpets; timpani; and strings. History The work was dedicated to Louis Diémer, who on 15 March 1885 had premiered '' Les Djinns'', a symphonic poem for piano and orchestra that brought Franck one of his rare critical su ...
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Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Barber
A barber is a person whose occupation is mainly to cut, dress, groom, style and shave men's and boys' hair or beards. A barber's place of work is known as a "barbershop" or a "barber's". Barbershops are also places of social interaction and public discourse. In some instances, barbershops are also public fora. They are the locations of open debates, voicing public concerns, and engaging citizens in discussions about contemporary issues. In previous times, barbers (known as barber surgeons) also performed surgery and dentistry. With the development of safety razors and the decreasing prevalence of beards in Anglophonic cultures, most barbers now specialize in cutting men's scalp hair as opposed to facial hair. Terminology In modern times, the term "barber" is used both as a professional title and to refer to hairdressers who specialize in men's hair. Historically, all hairdressers were considered barbers. In the 20th century, the profession of cosmetology branched off from ...
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Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a ''Ritter'' (knight) by Emperor Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of ...
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