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Piano Quartet (Strauss)
The Piano Quartet in C minor, Op. 13, TrV 137, was written by Richard Strauss from 1884 to 1885. An early chamber music work of the then 20-year-old composer, it shows considerable influence from Johannes Brahms. It is scored for a standard piano quartet consisting of a piano, violin, viola, and cello. At the premiere on 8 December 1885 in Weimar, Strauss himself performed the piano part. The work consists of four movements, with a total playing time of 37 to 40 minutes. The first movement is in sonata form with many sharp contrasts and a constantly switching mood. The second movement is a light and playful scherzo dominated by a leaping motif. The third movement is lyrical and reflective, while the finale revisits the turbulent mood of the opening movement. The work was favorably received by the press and public. Strauss submitted it to a competition of the ''Berliner Tonkünstlerverein'' and was awarded the first prize out of 24 entries. Though the Piano Quartet ultimately ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Quartet
A piano quartet is a chamber music composition for piano and three other instruments, or a musical ensemble comprising such instruments. Those other instruments are usually a string trio consisting of a violin, viola and cello. Piano quartets for that standard lineup were written by Wolfgang Amadeus Mozart, Robert Schumann, Ludwig van Beethoven, Johannes Brahms, Antonín Dvořák and Gabriel Fauré among others. In the 20th-century classical music, 20th century, composers have also written for more varied groups, with Anton Webern's ''Quartet'', opus 22 (1930 in music, 1930), for example, being for piano, violin, clarinet and tenor saxophone, and Paul Hindemith's quartet (1938) as well as Olivier Messiaen's ''Quatuor pour la fin du temps'' (1940 in music, 1940) both for piano, violin, cello and clarinet. An early example of this can be found in Franz Berwald's quartet for piano, horn, clarinet and bassoon (1819 in music, 1819), his opus number, opus 1. A rare form of piano quartets ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Quartet No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strauss - Piano Quartet - I
Strauss, Strauß or Straus is a common Germanic surname. Outside Germany and Austria ''Strauß'' is always spelled ''Strauss'' (the letter " ß" is not used in the German-speaking part of Switzerland). In classical music, "Strauss" usually refers to Richard Strauss or Johann Strauss II. The name has been used by families in the Germanic area for at least a thousand years. The overlord of Gröna, for example, went by the name of Struz and used the image of an ostrich as his symbol. Examples of it could still be seen on the thousand-year-old church bell of that town. "Struz" or "Strutz" is the North-German form of the word "Strauss", which is the modern German word for ostrich. Some of the earliest Jewish bearers of the name hailed from the Judengasse in medieval Frankfurt, where families have been known by the name of the houses they inhabited. All the houses had names and these included Haus Strauss, complete with an image of an ostrich on the façade. When, for tax purposes, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meiningen
Meiningen () is a town in the southern part of the state of Thuringia, Germany. It is located in the region of Franconia and has a population of around 25,000 (2021)." target="_blank" class="mw-redirect" title="City of Meiningen, citizen service">City of Meiningen, citizen service Jahresrückblick 2021 (year review), PDF (4,4 MB). Meiningen is the capital and the largest town of the Schmalkalden-Meiningen district. From 1680 to 1920, Meiningen was the capital of the Duchy (and briefly of the Free State) of Saxe-Meiningen. Meiningen is considered the cultural, judicial and financial centre of southern Thuringia and thus hosts the state theatre, justice center, state archives, bank buildings and many museums. It is economically reliant on mechanical engineering, high-tech industry and tourism. The dialect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meiningen Court Orchestra
The Meiningen Court Orchestra (german: Meininger Hofkapelle) is one of the oldest and most traditional orchestras in Europe. Since 1952 the now 68-member orchestra has been affiliated to the Meiningen Court Theatre and in addition to their opera performances regularly give symphony concerts and youth concerts. The incumbent music director (GMD) is Philippe Bach. History The Saxe-Meiningen ducal court orchestra was founded in 1690 by Duke Bernhard I. The rise of the initially small ensemble began under the direction of the Baroque composer Georg Caspar Schürmann from 1702 to 1707. From 1711 until 1731 Johann Ludwig Bach, a second cousin of Johann Sebastian Bach, served as conductor, succeeded by his relatives Gottlieb Friedrich and Johann Philipp Bach. In 1867 the Court Orchestra under principal conductor Emil Blücher together with Franz Liszt held a festival of the ''Allgemeiner Deutscher Musikverein'' (General German Music Association) promoting contemporary composers like Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munich
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the States of Germany, German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the List of cities in Germany by population, third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the List of cities in the European Union by population within city limits, 11th-largest city in the European Union. The Munich Metropolitan Region, city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar (a tributary of the Danube) north of the Northern Limestone Alps, Bavarian Alps, Munich is the seat of the Bavarian Regierungsbezirk, administrative region of Upper Bavaria, while being the population density, most densely populated municipality in Germany (4,500 people per km2). Munich is the second-largest city in the Bavarian dialects, Bavarian dialect area, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Mark (1871)
The German mark (german: Goldmark ; sign: ℳ) was the currency of the German Empire, which spanned from 1871 to 1918. The mark was paired with the minor unit of the pfennig (₰); 100 pfennigs were equivalent to 1 mark. The mark was on the gold standard from 1871–1914, but like most nations during World War I, the German Empire removed the gold backing in August 1914, and gold and silver coins ceased to circulate. After the fall of the Empire due to the November Revolution of 1918, the mark was succeeded by the Weimar Republic's mark, derisively referred to as the Papiermark ("Paper mark") due to hyperinflation in the Weimar Republic from 1918–1923. History The introduction of the German mark in 1873 was the culmination of decades-long efforts to unify the various currencies used by the German Confederation.pp 205-218 https://books.google.com/books?id=GrJCAAAAIAAJ&pg=PA205#v=onepage&q&f=false The Zollverein unified in 1838 the Prussian and South German currenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello Sonata (Strauss)
Richard Strauss composed his Cello Sonata in F major, Op. 6, TrV 115, in 1883 when he was 19 years old. It was dedicated to the Czech cellist Hanuš Wihan, who gave the premiere in 1883. It rapidly became a standard part of the cello repertoire. Composition history Strauss completed the first version of the Cello Sonata on 5 May 1881. His sister Johanna was a good friend of Dora Wihan, a talented pianist and wife of the cellist Hanuš Wihan (he was known by the first name ''Hans'' in Germany), who played in the Munich Court orchestra along with Richard's father Franz. "Through these relationships, Strauss came to know Wihan and his instrument's idiomatic possibilities". He composed and dedicated the sonata for "his dear friend" (''Seinem lieben Freunde'') Hans Wihan. On the first manuscript, he added a verse by Austrian poet Franz Grillparzer: In March 1883 he revised the sonata into its current form, notably replacing the original finale with a completely new one. The sonata ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Wüllner
Franz Wüllner (28 January 1832 – 7 September 1902) was a German composer and conductor. He led the premieres of Wagner's ''Das Rheingold'' and ''Die Walküre'', but was much criticized by Wagner himself, who greatly preferred the more celebrated conductors Hans von Bülow and Hermann Levi. Biography Wüllner was born in Münster and studied in his native place, and at Frankfurt, Berlin, Brussels, and Munich. Among his teachers was Anton Schindler, who styled himself Beethoven's amanuensis carrying on the true traditions of the master's style, a claim disputed by Beethoven's pupil Carl Czerny. In 1856 Wüllner became instructor in piano at the Munich Conservatory. He held the position of town musical director at Aix-la-Chapelle from 1858 to 1864. In 1867 he became director of the choral classes in the reorganized School of Music at Munich and wrote for them ''Chorübungen der Münchener Musikschule'', text of score reading and singing ('' Solfege'').New International Encyclope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Rheinberger
Josef Gabriel Rheinberger (17 March 1839 – 25 November 1901) was a Liechtensteiner organist and composer, residing in Bavaria for most of his life. Life Josef Gabriel Rheinberger, whose father was the treasurer for Aloys II, Prince of Liechtenstein, showed exceptional musical talent at an early age. When only seven years old, he was already serving as organist of the Vaduz parish church, and his first composition was performed the following year. In 1849, he studied with composer Philipp M. Schmutzer (31 December 1821 – 17 November 1898) in Feldkirch, Vorarlberg. In 1851, his father, who had initially opposed his son's desire to embark on the life of a professional musician, relented and allowed him to enter the Munich Conservatorium. Not long after graduating, he became professor of piano and of composition at the same institution. When this first version of the Munich Conservatorium was dissolved, he was appointed ''répétiteur'' at the Court Theatre, from which he r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Dorn
Heinrich Ludwig Egmont Dorn (14 November 1800 or 1804-10 January 1892) was a German conductor, composer, teacher, and journalist. He was born in Königsberg, where he studied piano, singing, and composition. Later, he studied in Berlin with Ludwig Berger, Bernhard Klein, and Carl Friedrich Zelter. His first opera, ''Rolands Knappen'', was produced in 1826, and was a success. Around this time, he became co-editor of the ''Berliner allgemeine Musikzeitung''. Dorn became well known as a conductor of opera, and held theatre posts at Königsberg (1828), Leipzig (1829–32), Hamburg (1832), Riga (1834–43), and Cologne (1844–8). In 1849, he became co-conductor, with Wilhelm Taubert, of the Berlin Hofoper - a post he held until 1869. Dorn taught counterpoint to the young Robert Schumann, and was a friend of Franz Liszt. He was a harsh critic of Richard Wagner, but was persuaded to conduct the opera ''Tannhäuser'', in 1855. He also wrote an opera ''Die Nibelungen'', based on the Ni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Professional Association
A professional association (also called a professional body, professional organization, or professional society) usually seeks to advocacy, further a particular profession, the interests of individuals and organisations engaged in that profession, and the public interest. In the United States, such an association is typically a nonprofit organization, nonprofit business league for tax purposes. Roles The roles of professional associations have been variously defined: "A group, of people in a learned occupation who are entrusted with maintaining control or oversight of the legitimate practice of the occupation;" also a body acting "to safeguard the public interest;" organizations which "represent the interest of the professional practitioners," and so "act to maintain their own privileged and powerful position as a controlling body." Professional associations are ill defined although often have commonality in purpose and activities. In the UK, the Science Council defines a profess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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