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Piano Concerto No. 12 (mozart)
Wolfgang Amadeus Mozart's Piano Concerto No. 12 in A major, Köchel catalogue, K. 414 (385p), was written in the autumn of 1782 in Vienna. It is scored for piano concerto, solo piano (or harpsichord), two oboes, two bassoons (optional), two Horn (instrument), horns, and string instrument, strings (consisting of violins, violas, cellos, and double basses). Like all three of the early Vienna concertos that Mozart wrote, it is a modest work that can be performed with only string quartet and keyboard (i.e., "''a quattro''"). As per 18th century performance practice a string orchestra could also have served as a suitable option for the "quattro" accompaniment. The concerto has three movements: #''Tempo#Italian tempo markings, Allegro'' in A major #''Andante'' in D major #''Allegretto'' in A major It was the first of a set of three keyboard concertos (with K. Piano Concerto No. 11 (Mozart), 413 and Piano Concerto No. 13 (Mozart), 415) that Mozart performed at his Lenten concerts in 1783. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Andreas Stein
Johann (Georg) Andreas Stein (16 May 1728 in Heidelsheim – 29 February 1792 in Augsburg) was an outstanding German maker of keyboard instruments, a central figure in the history of the piano. He was primarily responsible for the design of the so-called German hammer action. Pianos with this hammer action, or its more developed form known as the Viennese action, may be said to be appropriate for the performance of the piano music of Haydn, Mozart, and the early Beethoven.Grove, "Stein" Life Stein was born in 1728 in Heidelsheim in the Upper Palatinate. He died in Augsburg in 1792. He learned his trade as an organ builder from his father in Heidelsheim and from August 1748 to January 1749 as a journeyman at two workshops, those of Johann Andreas Silbermann in Strasbourg and of Frantz Jacob Spath in Regensburg. Johann Andreas Silbermann was the eldest of the four sons of Andreas Silbermann, the elder brother of Gottfried Silbermann. Stein settled in Augsburg, probably in 1750 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concertos By Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart's concertos for piano and orchestra are numbered from 1 to 27. The first four numbered concertos and three unnumbered concertos are early works that are arrangements of keyboard sonatas by various contemporary composers. Concertos 7 and 10 are compositions for three and two pianos respectively. The remaining twenty-one are original compositions for solo piano and orchestra. These works, many of which Mozart composed for himself to play in the Vienna concert series of 1784–86, held special importance for him . For a long time relatively neglected, Mozart's piano concertos are recognised as among his greatest achievements. They were championed by Donald Francis Tovey in his ''Essay on the Classical Concerto'' in 1903, and later by Cuthbert Girdlestone and Arthur Hutchings in 1940 (originally published in French) and 1948, respectively. Hans Tischler published a structural and thematic analysis of the concertos in 1966, followed by the works by Charles Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuthbert Girdlestone
Cuthbert Morton Girdlestone (17 September 1895 – 10 December 1975) was a British musicology, musicologist and literary scholar. Born in Bovey Tracey, Devon, he was educated at University of Cambridge, Cambridge and the University of Paris, Sorbonne, and thereafter took up the chair in French in Armstrong College, Newcastle, Armstrong College, later to be King's College in Newcastle upon Tyne, Newcastle in 1926, a position he held until 1960. His most famous publications are his much-reprinted study of the Mozart Piano Concertos (1939, published originally in French) and his biography of Jean-Philippe Rameau (1957). Books *Girdlestone, Cuthbert. ''Mozart et ses concertos pour piano.'' Paris, Fischbacher. 1939. **Girdlestone, Cuthbert. ''Mozart and His Piano Concertos''. New York: Dover Publications, 1964. "An unabridged and corrected republication of the second (1958) edition of the work first published in 1948 by Cassell & Company, Ltd., London, under the title Mozart’s Piano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Christian Bach
Johann Christian Bach (September 5, 1735 – January 1, 1782) was a German composer of the Classical period (music), Classical era, the eighteenth child of Johann Sebastian Bach, and the youngest of his eleven sons. After living in Italy for several years, Bach moved to London in 1762, where he became known as "the London Bach". He is also sometimes known as "the English Bach", and during his time spent living in the British capital, he came to be known as John Bach. He is noted for playing a role in influencing the concerto styles of Joseph Haydn, Haydn and Wolfgang Amadeus Mozart, Mozart. He contributed significantly to the development of the new sonata principle. Life Johann Christian Bach was born to Johann Sebastian Bach, Johann Sebastian and Anna Magdalena Bach in Leipzig, Germany. His distinguished father was already 50 at the time of his birth—an age gap exemplified by the sharp differences in the musical styles of father and son. Even so, father Bach instructed Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Quotation
Musical quotation is the practice of directly quoting another work in a new composition. The quotation may be from the same composer's work (self-referential), or from a different composer's work (appropriation). Sometimes the quotation is done for the purposes of characterization, as in Puccini's use of ''The Star-Spangled Banner'' in reference to the American character Lieutenant Pinkerton in his opera ''Madama Butterfly'', or in Tchaikovsky's use of the Russian and French national anthems in the ''1812 Overture'', which depicted a battle between the Russian and French armies. Sometimes, there is no explicit characterization involved, as when Luciano Berio used brief quotes from Johann Sebastian Bach, Ludwig van Beethoven, Alban Berg, Pierre Boulez, Gustav Mahler, Claude Debussy, Paul Hindemith, Maurice Ravel, Arnold Schoenberg, Karlheinz Stockhausen, Richard Strauss, Igor Stravinsky, Anton Webern, and others in his ''Sinfonia''. Quotation vs. variation Musical quotation is to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondo For Piano And Orchestra In A Major (Mozart)
The Rondo for Piano and Orchestra in A major, K. 386 is a concert rondo by Wolfgang Amadeus Mozart, believed by Alfred Einstein to have been composed in late 1782. Composition Mozart wrote the Rondo in A major at around the same time as his three first Vienna piano concertos, nos. 11, 12 and 13. When the autograph manuscript was sold, Mozart's widow and her helpers apparently were unable to locate the concluding pages, although some notations on it and contemporary correspondence show that they attempted to find the ending. Constanze Mozart sold the manuscript on November 8, 1799 to J. A. André, apparently with these final pages still missing, a fact that was unknown until Alan Tyson discovered them in the British Library in 1980. Before this, the rest of the autograph had been dismembered and scattered, and the only known version that was complete was Cipriani Potter's piano arrangement from about 1838. Alfred Einstein, using this and the two leaves of the score then know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lent
Lent ( la, Quadragesima, 'Fortieth') is a solemn religious observance in the liturgical calendar commemorating the 40 days Jesus spent fasting in the desert and enduring temptation by Satan, according to the Gospels of Matthew, Mark and Luke, before beginning his public ministry. Lent is observed in the Anglican, Eastern Orthodox, Lutheran, Methodist, Moravian, Oriental Orthodox, Persian, United Protestant and Roman Catholic traditions. Some Anabaptist, Baptist, Reformed (including certain Continental Reformed, Presbyterian and Congregationalist churches), and nondenominational Christian churches also observe Lent, although many churches in these traditions do not. Which days are enumerated as being part of Lent differs between denominations (see below), although in all of them Lent is described as lasting for a total duration of 40 days. In Lent-observing Western Churches, Lent begins on Ash Wednesday and ends approximately six weeks later; depending on the Christian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Major
D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has two sharps. Its relative minor is B minor and its parallel minor is D minor. The D major scale is: : Characteristics According to Paolo Pietropaolo, D major is Miss Congeniality: it is persistent, sunny, and energetic. D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant. This is also the case with all other orchestral strings. Thus, it is no coincidence that many classical composers throughout the centuries have chosen to write violin concertos in D major, including those by Mozart ( No. 2, 1775, No. 4, 1775); Ludwig van Beethoven (1806); Paganini ( No. 1, 1817); Brahms (1878); Tchaikovsky (1878); Prokofiev ( No. 1, 1917); Stravinsky (1931); and Korngold ( 1945). The k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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