Phoenix Theatre (New York City)
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Phoenix Theatre (New York City)
The Phoenix Theatre was a pioneering off-Broadway theatre in New York City, extant from 1953 to 1982. The Phoenix was founded by impresario Norris Houghton and T. Edward Hambleton. The project was a pioneering effort in the establishment of off-Broadway theatre. Houghton and Hambleton wanted a theatre away from Times Square, that would host a permanent company, abjure the star system (players would be listed alphabetically), produce four or five plays a season for limited engagements (contributors would be asked to sponsor an entire season rather than individual productions), and with ticket prices much lower than on Broadway. The Phoenix Theatre was established in a building at East 12th Street and Second Avenue in the East Village, far from Broadway. The building, opened in 1926, had formerly housed the Yiddish Art Theatre and is now the Village East Cinema. The Phoenix opened on December 1, 1953, with a production of ''Madam Will You Walk?'', Sidney Howard's last play, starri ...
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Off-Broadway
An off-Broadway theatre is any professional theatre venue in New York City with a seating capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres, but larger than off-off-Broadway theatres, which seat fewer than 100. An "off-Broadway production" is a production of a play, musical, or revue that appears in such a venue and adheres to related trade union and other contracts. Some shows that premiere off-Broadway are subsequently produced on Broadway. History The term originally referred to any venue, and its productions, on a street intersecting Broadway in Midtown Manhattan's Theater District, the hub of the American theatre industry. It later became defined by the League of Off-Broadway Theatres and Producers as a professional venue in Manhattan with a seating capacity of at least 100, but not more than 499, or a production that appears in such a venue and adheres to related trade union and other contracts. Previously, regardless of the size ...
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The Seagull
''The Seagull'' ( rus, Ча́йка, r=Cháyka, links=no) is a play by Russian dramatist Anton Chekhov, written in 1895 and first produced in 1896. ''The Seagull'' is generally considered to be the first of his four major plays. It dramatises the romantic and artistic conflicts between four characters: the famous middlebrow story writer Boris Trigorin, the ingenue Nina, the fading actress Irina Arkadina, and her son the symbolist playwright Konstantin Treplev. Like Chekhov's other full-length plays, ''The Seagull'' relies upon an ensemble cast of diverse, fully developed characters. In contrast to the melodrama of mainstream 19th-century theatre, lurid actions (such as Konstantin's suicide attempts) are not shown onstage. Characters tend to speak in subtext rather than directly. The character Trigorin is considered one of Chekhov's greatest male roles. The opening night of the first production was a famous failure. Vera Komissarzhevskaya, playing Nina, was so intimidated b ...
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Jerome Moross
Jerome Moross (August 1, 1913July 25, 1983) was an American composer best known for his music for film and television. He also composed works for symphony orchestras, chamber ensembles, soloists and musical theater, as well as orchestrating scores for other composers. Biography He was born in Brooklyn, New York City, United States, in 1913 to Jewish parents: Mollie (Greenberg) Moross, born in New York, and Samuel Moross, born in Russia. He became a talented piano player and composed music for the theater. During his early years, Moross met and became lifelong friends with Bernard Herrmann. In 1931, he met Aaron Copland and joined his Young Composers Group, whose members also included Herrmann. Copland supported his work and Herrmann provided him an introduction to the entertainment media, beginning with the composition of music cues for radio shows in 1935. In the 1940s he began to work in Hollywood, California, where he would compose the music scores for sixteen films from 1948 ...
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John La Touche (lyricist)
John Treville Latouche (La Touche) (November 13, 1914, Baltimore, Maryland – August 7, 1956, Calais, Vermont) was a lyricist and bookwriter in American musical theater. Biography John Treville Latouche was born in Baltimore, Maryland. His family moved to Richmond, Virginia, when he was four months old. There he attended school, before going north to Columbia University. He became involved in music and theater, writing for the Varsity Show and joining the Philolexian Society. He did not graduate. In 1937 Latouche contributed two songs in the revue '' Pins and Needles''. For the show ''Sing For Your Supper'' (1939), he wrote the lyrics for "Ballad for Uncle Sam", later retitled "Ballad for Americans", with music by Earl Robinson. It was featured at both the 1940 Republican Convention and the convention of the American Communist Party, and was extremely popular in 1940s America. This 13-minute cantata to American democracy was written for a soloist and as well a full orches ...
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Robert E
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be use ...
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Robert Whitehead
Robert Whitehead (3 January 1823 – 14 November 1905) was an English engineer who was most famous for developing the first effective self-propelled naval torpedo. Early life He was born in Bolton, England, the son of James Whitehead, a cotton-bleacher, and his wife Ellen Whitehead née Swift. He trained as an engineer and draughtsman, and attended the Mechanics' Institute, Manchester. His first professional employment was at a shipyard in Toulon, France, for Philip Taylor & Sons, and then as a consultant engineer in Milan, Italy. He then moved to Trieste, on the Adriatic coast of Austria. Whitehead's work in Trieste was noticed by the owners of ''Fonderia Metalli'', a metal foundry in the nearby city of Fiume (today Rijeka, Croatia). In 1856, Whitehead became manager of the company, and changed its name to ''Stabilimento Tecnico di Fiume'' (STF). STF produced marine steam boilers and engines, which were the most modern products of that era. The Austrian Navy was ...
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John Houseman
John Houseman (born Jacques Haussmann; September 22, 1902 – October 31, 1988) was a Romanian-born British-American actor and producer of theatre, film, and television. He became known for his highly publicized collaboration with director Orson Welles from their days in the Federal Theatre Project through to the production of '' Citizen Kane'' and his collaboration, as producer of ''The Blue Dahlia'', with writer Raymond Chandler on the screenplay. He is perhaps best known for his role as Professor Charles W. Kingsfield in the film '' The Paper Chase'' (1973), for which he won the Academy Award for Best Supporting Actor. He reprised his role as Kingsfield in the 1978 television series adaptation. Houseman was also known for his commercials for the brokerage firm Smith Barney. He had a distinctive English accent, a product of his schooling. Early life Houseman was born Jacques Haussmann on September 22, 1902, in Bucharest, Romania, the son of May (née Davies) a gover ...
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Elia Kazan
Elia Kazan (; born Elias Kazantzoglou ( el, Ηλίας Καζαντζόγλου); September 7, 1909 – September 28, 2003) was an American film and theatre director, producer, screenwriter and actor, described by ''The New York Times'' as "one of the most honored and influential directors in Broadway and Hollywood history". Born in Constantinople (now Istanbul), to Cappadocian Greek parents, his family came to the United States in 1913. After attending Williams College and then the Yale School of Drama, he acted professionally for eight years, later joining the Group Theatre in 1932, and co-founded the Actors Studio in 1947. With Robert Lewis and Cheryl Crawford, his actors' studio introduced "Method Acting" under the direction of Lee Strasberg. Kazan acted in a few films, including ''City for Conquest'' (1940). His films were concerned with personal or social issues of special concern to him. Kazan writes, "I don't move unless I have some empathy with the basic theme." His ...
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Kaye Ballard
Kaye Ballard (November 20, 1925 – January 21, 2019) was an American actress, comedian, and singer. Early life Ballard was born Catherine Gloria Balotta in Cleveland, Ohio, one of four children born to Italian immigrant parents, Lena (née Nacarato) and Vincenzo (later Vincent James) Balotta. Her parents immigrated to the United States from Calabria, a region of southern Italy. Career Ballard established herself as a musical comedian in the 1940s, joining the Spike Jones touring revue of entertainers. Capable of playing broad physical comedy as well as stand-up dialogue routines, she became familiar in television and stage productions. Ballard made her television debut on '' Henry Morgan's Great Talent Hunt'', a short-lived program hosted by Henry Morgan which first aired January 26, 1951. In 1954, she was the first person to record the song "Fly Me to the Moon". In 1957, she and Alice Ghostley played the two wicked stepsisters in the live telecast of Rodgers and Hammerstei ...
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Robert Ryan
Robert Bushnell Ryan (November 11, 1909 – July 11, 1973) was an American actor and activist. Known for his portrayals of hardened cops and ruthless villains, Ryan performed for over three decades. He was nominated for the Academy Award for Best Supporting Actor for his role in the film noir drama ''Crossfire'' (1947). Early life Ryan was born in Chicago, Illinois, the first child of Mabel Arbutus (née Bushnell), a secretary, and Timothy Aloysius Ryan, who was from a wealthy family who owned a real estate firm. He was of Irish (his paternal grandparents were from Thurles) and English descent. Ryan was raised Catholic and educated at Loyola Academy. He graduated from Dartmouth College in 1932, where he held the school's heavyweight boxing title for all four years of his attendance, along with lettering in football and track. After graduation, Ryan found employment as a stoker on a ship that traveled to Africa, a WPA worker, a ranch hand in Montana, and other odd jobs. H ...
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Mildred Dunnock
Mildred Dorothy Dunnock (January 25, 1901 – July 5, 1991) was an American stage and screen actress. She was twice nominated for an Academy Award: first ''Death of a Salesman'' in 1951, then ''Baby Doll'' in 1956. Early life Born in Baltimore, Maryland, Dunnock graduated from Western High School. She developed an interest in theater while she was a student at Goucher College where she was a member of Alpha Phi sorority and the Agora dramatic society. After graduating, she taught English at Friends School of Baltimore and helped with productions of plays there. While teaching school in New York, she earned her master's degree at Columbia University and acted in a play while she was there. Career After roles in Broadway productions of ''Life Begins'' (1932) and ''The Hill Between'' (1938), Dunnock won praise for her performance as a Welsh school teacher in ''The Corn is Green'' in 1940 — a role that she performed while she was a full-time teacher at Brearley School. The 1945 ...
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Peggy Ashcroft
Dame Edith Margaret Emily Ashcroft (22 December 1907 – 14 June 1991), known professionally as Peggy Ashcroft, was an English actress whose career spanned more than 60 years. Born to a comfortable middle-class family, Ashcroft was determined from an early age to become an actress, despite parental opposition. She was working in smaller theatres even before graduating from drama school, and within two years she was starring in the West End. Ashcroft maintained her leading place in British theatre for the next 50 years. Always attracted by the ideals of permanent theatrical ensembles, she did much of her work for the Old Vic in the early 1930s, John Gielgud's companies in the 1930s and 1940s, the Shakespeare Memorial Theatre and its successor the Royal Shakespeare Company from the 1950s, and the National Theatre from the 1970s. While well regarded in Shakespeare, Ashcroft was also known for her commitment to modern drama, appearing in plays by Bertolt Brecht, Samuel B ...
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