Phase Distortion Synthesis
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Phase Distortion Synthesis
Phase distortion (PD) synthesis is a synthesis method introduced in 1984 by Casio in its CZ range of synthesizers. In outline, it is similar to phase modulation synthesis as championed by Yamaha Corporation (under the name of frequency modulation), in the sense that both methods dynamically change the harmonic content of a carrier waveform by influence of another waveform (modulator) in the time domain. However, the application and results of the two methods are quite distinct. Casio made five different synthesizers using their original concept of PD synthesis (with variations). The later VZ-1 and co's synthesis method Interactive phase distortion is much more similar to the aforementioned phase modulation, rather than a direct evolution of phase distortion; see below. Generating harmonic content Casio's implementation of PD used oscillators generated by modulator and carrier waveforms, synchronised to each other per-cycle. The modulators were various angular waves that could ...
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Casio
is a Japanese multinational electronics manufacturing corporation headquartered in Shibuya, Tokyo, Japan. Its products include calculators, mobile phones, digital cameras, electronic musical instruments, and analogue and digital watches. It was founded in 1946, and in 1957 introduced the first entirely compact electronic calculator. It was an early digital camera innovator, and during the 1980s and 1990s, the company developed numerous affordable home electronic keyboards for musicians along with introducing the first mass-produced digital watches. History Casio was established as Kashio Seisakujo in April 1946 by (1917–1993), an engineer specializing in fabrication technology. Kashio's first major product was the yubiwa pipe, a finger ring that would hold a cigarette, allowing the wearer to smoke the cigarette down to its nub while also leaving the wearer's hands free. Japan was impoverished immediately following World War II, so cigarettes were valuable, and the inventi ...
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Window Function
In signal processing and statistics, a window function (also known as an apodization function or tapering function) is a mathematical function that is zero-valued outside of some chosen interval. Typically, window functions are symmetric around the middle of the interval, approach a maximum in the middle, and taper away from the middle. Mathematically, when another function or waveform/data-sequence is "multiplied" by a window function, the product is also zero-valued outside the interval: all that is left is the part where they overlap, the "view through the window". Equivalently, and in actual practice, the segment of data within the window is first isolated, and then only that data is multiplied by the window function values. Thus, tapering, not segmentation, is the main purpose of window functions. The reasons for examining segments of a longer function include detection of transient events and time-averaging of frequency spectra. The duration of the segments is determine ...
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Csound
Csound is a domain-specific computer programming language for audio programming. It is named Csound because it is written in the language C, in contrast to some of its predecessors. It is free and open-source software, released under the GNU Lesser General Public License (LGPL) 2.1 or later. History Csound was originally developed by Barry Vercoe at the MIT Media Lab in 1985, based on his earlier system called Music 11, which in its turn followed the MUSIC-N model initiated by Max Mathews at Bell Labs. Csound development continued throughout the 1990s and 2000s, led by John Fitch at the University of Bath. Many developers have contributed to Csound, most notably Istvan Varga, Gabriel Maldonado, Robin Whittle, Richard Karpen, Iain McCurdy, Michael Gogins, Matt Ingalls, Steven Yi, Richard Boulanger, Victor Lazzarini and Joachim Heintz. Developed over many years, , it has nearly 1,700 unit generators. One of its greatest strengths is that it is completely modular and extens ...
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Arturia
Arturia is a French electronics company founded in 1999 and based in Grenoble, France. The company designs and manufactures audio interfaces and electronic musical instruments, including software synthesizers, drum machines, analog synthesizers, digital synthesizers, MIDI controllers, Music sequencer, sequencers, and mobile apps. History Arturia was founded in 1999 in Grenoble by INPG engineers Frédéric Brun and Gilles Pommereuil to create affordable software synthesizers. Their first product was Storm, a software synthesizer, virtual instrument workstation. The Synthesiser clone, close emulation of classic analog synthesizers helped the company gain popularity in its market. Brun and Pommereuil developed new software algorithms that create sounds with minimal digital artifacts. Arturia worked with Robert Moog in 2003 to create the Modular V softsynth, which uses Arturia's True Analog Emulation (TAE) to faithfully reproduce the oscillators, filters, and other modules from the ...
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Ring Modulation
In electronics, ring modulation is a signal processing function, an implementation of frequency mixing, in which two signals are combined to yield an output signal. One signal, called the carrier, is typically a sine wave or another simple waveform; the other signal is typically more complicated and is called the input or the modulator signal. The ring modulator takes its name from the original implementation in which the analog circuit of diodes takes the shape of a ring, a diode ring. The circuit is similar to a bridge rectifier, except that all four diodes are polarized in the same direction. Ring modulation is similar to amplitude modulation, with the difference that in the latter the modulator is shifted to be positive before being multiplied with the carrier, while in the former the unshifted modulator signal is multiplied with the carrier. This has the effect that ring modulation of two sine waves having frequencies of 1,500 Hz and 400 Hz produce an output signal th ...
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Hohner
Hohner Musikinstrumente GmbH & Co. KG is a German manufacturer of musical instruments, founded in 1857 by Matthias Hohner (1833–1902). It is a subsidiary of Matth. Hohner AG. The roots of the Hohner firm are in Trossingen, Baden-Württemberg. Hohner has manufactured a wide range of instruments, such as harmonicas, kazoos, accordions, recorder flutes, melodicas, banjos, electric, acoustic, resonator and classical guitars, basses, mandolins and ukuleles (under the brand name ''Lanikai''). Hohner is known mostly for its harmonicas. From the 1940s through 1990s, the company also manufactured various electric/electronic keyboards. Especially in the 1960s and 1990s, they manufactured a range of innovative and popular electromechanical keyboard instruments; the cembalet, pianet, basset, guitaret, and clavinet. In the 1980s, several Casio synthesizers (such as the Casio HT-3000/Hohner KS61midi and the VZ-1/HS-2) were sold under the Hohner brand. Nowadays, Hohner produces h ...
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Subtractive Synthesis
Subtractive synthesis is a method of sound synthesis in which Harmonic_series_(music)#Partial.2C_harmonic.2C_fundamental.2C_inharmonicity.2C_and_overtone, overtones of an audio signal are attenuated by a audio filter, filter to alter the timbre of the sound. Overview Subtractive synthesis relies on source sounds that have overtones, such as Sine wave, non-sinusoidal waveforms like Square wave (waveform), square and triangle wave, triangle waves, or white noise, white and pink noise. These overtones are then Modulation, modulated to alter the source sound. This modulation can happen in a wide variety of ways, such as Voltage-controlled filter, voltage-controlled or low-pass filter, low-pass filters. The technology developed in experimental electronic studios which were primarily focused on telecommunications and military applications. Early examples include Bell Labs' Voder (1937–8). Composers began applying the concept of subtractive synthesis beyond the recording studio in conc ...
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Bessel Function
Bessel functions, named after Friedrich Bessel who was the first to systematically study them in 1824, are canonical solutions of Bessel's differential equation x^2 \frac + x \frac + \left(x^2 - \alpha^2 \right)y = 0 for an arbitrary complex number \alpha, which represents the ''order'' of the Bessel function. Although \alpha and -\alpha produce the same differential equation, it is conventional to define different Bessel functions for these two values in such a way that the Bessel functions are mostly smooth functions of \alpha. The most important cases are when \alpha is an integer or half-integer. Bessel functions for integer \alpha are also known as cylinder functions or the cylindrical harmonics because they appear in the solution to Laplace's equation in cylindrical coordinates. Spherical Bessel functions with half-integer \alpha are obtained when solving the Helmholtz equation in spherical coordinates. Applications Bessel's equation arises when finding separa ...
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John Chowning
John M. Chowning (; born August 22, 1934, in Salem, New Jersey) is an American composer, musician, discoverer, and professor best known for his work at Stanford University, the founding of CCRMA – Center for Computer Research in Music and Acoustics in 1975 and his development of the digital implementation of FM synthesis and the digital sound spatialization while there. Contribution Chowning is known for having developed the FM synthesis algorithm in 1967. In FM (frequency modulation) synthesis, both the carrier frequency and the modulation frequency are within the audio band. In essence, the amplitude and frequency of one waveform modulates the frequency of another waveform producing a resultant waveform that can be periodic or non-periodic depending upon the ratio of the two frequencies. Chowning's breakthrough allowed for simple—in terms of process—yet rich sounding timbres, which synthesized 'metal striking' or 'bell like' sounds, and which seemed incredibly simil ...
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Hard Sync
Hard means something that is difficult to do. It may also refer to: * Hardness, resistance of physical materials to deformation or fracture * Hard water, water with high mineral content Arts and entertainment * ''Hard'' (TV series), a French TV series * Hard (band), a Hungarian hard rock supergroup * Hard (music festival), in the U.S. Albums * ''Hard'' (EP), Goodbye Mr Mackenzie, 1993 * ''Hard'' (Brainpower album), 2008 * ''Hard'' (Gang of Four album), 1983 * ''Hard'' (Jagged Edge album), 2003 * ''Hard'' (Shinee album), 2023, and its title track * ''Hard'', a 2017 EP from the band The Neighbourhood Songs * "Hard" (Rihanna song), 2009 * "Hard" (Sophie song), 2014 * "Hard", a song by Royce da 5'9" from the 2016 album ''Layers'' * "Hard", a song by Why Don't We from the 2018 album ''8 Letters'' * "Hard", a song by Poppy from the 2023 album ''Zig'' Places * Hard, Austria * Hard (Zürich), Switzerland Other uses * Hard (surname) * Hard architecture, impersonal windowless b ...
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Casio CZ Synthesizers
The CZ series is a family of low-cost phase distortion synthesizers produced by Casio beginning in 1985. Eight models of CZ synthesizers were released: the CZ-101, CZ-230S, CZ-1000, CZ-2000S, CZ-2600S, CZ-3000, CZ-5000, and the CZ-1. Additionally, the home-keyboard model CT-6500 used 48 phase distortion presets. The CZ series was priced affordably while having professional features. In the same year Yamaha released their low-cost FM synthesizers, including the DX-21 and Yamaha DX100 which cost nearly twice as much. Programming Casio's phase distortion synthesis technique was championed by Casio engineer Mark Fukuda and evolved from the Cosmo Synth System that was developed in collaboration with synthesist-composer Isao Tomita. Yukihiro Takahashi was also on board during development. To make the CZ synthesizers inexpensive, so they would be affordable to amateur musicians (a much larger market than the professional musician market), Casio used digital synthesis without a ...
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Voltage-controlled Filter
A voltage-controlled filter (VCF) is an electronic filter whose operating characteristics (primarily cutoff frequency) can be set by an input control voltage. Voltage-controlled filters are widely used in synthesizers. A music synthesizer VCF allows its cutoff frequency, and sometimes its Q factor (resonance at the cutoff frequency), to be continuously varied. The filter outputs often include a lowpass response, and sometimes highpass, bandpass or notch responses. Some musical VCFs offer a variable ''slope'' which determines the rate of attenuation outside the bandpass, often at 6 dB/octave, 12 dB/octave, 18 dB/octave or 24 dB/octave (one-, two-, three- and four-pole filters, respectively). In modular analog synthesizers, VCFs receive signal input from signal sources, including oscillators and noise, or the output of other processors. By varying the cutoff frequency, the filter passes or attenuates partials of the input signal. In some popular elect ...
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