Petros Byzantios
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Petros Byzantios
Peter the Byzantine ( fl. 1770 – 1808), also known as Petros Byzantios (Greek: ''Πέτρος Βυζάντιος''), and "the Fugitive", was a Greek composer and scribe. A pupil of Peter the Peloponnesian, he served the Ecumenical Patriarchate of Constantinople as Domestikos (c. 1771–1789), Lambadarios (1789–1800), and Arch-cantor (1800–1805). Biography Peter the Byzantine was born near Constantinople in Yeniköy of Bosphorus. There, he began studying music and quickly became a virtuoso of the pandouris and the Arabian flageolet (ney). Peter rose to a number of prominent positions in the Ecumenical Patriarchate of Constantinople, known at that time as the "Great Church of Christ," culminating in his appointment as Arch-cantor in 1800. However, he was sacked by Patriarch Callinicus V of Constantinople in 1805, due to his second marriage, which was not allowed for a cantor. Peter fled to Kherson, hence his name "the Fugitive", and from there to Iași, where he lived ...
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Cherubic Hymn
The Cherubikon (Greek: χερουβικόν) is the usual Cherubic Hymn (Greek: χερουβικὸς ὕμνος, Church Slavonic ) sung at the Great Entrance of the Byzantine liturgy. History Origin The cherubikon was added as a troparion to the Divine Liturgy under Emperor Justin II (565 – 578) when a separation of the room where the gifts are prepared from the room where they are consecrated made it necessary that the Liturgy of the Faithful, from which those not baptised had been excluded, start with a procession. This procession is known as the Great Entrance, because the celebrants have to enter the choir by the altar screen, later replaced by the iconostasis. The hymn symbolically incorporates those present at the liturgy into the presence of the angels gathered around God's throne.Parry (1999), p. 117. The chant genre '' offertorium'' in traditions of Western plainchant was basically a copy of the Byzantine custom, but there it was a proper mass chant which ch ...
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Greek Composers
Greek may refer to: Greece Anything of, from, or related to Greece, a country in Southern Europe: *Greeks, an ethnic group. *Greek language, a branch of the Indo-European language family. **Proto-Greek language, the assumed last common ancestor of all known varieties of Greek. **Mycenaean Greek, most ancient attested form of the language (16th to 11th centuries BC). **Ancient Greek, forms of the language used c. 1000–330 BC. **Koine Greek, common form of Greek spoken and written during Classical antiquity. **Medieval Greek or Byzantine Language, language used between the Middle Ages and the Ottoman conquest of Constantinople. **Modern Greek, varieties spoken in the modern era (from 1453 AD). *Greek alphabet, script used to write the Greek language. *Greek Orthodox Church, several Churches of the Eastern Orthodox Church. *Ancient Greece, the ancient civilization before the end of Antiquity. *Old Greek, the language as spoken from Late Antiquity to around 1500 AD. Other uses * '' ...
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Greeks From The Ottoman Empire
The Greeks or Hellenes (; el, Έλληνες, ''Éllines'' ) are an ethnic group and nation indigenous to the Eastern Mediterranean and the Black Sea regions, namely Greece, Cyprus, Albania, Italy, Turkey, Egypt, and, to a lesser extent, other countries surrounding the Mediterranean Sea. They also form a significant diaspora (), with Greek communities established around the world.. Greek colonies and communities have been historically established on the shores of the Mediterranean Sea and Black Sea, but the Greek people themselves have always been centered on the Aegean and Ionian seas, where the Greek language has been spoken since the Bronze Age.. Until the early 20th century, Greeks were distributed between the Greek peninsula, the western coast of Asia Minor, the Black Sea coast, Cappadocia in central Anatolia, Egypt, the Balkans, Cyprus, and Constantinople. Many of these regions coincided to a large extent with the borders of the Byzantine Empire of the late 11th century ...
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Composers From The Ottoman Empire
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or ' singer-songwriter' are more often used, particularl ...
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Byzantine Composers
The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinople. It survived the fragmentation and fall of the Western Roman Empire in the 5th century AD and continued to exist for an additional thousand years until the fall of Constantinople to the Ottoman Empire in 1453. During most of its existence, the empire remained the most powerful economic, cultural, and military force in Europe. The terms "Byzantine Empire" and "Eastern Roman Empire" were coined after the end of the realm; its citizens continued to refer to their empire as the Roman Empire, and to themselves as Romans—a term which Greeks continued to use for themselves into Ottoman times. Although the Roman state continued and its traditions were maintained, modern historians prefer to differentiate the Byzantine Empire from Ancient Rome ...
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Petros Bereketis
Petros Bereketis ( el, Πέτρος Μπερεκέτης) or Peter the Sweet (Πέτρος ο Γλυκής) was one of the most innovative musicians of 17th-century Constantinople (Ottoman period). He, together with Panagiotes the New Chrysaphes, Balasios the Priest and Germanos Bishop of New Patras was one of the most influential figures in the evolution of the Byzantine psaltic art following the fall of Constantinople in 1453, although he never was associated with the Patriarchate in Fener. For many years, he served as the protopsaltis (first cantor) of church St. Constantine of the Hypsomatheia district close to the Marmara coast. During his lifetime, which is approximately supposed to be between 1665 and 1725, while Chrysanthos mentioned that he served there in the time of the Archon Protopsaltis at the Great Church of Christ of Panagiotis Halatzoglou and his Lampadarios John Trapezountios (1727-1748). Education Nothing is known about his real life time, so that Gregorios ...
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Octoechos
Oktōēchos (here transcribed "Octoechos"; Greek: ;The feminine form exists as well, but means the book octoechos. from ὀκτώ "eight" and ἦχος "sound, mode" called echos; Slavonic: Осмогласие, ''Osmoglasie'' from о́смь "eight" and гласъ, Glagolitic: , "voice, sound") is the eight-mode system used for the composition of religious chant in Byzantine, Syriac, Armenian, Georgian, Latin and Slavic churches since the Middle Ages. In a modified form the octoechos is still regarded as the foundation of the tradition of monodic chant in the Byzantine Rite today. Nomenclature The names ascribed to the eight tones differ in translations into Church Slavonic. The Slavonic system counted the plagioi echoi as glasa 5, 6, 7, and 8. For reference, these differences are shown here together with the Ancient Greek names of the octave species according to the Hagiopolites (see Hagiopolitan Octoechos) and to the chant treatises and tonaries of Carolingian theorist ...
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John Kladas
John Kladas ( el, Ιωάννης Κλαδάς ''Ioannis Kladas''; ) was a Byzantine composer. He had the post of '' lampadarius'' in the cathedral of Hagia Sophia of Constantinople la, Constantinopolis ota, قسطنطينيه , alternate_name = Byzantion (earlier Greek name), Nova Roma ("New Rome"), Miklagard/Miklagarth (Old Norse), Tsargrad ( Slavic), Qustantiniya (Arabic), Basileuousa ("Queen of Cities"), Megalopolis (" .... He wrote several works on the theory of music, the most important being the ''Grammatike tes mousikes'' (The Grammar of Music). His daughter was a chanter and hymnographer, known only from one composition. References Sources * * Further readingManuel Chrysaphes (1985) The treatise of Manuel Chrysaphes, the lampadarios: On the theory of the art of chanting and on certain erroneous views that some hold about it (Mount Athos, Iviron Monastery MS 1120, July 1458), in Monumenta musicae byzantinae, vol. 2, pp. 45, 79, 83 (snippets available)
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John Kukuzelis
John Koukouzelis ( gr, Ιωάννης Κουκουζέλης, ''Ioannis Koukouzelis''; ) was a Byzantine composer, singer and reformer of Byzantine chant. He was recognized as a saint by the Eastern Orthodox Church after his death. Among the most illustrious musicians of the Palaiologos dynasty, his music remains held in high esteem by Albanians, Bulgarians, Greeks, Macedonians, Romanians and Serbs. Life and career Koukouzelis was born in Dyrrhachium (modern-day Durrës) in the late 13th century to a father of unknown origins and a Bulgarian mother. He was orphaned in childhood. Koukouzelis' last name is allegedly derived from the Greek word for broad beans (κουκιά, ''koukia'') and a Slavic word for cabbage (зеле, ''zele''). At a young age, he was noted and accepted into the school at the imperial court at Constantinople, where he received his education and established himself as one of the leading authorities in his field during the time. A favourite of the Byzanti ...
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Durrës
Durrës ( , ; sq-definite, Durrësi) is the second most populous city of the Republic of Albania and seat of Durrës County and Durrës Municipality. It is located on a flat plain along the Albanian Adriatic Sea Coast between the mouths of the Erzen and Ishëm at the southeastern corner of the Adriatic Sea. Durrës' climate is profoundly influenced by a seasonal Mediterranean climate. Durrës was founded by Ancient Greek colonists from Corinth and Corcyra under the name of Epidamnos around the 7th century BC in cooperation with the local Illyrian Taulantii. Also known as Dyrrachium, Durrës essentially developed as it became an integral part of the Roman Empire and its successor the Byzantine Empire. The Via Egnatia, the continuation of the Via Appia, started in the city and led across the interior of the Balkan Peninsula to Constantinople in the east. In the Middle Ages, Durrës was contested between Bulgarian, Venetian and Ottoman dominions. The Ottomans ultimatel ...
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