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Personification
Personification occurs when a thing or abstraction is represented as a person, in literature or art, as a type of anthropomorphic metaphor. The type of personification discussed here excludes passing literary effects such as "Shadows hold their breath", and covers cases where a personification appears as a character in literature, or a human figure in art. The technical term for this, since ancient Greece, is prosopopoeia. In the arts many things are commonly personified. These include numerous types of places, especially cities, countries and the four continents, elements of the natural world such as the months or Four Seasons, Four Elements, Four Winds, Five Senses, and abstractions such as virtues, especially the four cardinal virtues and seven deadly sins, the nine Muses, or death. In many polytheistic early religions, deities had a strong element of personification, suggested by descriptions such as "god of". In ancient Greek religion, and the related ancient Roman ...
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National Personification
A national personification is an anthropomorphic personification of a state or the people(s) it inhabits. It may appear in political cartoons and propaganda. Some early personifications in the Western world tended to be national manifestations of the majestic wisdom and war goddess Minerva/Athena, and often took the Latin name of the ancient Roman province. Examples of this type include Britannia, Germania, Hibernia, Hispania, Helvetia and Polonia. Examples of personifications of the Goddess of Liberty include Marianne, the Statue of Liberty (''Liberty Enlightening the World''), and many examples of United States coinage. Another ancient model was Roma, a female deity who personified the city of Rome and more broadly, the Roman state, and who was revived in the 20th Century as the personification of Mussolini's "New Roman Empire". Examples of representations of the everyman or citizenry in addition to the nation itself are Deutscher Michel, John Bull and Uncle Sam.Eric Hobsbawm ...
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Four Continents
Europeans in the 16th century divided the world into four continents: Africa, America, Asia, and Europe. Each of the four continents was seen to represent its quadrant of the world—Africa in the south, America in the west, Asia in the east, and Europe in the north. This division fit the Renaissance sensibilities of the time, which also divided the world into four seasons, four classical elements, four cardinal directions, four classical virtues, etc. The four parts of the world or the four corners of the world refers to Africa (the "south"), the Americas (the "west"), Asia (the "east"), and Europe (the "north"). Depictions of personifications of the four continents became popular in several media. Sets of four could be placed around all sorts of four-sided objects, or in pairs along the façade of a building with a central doorway. They were common subjects for prints, and later small porcelain figures. A set of loose conventions quickly arose as to the iconography of the f ...
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Anthropomorphism
Anthropomorphism is the attribution of human traits, emotions, or intentions to non-human entities. It is considered to be an innate tendency of human psychology. Personification is the related attribution of human form and characteristics to abstract concepts such as nations, emotions, and natural forces, such as seasons and weather. Both have ancient roots as storytelling and artistic devices, and most cultures have traditional fables with anthropomorphized animals as characters. People have also routinely attributed human emotions and behavioral traits to wild as well as domesticated animals. Etymology Anthropomorphism and anthropomorphization derive from the verb form ''anthropomorphize'', itself derived from the Greek ''ánthrōpos'' (, "human") and ''morphē'' (, "form"). It is first attested in 1753, originally in reference to the heresy of applying a human form to the Christian God.''Oxford English Dictionary'', 1st ed. "anthropomorphism, ''n.''" Oxford University P ...
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Death (personification)
Death is frequently imagined as a personified force. In some mythologies, a character known as the Grim Reaper (usually depicted as a berobed skeleton wielding a scythe) causes the victim's death by coming to collect that person's soul. Other beliefs hold that the Spectre of Death is only a psychopomp, serving to sever the last ties between the soul and the body, and to guide the deceased to the afterlife, without having any control over when or how the victim dies. Death is most often personified in male form, although in certain cultures Death is perceived as female (for instance, Marzanna in Slavic mythology, or Santa Muerte in Mexico). By region Americas Latin America As is the case in many Romance languages (including French, Portuguese, Italian, and Romanian), the Spanish word for death, ''muerte,'' is a feminine noun. As such, it is common in Spanish-speaking cultures to personify death as a female figure. In Aztec mythology, Mictecacihuatl is the "Queen of Mictl ...
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Deities And Personifications Of Seasons
There are a number of deities associated with seasons and personifications of seasons in various mythologies, traditions, and fiction. Winter *Kheimon, from Greek kheima, a hora of winter, early ancient Greece *Hiems, the Roman personification of winter. * Beira, Queen of Winter, also Cailleach Bheur, a personification or deity of winter in Gaelic mythology * Boreas (Βορέας, Boréas; also Βορρᾶς, Borrhás) was the Greek god of the cold north wind and the bringer of winter. His name meant "North Wind" or "Devouring One". His name gives rise to the adjective " boreal". *Despoina (Δέσποινα) is the daughter of Poseidon and Demeter, greek goddess of winter and frost * Khione (from χιών – chiōn, "snow") is the daughter of Boreas and Greek goddess of snow *Ded Moroz (literally "Grandfather Frost"), a Russian substitute of Santa Claus *Father Winter – Albanian mythology *Itztlacoliuhqui, deified personification of winter-as-death in Aztecan mythology * ...
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Tyche
Tyche (; Ancient Greek: Τύχη ''Túkhē'', 'Luck', , ; Roman equivalent: Fortuna) was the presiding tutelary deity who governed the fortune and prosperity of a city, its destiny. In Classical Greek mythology, she is the daughter of Aphrodite and Zeus or Hermes, and at this time served to bring positive messages to people, relating to external events outside their control. During the Hellenistic period, with dramatic socio-political changes starting with Alexander the Great, Tyche increasingly embodied the whims of fate (both negative and positive), eclipsing the role of the Olympic gods. The Greek historian Polybius believed that when no cause can be discovered to events such as floods, droughts, frosts, or even in politics, then the cause of these events may be fairly attributed to Tyche. Other ancient Greek sources corroborate Polybius, such as Pindar who claims Tyche could hand victory to a lesser athlete. This "Hellenistic Tyche" is often featured on coins such as those ...
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Nike (mythology)
In Greek mythology, Nike (; grc, Νίκη, lit=victory, ancient: , modern: ) was a goddess who personified victory in any field including art, music, war, and athletics. She is often portrayed in Greek art as Winged Victory in the motion of flight; however, she can also appear without wings as "Wingless Victory" when she is being portrayed as an attribute of another deity such as Athena.Suidas. ''The Suda on Line: Byzantine Lexicography''. Translated by Whitehead, David, et al. (2014). Accessed 9 December 2022. https://www.cs.uky.edu/~raphael/sol/sol-html/ In Greek literature Nike is described as both an attribute and attendant to the gods Zeus and Athena. Nike gained this honored role beside Zeus during the Titanomachy where she was one of the first gods to offer her allegiance to Zeus. At Athens, Nike became a servant to Athena as well as an attribute of her due to the prominent status Athena held in her patron city. The fusion of the two goddesses at Athens has contributed to ...
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Anemoi
In ancient Greek religion and myth, the Anemoi (Greek: , 'Winds') were wind gods who were each ascribed a cardinal direction from which their respective winds came (see Classical compass winds), and were each associated with various seasons and weather conditions. They were the progeny of the goddess of the dawn Eos and her husband Astraeus. Etymology The earliest attestation of the word in Greek and of the worship of the winds by the Greeks, are perhaps the Mycenaean Greek word-forms , , , , i.e. 'priestess of the winds'. These words, written in Linear B, are found on the KN Fp 1 and KN Fp 13 tablets. Mythology The Anemoi are minor gods and are subject to the god Aeolus. They were sometimes represented as gusts of wind, and at other times were personified as winged men. They were also sometimes depicted as horses kept in the stables of the storm god Aeolus, who provided Odysseus with the Anemoi in the ''Odyssey''. The Spartans were reported to sacrifice a horse to ...
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Metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from '' As You Like It'': All the world's a stage, And all the men and women merely players; They have their exits and their entrances And one man in his time plays many parts, His Acts being seven ages. At first, the infant... :—William Shakespeare, '' As You Like It'', 2/7 This quotation expresses a metaphor because the world is not literally a stage, and most humans are not literally actors and actresses playing roles. By asserting that the world is a stage, Shakespeare uses points of comparison between the world an ...
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Mnemosyne
In Greek mythology and ancient Greek religion, Mnemosyne (; grc, Μνημοσύνη, ) is the goddess of memory and the mother of the nine Muses by her nephew Zeus. In the Greek tradition, Mnemosyne is one of the Titans, the twelve divine children of the earth-goddess Gaia and the sky-god Uranus. The term ''Mnemosyne'' is derived from the same source as the word ''mnemonic'', that being the Greek word ''mnēmē'', which means "remembrance, memory". Family A Titaness, Mnemosyne is the daughter of Uranus and Gaia. Mnemosyne became the mother of the nine Muses, fathered by her nephew, Zeus: * Calliope (epic poetry) * Clio (history) * Euterpe (music and lyric poetry) * Erato (love poetry) * Melpomene (tragedy) * Polyhymnia (hymns) * Terpsichore (dance) * Thalia (comedy) * Urania (astronomy) Hyginus in his ''Fabulae'' gives Mnemosyne a different parentage, where she was the daughter of Zeus and Clymene. Mythology In Hesiod's ''Theogony'', kings and poets receive their powe ...
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Deity
A deity or god is a supernatural being who is considered divine or sacred. The ''Oxford Dictionary of English'' defines deity as a god or goddess, or anything revered as divine. C. Scott Littleton defines a deity as "a being with powers greater than those of ordinary humans, but who interacts with humans, positively or negatively, in ways that carry humans to new levels of consciousness, beyond the grounded preoccupations of ordinary life". Religions can be categorized by how many deities they worship. Monotheistic religions accept only one deity (predominantly referred to as "God"), whereas polytheistic religions accept multiple deities. Henotheistic religions accept one supreme deity without denying other deities, considering them as aspects of the same divine principle. Nontheistic religions deny any supreme eternal creator deity, but may accept a pantheon of deities which live, die and may be reborn like any other being. Although most monotheistic religions traditionall ...
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Prosopopoeia
A prosopopoeia ( grc-gre, προσωποποιία, ) is a rhetorical device in which a speaker or writer communicates to the audience by speaking as another person or object. The term literally derives from the Greek roots "face, person", and "to make, to do;" it is also called personification. Prosopopoeiae are used mostly to give another perspective on the action being described. For example, in Cicero's Pro Caelio, Cicero speaks as Appius Claudius Caecus, a stern old man. This serves to give the "ancient" perspective on the actions of the plaintiff. Prosopopoeiae can also be used to take some of the load off the communicator by placing an unfavorable point of view on the shoulders of an imaginary stereotype. The audience's reactions are predisposed to go towards this figment rather than the communicator himself. This term also refers to a figure of speech in which an animal or inanimate object is ascribed human characteristics or is spoken of in anthropomorphic language. Q ...
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