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Perelà, Uomo Di Fumo
''Perelà, uomo di fumo'' (''Perelà, man of smoke'') is an opera in ten chapters composed by Pascal Dusapin. Dusapin himself wrote the Italian libretto, based on the novel, ''Il codice Perelà'' by the Italian Futurist writer, Aldo Palazzeschi. The opera had its world premiere on 24 February 2003 at the Opéra Bastille, conducted by James Conlon. Roles Synopsis The enigmatic protagonist, Perelà, is literally a man made of smoke, formed over thirty-three years in the chimney of a fireplace tended by three old women, Pena, Rete, and Lama.The three women's names are actual words in Italian – "pena" = "sorrow", "rete" = "net" and "lama" = "blade" One day he finds the fireplace abandoned. He gives himself a name made up of the first syllable of the names of his "mothers" (Pe-Re-La), puts on a pair of boots that will anchor him to the ground, and sets off for a city that he sees on the horizon. On the way, he is met by an old woman and then by one of King Torlindao's guards who brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coloratura Soprano
A coloratura soprano is a type of operatic soprano voice that specializes in music that is distinguished by agile runs, leaps and trills. The term '' coloratura'' refers to the elaborate ornamentation of a melody, which is a typical component of the music written for this voice. Within the coloratura category, there are roles written specifically for lighter voices known as lyric coloraturas and others for larger voices known as dramatic coloraturas. Categories within a certain vocal range are determined by the size, weight and color of the voice. Coloratura is particularly found in vocal music and especially in operatic singing of the 18th and 19th centuries. The word ''coloratura'' ( , , ) means "coloring" in Italian, and derives from the Latin word ''colorare'' ("to color").''Oxford American Dictionaries''. Lyric coloratura soprano A very agile light voice with a high upper extension, capable of fast vocal coloratura. Lyric coloraturas have a range of approximately middle C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Pascal Dusapin
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Herald Tribune
The ''International Herald Tribune'' (''IHT'') was a daily English-language newspaper published in Paris, France for international English-speaking readers. It had the aim of becoming "the world's first global newspaper" and could fairly be said to have met that goal. It published under the name ''International Herald Tribune'' from 1967 to 2013. Early years In 1887, James Gordon Bennett Jr. created a Paris edition of his newspaper the '' New York Herald''. He called it the ''Paris Herald''. When Bennett Jr. died, the paper came under the control of Frank Munsey, who bought it along with its parent. In 1924, Munsey sold the paper to the family of Ogden Reid, owners of the ''New-York Tribune'', creating the '' New York Herald Tribune'', while the Paris edition became the ''Paris Herald Tribune''. By 1967, the paper was owned jointly by Whitney Communications, ''The Washington Post'' and ''The New York Times'', and became known as the ''International Herald Tribune'', or ''IHT'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominique Visse
Dominique Visse (born 30 August 1955) is a French countertenor and founder of the Ensemble Clément Janequin. Life and career Dominique Visse was a chorister at the Notre-Dame de Paris and studied organ and flute at the Versailles Conservatory. As a musician, he developed an interest in Medieval and Renaissance repertories. After studying with Alfred Deller and René Jacobs from 1976 to 1978, he made his opera debut at Tourcoing in Monteverdi's ''L'incoronazione di Poppea'' in 1982. Visse devotes himself to performing of secular and religious music of the Renaissance. He is also known for his interpretations of the Parisian chansons. Visse is married to soprano Agnès Mellon. Selected discography Opera * Purcell: ''Dido and Aeneas'' * Monteverdi: ''Il ritorno d'Ulisse in patria'' * Handel: ''Giulio Cesare'' * Handel: ''Ottone'' * Handel: ''Rinaldo'' *Charpentier Actéon H.481 * Charpentier: ''David et Jonathas'' H.490 * Charpentier: ''Le Malade imaginaire'' H.495 * * Hasse: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Countertenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6.A sopranist is a term used to describe a countertenor whose vocal range is so high it is equivalent to that of a soprano; however, this term is widely used falsely. Countertenors often are baritones or tenors at core, but only on rare occasions do they use their lower vocal range, instead preferring their falsetto or high head voice. The nature of the countertenor voice has radically changed throughout musical history, from a modal voice, to a modal and falsetto voice, to the primarily falsetto voice which is denoted by the term today. This is partly because of changes in human physiology and partly because of fluctuations in pitch. The term first came into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Youngok Shin
Youngok Shin (also spelled Young-Ok Shin and Young Ok Shin: born July 3, 1961 in Seoul, South Korea) is a South Korean lyric coloratura soprano known for her interpretations of the bel canto repertoire. Early life and education Shin was born in Seoul, South Korea, the youngest of three daughters. She studied at the Juilliard School in New York where she received both her bachelor's and master's degrees in music. Career Shin made her opera debut as Susanna in ''Le nozze di Figaro'' in the 1989 Spoleto Festival USA. Shin has appeared regularly at the Metropolitan Opera since 1991 in a variety of roles including Gilda in ''Rigoletto'' (including two international radio broadcasts), title role in ''Lucia di Lammermoor'', Zerlina in ''Don Giovanni'', Elvira in ''I Puritani'', Oscar in ''Un Ballo in Maschera'' with and Adina in ''L’Elisir D’Amore'', the title role of Stravinsky's Le Rossignol, the Nightingale in L’Enfant et les Sortileges among others. She has also sung i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregory Reinhart
Gregory Reinhart (born June 18, 1951 in Pavilion, New York) is an American bass (vocal range), bass opera singer. He is noted for an extremely wide repertory which ranges from early music to the world premieres of several contemporary operas including Lowell Liebermann's ''The Picture of Dorian Gray (opera), The Picture of Dorian Gray'', Philippe Manoury's ''K...'', and Pascal Dusapin's ''Perelà, uomo di fumo''. He has been praised in ''The Metropolitan Opera Guide to Recorded Opera'' for his performance in Monteverdi's ''L'Incoronazione di Poppea'' as one of the finest Senecas on record with "a magnificent bass voice: firm and clear throughout its wide range". Biography Gregory Reinhart was raised in upstate New York. In 1971, he entered Boston's New England Conservatory (NEC), where he studied voice with Mark Pearson and took master classes with Eleanor Steber. He graduated "with distinction" in 1974 and went on to receive his Master of Music Degree there in 1977. In 1976 he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
