Pehr Henrik Nordgren
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Pehr Henrik Nordgren
Pehr Henrik Nordgren (19 January 1944 – 25 August 2008) was a Finnish composer. Life Pehr Henrik Nordgren was born in Saltvik, Åland. received composition lessons starting from 1958 in Helsinki and studied musicology at the university from 1962 to 1967, as well as receiving private tuition from Joonas Kokkonen from 1965 to 1969. At the Tokyo University of the Arts, he supplemented his composition studies from 1970 to 1973 with Yoshio Hasegawa and became acquainted with traditional Japanese music, which soon became an influence in his works. In 1973, he married Shinobu Suzuki in Tokyo, and returned to Finland where he established himself in Kaustinen, a small place in Ostrobothnia, as a freelance composer. Kaustinen is the center of folk music in Finland; folk music festivals take place all summer long with travellers coming from around the world. Thus Nordgren concerned himself now with the music of his country. On the other hand, he intensively began co-operation with the O ...
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Pehr Henrik Nordgren
Pehr Henrik Nordgren (19 January 1944 – 25 August 2008) was a Finnish composer. Life Pehr Henrik Nordgren was born in Saltvik, Åland. received composition lessons starting from 1958 in Helsinki and studied musicology at the university from 1962 to 1967, as well as receiving private tuition from Joonas Kokkonen from 1965 to 1969. At the Tokyo University of the Arts, he supplemented his composition studies from 1970 to 1973 with Yoshio Hasegawa and became acquainted with traditional Japanese music, which soon became an influence in his works. In 1973, he married Shinobu Suzuki in Tokyo, and returned to Finland where he established himself in Kaustinen, a small place in Ostrobothnia, as a freelance composer. Kaustinen is the center of folk music in Finland; folk music festivals take place all summer long with travellers coming from around the world. Thus Nordgren concerned himself now with the music of his country. On the other hand, he intensively began co-operation with the O ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Hyakunin Isshu
is a classical Japanese anthology of one hundred Japanese ''waka'' by one hundred poets. ''Hyakunin isshu'' can be translated to "one hundred people, one poem ach; it can also refer to the card game of ''uta-garuta'', which uses a deck composed of cards based on the ''Hyakunin Isshu''. The most famous and standard version was compiled by Fujiwara no Teika (1162–1241) while he lived in the Ogura district of Kyoto. It is therefore also known as . Compilation One of Teika's diaries, the ''Meigetsuki'' (明月記), says that his son Tameie asked him to arrange one hundred poems for Tameie's father-in-law, Utsunomiya Yoritsuna, who was furnishing a residence near Mount Ogura; hence the full name of ''Ogura Hyakunin Isshu''. In order to decorate screens of the residence, Fujiwara no Teika produced the calligraphy poem sheets. Hishikawa Moronobu (1618–1694) provided woodblock portraits for each of the poets included in the anthology. Katsukawa Shunshō (1726–1793) designed ...
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Edith Södergran
Edith Irene Södergran (4 April 1892 – 24 June 1923) was a Swedish-speaking Finnish poet. One of the first modernists within Swedish-language literature, her influences came from French Symbolism, German expressionism, and Russian futurism. At the age of 24 she released her first collection of poetry entitled ''Dikter'' ("Poems"). Södergran died at the age of 31, having contracted tuberculosis as a teenager. She did not live to experience the worldwide appreciation of her poetry, which has influenced many lyrical poets. Södergran is considered to have been one of the greatest modern Swedish-language poets, and her work continues to influence Swedish-language poetry and musical lyrics, for example, in the works of Mare Kandre, Gunnar Harding, Eva Runefelt, Heidi Sundblad-Halme, and Eva Dahlgren. Childhood Edith Irene Södergran was born in Saint Petersburg, Russia, into a middle-class Finnish-Swedish family. Her parents, Mats Södergran and Helena Södergran, née Holm ...
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Nils-Aslak Valkeapää
Nils-Aslak Valkeapää, known as ''Áillohaš'' in the Northern Sami language (23 March 1943 – 26 November 2001), was a Finnish Sami writer, musician and artist. He was born in Enontekiö in Lapland province, Finland. He lived most of his life in Käsivarsi, close to the border of Sweden, and also in Skibotn in Norway. Valkeapää was born to a family of traditional reindeer herders, but was trained as a school teacher. His most well-known international debut was when he performed at the opening ceremony of the 1994 Winter Olympic Games in Lillehammer, Norway. He received the Nordic Council Literature Prize for '' The Sun, My Father'' in 1991. Works Nils-Aslak Valkeapää expressed himself through several art forms, and was known as a multimedia artist. With reference to this, he used to say that it was impossible for him to decide which expression came to him first; the poem, the joik (anglicised spelling is yoik to reflect the pronunciation) or the pictures. His first ...
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Lafcadio Hearn
, born Patrick Lafcadio Hearn (; el, Πατρίκιος Λευκάδιος Χέρν, Patríkios Lefkádios Chérn, Irish language, Irish: Pádraig Lafcadio O'hEarain), was an Irish people, Irish-Greeks, Greek-Japanese people, Japanese writer, translator, and teacher who introduced the culture and literature of Japan to the Western world, West. His writings offered unprecedented insight into Japanese culture, especially his collections of Japanese mythology, legends and kwaidan, ghost stories, such as ''Kwaidan: Stories and Studies of Strange Things''. Before moving to Japan and becoming a Japanese citizen, he worked as a journalist in the United States, primarily in Cincinnati and New Orleans. His writings about New Orleans, based on his decade-long stay there, are also well-known. Hearn was born on the Greek island of Lefkada, after which a complex series of conflicts and events led to his being moved to Dublin, where he was abandoned first by his mother, then his father, and f ...
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Stories And Studies Of Strange Things
Story or stories may refer to: Common uses * Story, a narrative (an account of imaginary or real people and events) ** Short story, a piece of prose fiction that typically can be read in one sitting * Story (American English), or storey (British English), a floor or level of a building * News story, an event or topic reported by a news organization Social media *Stories (social media), a collection of messages, images or videos, often ephemeral ** Facebook Stories, short user-generated photo or video collections that can be uploaded to the user's Facebook ** Instagram Stories, a feature in Instagram that let the user post vertical images that will disappear in 24 hours ** Snapchat Stories, a feature in Snapchat which allows users to compile snaps into chronological storylines, accessible to all of their friends Film, television and radio * Story Television, an American digital broadcast television network * Story TV, a South Korean television drama production company * ''Stor ...
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Kantele
A kantele () or kannel () is a traditional Finnish and Karelian plucked string instrument (chordophone) belonging to the south east Baltic box zither family known as the Baltic psaltery along with Estonian kannel, Latvian kokles, Lithuanian kanklės and Russian gusli. Construction Small kantele Modern instruments with 15 or fewer strings are generally more closely modeled on traditional shapes, and form a category of instrument known as small kantele, in contrast to the modern concert kantele. The oldest forms of kantele have five or six horsehair strings and a wooden body carved from one piece; more modern instruments have metal strings and often a body made from several pieces. The traditional kantele has neither bridge nor nut, the strings run directly from the tuning pegs to a metal bar (''varras'') set into wooden brackets (''ponsi''). Though not acoustically efficient, this construction is part of the distinctive sound of the instrument. The most typical and tradi ...
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Jūshichi-gen
The is a variant of the with 17 strings instead of the typical 13. The instrument is also known as , "17 stringed ", or "bass " (although with a greater number of strings also exist). The was invented in 1921 by Michio Miyagi, a musician who felt that the standard lacked the range he sought in a traditional instrument. His 17 string creation, sometimes described as a "bass ", has a deeper sound and requires specialized plectra; traditional plectra are worn attached to the player's fingers, with which the strings are plucked. Though his original was considerably larger than a normal , 17 stringed of a similar size to the average are more common today, though they do not have as deep a sound as the larger version. In 2000, the musician Naito Masako, a member of the Seiha faction of the Ikuta school, constructed a new version of the 17-string koto called (popcorn), finished in bright colours such as pink, yellow, or blue. Construction The bass is similarly made from Paul ...
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Koto (musical Instrument)
The is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese and , and similar to the Mongolian , the Korean and , the Vietnamese , the Sundanese and the Kazakhstan . Koto are roughly in length, and made from Paulownia wood (''Paulownia tomentosa'', known as ). The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. 17-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks (), worn on the first three fingers of the right hand. Names and types The character for ''koto'' is , although is often used. However, (''koto'') is the general term for all string instruments in the Japanese language,(jaKotobank koto/ref> including instruments such as the , , , , , and so on. When read as , it indicates the Chinese instrument . The term is used today in the same way. The term ...
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Shamisen
The , also known as the or (all meaning "three strings"), is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument . It is played with a plectrum called a bachi. The Japanese pronunciation is usually but sometimes when used as a suffix, according to regular sound change (e.g. ). In Western Japanese dialects and several Edo period sources, it is both written and pronounced as . The construction of the varies in shape, depending on the genre in which it is used. The instrument used to accompany kabuki has a thin neck, facilitating the agile and virtuosic requirements of that genre. The one used to accompany puppet plays and folk songs has a longer and thicker neck instead, to match the more robust music of those genres. Construction The is a plucked stringed instrument. Its construction follows a model similar to that of a guitar or a banjo, with a neck and strings stretched across a resonating body. The neck of the is fret ...
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Shakuhachi
A is a Japanese and ancient Chinese longitudinal, end-blown flute that is made of bamboo. The bamboo end-blown flute now known as the was developed in Japan in the 16th century and is called the .Kotobank, Fuke shakuhachi.
The Asahi Shimbun
Kotobank, Shakuhachi.
The Asahi Shimbun
A bamboo flute known as the , which is quite different from the current style of , was introduced to Japan from China in the 7th century and died out in the 10th century.
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