Pazuzu
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Pazuzu
In ancient Mesopotamian religion, Pazuzu ( akk, , translit=pà.zu.zu; also called Fazuzu or Pazuza) was a personification of the southwestern wind, and held kingship over the lilu wind demons. As an apotropaic entity, he was considered as both a destructive and dangerous wind, but also as a repellant to other demons, one who would safeguard the home from their influence. In particular he was protective of pregnant women and mothers, whom he could defend from the machinations of the demoness Lamashtu, his rival. He is invoked in ritual and representations of him are used as defense charms. Hanpu is his father. He has many a connection to other wind deities, namely Lamashtu and the Lilû demons, other protective demons, as well as the foreign Egyptian dwarf deity Bes. Function Pazuzu has two chief aspects. Firstly as a demon of the home, as a domestic spirit, and secondly as the wandering wind demon, traversing the mountains, where he presents as a more wild character. Pa ...
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The Four Winds (Mesopotamian)
The four winds are a group of mythical figures in Mesopotamian mythology whose names and functions correspond to four cardinal directions of wind. They were both cardinal concepts (used for mapping and understanding geographical features in relation to each other) as well as characters with personality, who could serve as antagonistic forces or helpful assistants in myths. Functions and Iconography The concept of the Four Winds originated in Sumer, before 3000 BCE. While older theories posited that the ancient Mesopotamians had a concept of cardinality similar to modern day with a North, East, South, and West, it was more likely that their directions were framed around these four "principle winds". The Akkadian word for cardinality is equivalent to the word for wind. J. Neumann names these winds as "The regular wind" (NW), "The mountain wind" (NE), "The cloud wind" (SE), and "The Amorite Wind" (SW). These wind directions could be used to establish the presence of astrological b ...
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Lamasthu
In Mesopotamian mythology, Lamashtu (; Akkadian d''La-maš-tu''; Sumerian ''Dimme'' d''Dim3-me'' or ''Kamadme'') was a female demon, monster, malevolent goddess or demigoddess who menaced women during childbirth and, if possible, kidnapped their children while they were breastfeeding. She would gnaw on their bones and suck their blood, as well as being charged with a number of other evil deeds. She was a daughter of the Sky God Anu. Lamashtu is depicted as a mythological hybrid, with a hairy body, a lioness' head with donkey's teeth and ears, long fingers and fingernails, and the feet of a bird with sharp talons. She is often shown standing or kneeling on a donkey, nursing a pig and a dog, and holding snakes. She thus bears some functions and resemblance to the demon Lilith in Jewish mythology. Mythology Lamashtu's father was the Sky God Anu. Unlike many other usual demonic figures and depictions in Mesopotamian lore, Lamashtu was said to act in malevolence of her own accord, ...
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Lamastu
In Mesopotamian mythology, Lamashtu (; Akkadian d''La-maš-tu''; Sumerian ''Dimme'' d''Dim3-me'' or ''Kamadme'') was a female demon, monster, malevolent goddess or demigoddess who menaced women during childbirth and, if possible, kidnapped their children while they were breastfeeding. She would gnaw on their bones and suck their blood, as well as being charged with a number of other evil deeds. She was a daughter of the Sky God Anu. Lamashtu is depicted as a mythological hybrid, with a hairy body, a lioness' head with donkey's teeth and ears, long fingers and fingernails, and the feet of a bird with sharp talons. She is often shown standing or kneeling on a donkey, nursing a pig and a dog, and holding snakes. She thus bears some functions and resemblance to the demon Lilith in Jewish mythology. Mythology Lamashtu's father was the Sky God Anu. Unlike many other usual demonic figures and depictions in Mesopotamian lore, Lamashtu was said to act in malevolence of her own accord, ...
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Lulal
Lulal, inscribed dlú.làl in cuneiform(𒀭𒇽𒋭), was a Mesopotamian god associated with Inanna, usually as a servant deity or bodyguard but in a single text as a son. His name has Sumerian origin and can be translated as "syrup man." In the second and first millennium BCE, Lulal evolved into an anthropomorphic god/demon used on protective amulets, figurines and exorcists’ paraphernalia used in apotropaic rituals, such as Šurpu and Maqlu, usually displayed alongside Ugallu, “Big Weather Beast”, the lion-headed demon, or with his Akkadian alter-ego Lātarāk. Function as God As a god, Lulal functioned as the Sumerian counterpart of the Akkadian Latarak. His name likely means "syrup man" or "man sweet like syrup." His precise function is not fully understood. It is theorized that he was a god of animal husbandry, evidenced by one epithet of his ''lugal-eden-na'' "King of the Steppe," and his connection with the cult place of Bad-tibira and the god Šakkan, who served ...
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Lamashtu
In Mesopotamian mythology, Lamashtu (; Akkadian d''La-maš-tu''; Sumerian ''Dimme'' d''Dim3-me'' or ''Kamadme'') was a female demon, monster, malevolent goddess or demigoddess who menaced women during childbirth and, if possible, kidnapped their children while they were breastfeeding. She would gnaw on their bones and suck their blood, as well as being charged with a number of other evil deeds. She was a daughter of the Sky God Anu. Lamashtu is depicted as a mythological hybrid, with a hairy body, a lioness' head with donkey's teeth and ears, long fingers and fingernails, and the feet of a bird with sharp talons. She is often shown standing or kneeling on a donkey, nursing a pig and a dog, and holding snakes. She thus bears some functions and resemblance to the demon Lilith in Jewish mythology. Mythology Lamashtu's father was the Sky God Anu. Unlike many other usual demonic figures and depictions in Mesopotamian lore, Lamashtu was said to act in malevolence of her own a ...
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Supernatural
Supernatural refers to phenomena or entities that are beyond the laws of nature. The term is derived from Medieval Latin , from Latin (above, beyond, or outside of) + (nature) Though the corollary term "nature", has had multiple meanings since the ancient world, the term "supernatural" emerged in the Middle Ages and did not exist in the ancient world. The supernatural is featured in folklore and religious contexts, but can also feature as an explanation in more secular contexts, as in the cases of superstitions or belief in the paranormal. The term is attributed to non-physical entities, such as angels, demons, gods, and spirits. It also includes claimed abilities embodied in or provided by such beings, including magic, telekinesis, levitation, precognition, and extrasensory perception. The philosophy of naturalism contends that nothing exists beyond the natural world, and as such approaches supernatural claims with skepticism. Etymology and history of the concept Occurr ...
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Hanbi
In Sumerian and Akkadian mythology (and Mesopotamian mythology in general) Hanbi or Hanpa (more commonly known in western text) was the god of evil, god of all evil forces and the father of Pazuzu and Humbaba. Aside from his relationship with Pazuzu In ancient Mesopotamian religion, Pazuzu ( akk, , translit=pà.zu.zu; also called Fazuzu or Pazuza) was a personification of the southwestern wind, and held kingship over the lilu wind demons. As an apotropaic entity, he was considered as bo ..., very little is known of this figure. See also * List of Mesopotamian deities References Mesopotamian gods Mesopotamian demons Evil gods {{MEast-myth-stub ...
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The Exorcist (novel)
''The Exorcist'' is a 1971 horror novel by American writer William Peter Blatty. The book details the demonic possession of eleven-year-old Regan MacNeil, the daughter of a famous actress, and the two priests who attempt to exorcise the demon. Published by Harper & Row, the novel was the basis of a highly successful film adaptation released two years later, whose screenplay was also written and produced by Blatty, and part of ''The Exorcist'' franchise. The novel was inspired by a 1949 case of supposed demonic possession and exorcism that Blatty heard about while he was a student in the class of 1950 at Georgetown University. As a result, the novel takes place in Washington, D.C., near the campus of Georgetown University. In September 2011, the novel was reprinted by HarperCollins to celebrate its fortieth anniversary, with slight revisions made by Blatty as well as interior title artwork by Jeremy Caniglia. Plot An elderly Jesuit priest named Father Lankester Merrin is leadin ...
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Apotropaic Magic
Apotropaic magic (from Greek "to ward off") or protective magic is a type of magic intended to turn away harm or evil influences, as in deflecting misfortune or averting the evil eye. Apotropaic observances may also be practiced out of superstition or out of tradition, as in good luck charms (perhaps some token on a charm bracelet), amulets, or gestures such as crossed fingers or knocking on wood. Many different objects and charms were used for protection throughout history. Symbols and objects Ancient Egyptian Apotropaic magical rituals were practiced throughout the ancient Near East and ancient Egypt. Fearsome deities were invoked via ritual in order to protect individuals by warding away evil spirits. In ancient Egypt, these household rituals (performed in the home, not in state-run temples) were embodied by the deity who personified magic itself, Heka. The two gods most frequently invoked in these rituals were the hippopotamus-formed fertility goddess, Taweret, and the ...
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Tell Leilan
Tell Leilan is an archaeological site situated near the Wadi Jarrah in the Khabur River basin in Al-Hasakah Governorate, northeastern Syria. The site has been occupied since the 5th millennium BC. During the late third millennium, the site was known as Shekhna. During that time it was under control of the Akkadian Empire and was used as an administrative center. Around 1800 BC, the site was renamed "Shubat-Enlil" by the king Shamshi-Adad I, and it became his residential capital. Shubat-Enlil was abandoned around 1700 BC. Geography The site is located close to some other flourishing cities of the time. Hamoukar is about 50 km away to the southeast. Tell Brak is about 50 km away to the southwest, and also in the Khabur River basin. Tell Mozan (Urkesh) is about 50 km to the west. Leilan, Brak and Urkesh were particularly prominent during the Akkadian period. History The city originated around 5000 BC as a small farming village and grew to be a large city BC, three ...
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Scorpion
Scorpions are predatory arachnids of the order Scorpiones. They have eight legs, and are easily recognized by a pair of grasping pincers and a narrow, segmented tail, often carried in a characteristic forward curve over the back and always ending with a stinger. The evolutionary history of scorpions goes back 435 million years. They mainly live in deserts but have adapted to a wide range of environmental conditions, and can be found on all continents except Antarctica. There are over 2,500 described species, with 22 extant (living) families recognized to date. Their taxonomy is being revised to account for 21st-century genomic studies. Scorpions primarily prey on insects and other invertebrates, but some species hunt vertebrates. They use their pincers to restrain and kill prey, or to prevent their own predation. The venomous sting is used for offense and defense. During courtship, the male and female grasp each other's pincers and dance while he tries to move her onto his s ...
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Ugallu
A panel with two divine palace guards, one of which is Ugallu. Ugallu, the "Big Weather-Beast", ( Sumerian inscribed 𒌓𒃲U4/UD.GAL-˹''la''˺, Akkadian: ''ūmu rabû'', meaning "big day"), was a lion-headed storm-demon and has the feet of a bird who is featured on protective amulets and apotropaic yellow clay or tamarisk figurines of the first millennium BC but had its origins in the early second millennium. The iconography changed over time, with the human feet morphing into an eagle's talons and dressing him in a short skirt. He was one of the class of ud-demons (day-demons), personifying moments of divine intervention in human life. Function As an ud-demon, Ugallu's function is to intervene in moments of disaster in a person's life, such as saving them from death. His affiliation with the day compares him with other light related deities, Shamash the sun, the star of Sirius, and Nuska, god of the lamp. Many of his rituals as described are to be performed at night. Iconogr ...
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