|
Paul Kuën
Paul Kuën (8 April 1910 – April 1997) was a German operatic tenor known for character roles. One example among many such portrayals would be Mime in Wagner's ''Der Ring des Nibelungen''. Kuën was born at Sulzberg, Oberallgäu. He had originally wanted to be an organ-builder, but then studied singing with Heinrich Knote and Adalbert Ebner in Munich. He made his stage debut at the State Theatre in Konstanz in 1933 and went on to sing in many European opera houses, including Munich State Opera from 1946,Opera. June 1954, Bayreuth where he sang from 1951–1957, Salzburg, the Vienna State Opera, the Bavarian State Opera, and London's Royal Opera House. He made his debut at the New York Metropolitan Opera on 16 December 1961 as Mime in ''Das Rheingold''. He also sang Mime in the Met's 1962 ''Siegfried'' and the multiple roles of Andrès, Cochenille, Pitichinaccio, and Frantz in the company's 1962 production of ''The Tales of Hoffmann''. A Kammersänger of the Federal Republic of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bayreuther Festspiele
The Bayreuth Festival (german: link=no, Bayreuther Festspiele) is a music festival held annually in Bayreuth, Germany, at which performances of operas by the 19th-century German composer Richard Wagner are presented. Wagner himself conceived and promoted the idea of a special festival to showcase his own works, in particular his monumental cycle and ''Parsifal''. Performances take place in a specially designed theatre, the Bayreuth Festspielhaus. Wagner personally supervised the design and construction of the theatre, which contained many architectural innovations to accommodate the huge orchestras for which Wagner wrote as well as the composer's particular vision about the staging of his works. The Festival has become a pilgrimage destination for Wagnerians and classical-music enthusiasts. Origins The origins of the Festival itself lie rooted in Richard Wagner's interest in establishing his financial independence. A souring of the relationship with his patron, Ludwig II of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kammersänger
Kammersänger (male) or Kammersängerin (female), abbreviated Ks. or KS, is a German honorific title for distinguished singers of opera and classical music. It literally means "chamber singer". Historically, the title was bestowed by princes or kings, when it was styled ''Hofkammersänger(in)'', where ''hof'' refers to the royal court. The title is given in Germany and in Austria usually on the recommendation of relevant national and local institutions. In East Germany, some concert halls bestowed this designation. Titles and recipients Austria Österreichischer Kammersänger (male) / Österreichische Kammersängerin (female) The honorary title is awarded by the Federal President of Austria on the proposal of the responsible Federal Minister since 1971. * Germany Kammersänger (male) / Kammersängerin (female) * Elise Kutscherra de Nyss (Coburg, 1894) * Gerhard Unger (1952) * Theo Adam (1955) * Hans-Dieter Bader (Hanover, 1981) * Alfred Vökt (Frankfurt, 1989) * (Frankfurt, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Merry Wives Of Windsor (opera)
''The Merry Wives of Windsor'' (German: ''Die lustigen Weiber von Windsor'') is an opera in three acts by Otto Nicolai to a German libretto by Salomon Hermann Mosenthal based on the play ''The Merry Wives of Windsor'' by William Shakespeare. The opera is a ''Singspiel'', containing much spoken dialogue between distinct musical numbers. The opera remains popular in Germany, and the overture is sometimes heard in concert in other countries. Composition history Otto Nicolai composed the music from 1845 to 1849. He had previously achieved great success with a few Italian operas, but this opera was to become his masterpiece in the German language. The composer himself made some changes to the libretto. Performance history It was difficult at first to find a stage that was willing to mount the opera. Following the premiere at the Königliches Opernhaus (Royal Opera House, now Berlin State Opera) in Berlin on 9 March 1849 under the baton of the composer, it proved unsuccessful at first, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Nicolai
Carl Otto Ehrenfried Nicolai (9 June 1810 – 11 May 1849) was a German composer, conductor, and one of the founders of the Vienna Philharmonic. Nicolai is best known for his operatic version of Shakespeare's comedy ''The Merry Wives of Windsor'' as '. In addition to five operas, Nicolai composed lieder, works for orchestra, chorus, ensemble, and solo instruments. Biography Nicolai, a child prodigy, was born in Königsberg, Prussia. He received his first musical education from his father, Carl Ernst Daniel Nicolai, who was also a composer and musical director. During his childhood his parents divorced, and while still a youth, early in June 1826, Nicolai ran away from his parents' "loveless" home, taking refuge in Stargard with a senior legal official called August Adler who treated the musical prodigy like a son and, when Nikolai was seventeen, sent him to Berlin to study with Carl Friedrich Zelter. After initial successes in Germany, including his first symphony (1831) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Lortzing
Gustav Albert Lortzing (23 October 1801 – 21 January 1851) was a German composer, librettist, actor and singer. He is considered to be the main representative of the German ''Spieloper'', a form similar to the French '' opéra comique'', which grew out of the '' Singspiel''. Life and career Lortzing was born in Berlin to Johann Gottlieb and Charlotte Sophie Lortzing. They had abandoned their leather shop and travelled through Germany as itinerant actors, founding the Berlin theatre company ''Urania'', and turning their amateur passion into a profession. The young Lortzing's first stage appearance was at the age of 12, entertaining the audience with comic poems during the interval in the ''Kornhaus'' at the Freiburg Münster. From 1817, the Lortzing family were part of Josef Derossi ensemble in the Rhineland, treading the boards at Bonn, Düsseldorf, Barmen and Aachen. Albert Lortzing became an audience favourite, playing the roles of a youthful lover, a country boy and bon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Widerspenstigen Zähmung
Der or DER may refer to: Places * Darkənd, Azerbaijan * Dearborn (Amtrak station) (station code), in Michigan, US * Der (Sumer), an ancient city located in modern-day Iraq * d'Entrecasteaux Ridge, an oceanic ridge in the south-west Pacific Ocean Science and technology * Derivative chromosome, a structurally rearranged chromosome * Distinguished Encoding Rules, a method for encoding a data object, including public key infrastructure certificates and keys * Distributed Energy Resources * ∂, the partial derivative symbol *Deep energy retrofit, an energy conservation measure Organizations * Digital Education Revolution, former Australian Government-funded educational reform program * DER rental (Domestic Electric Rentals Ltd), a UK television rentals company * Documentary Educational Resources, a non-profit film producer and distributor Other uses *Defence (Emergency) Regulations, legal regulations promulgated by the British in Mandatory Palestine in 1945 *Department of Environ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Goetz
Hermann Gustav Goetz (7 December 1840 – 3 December 1876) was a German composer who spent much of his career in Switzerland. He is best known for his 1872 opera '' Der Widerspänstigen Zähmung'', based on Shakespeare's ''The Taming of the Shrew''. Life Goetz was born in Königsberg, East Prussia. The son of a salesman, he came into contact with music early in his life. However, he did not receive his first serious piano lesson until 1857 – although he already had begun to compose some years before. At the end of the 1850s, he began to study for a degree in mathematics, but broke this off after three terms to study at the Stern Conservatory in Berlin, where he studied piano and composition with Hans von Bülow. In 1862, he graduated from the conservatory. He then moved to Switzerland in 1863. The following year, Goetz was appointed as city organist of Winterthur in Switzerland (thanks to the assistance of Carl Reinecke), where he taught the piano and began to make his name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Solti
Sir Georg Solti ( , ; born György Stern; 21 October 1912 – 5 September 1997) was a Hungarian-British orchestral and operatic conductor, known for his appearances with opera companies in Munich, Frankfurt and London, and as a long-serving music director of the Chicago Symphony Orchestra. Born in Budapest, he studied there with Béla Bartók, Leó Weiner and Ernő Dohnányi. In the 1930s, he was a répétiteur at the Hungarian State Opera and worked at the Salzburg Festival for Arturo Toscanini. His career was interrupted by the rise of the Nazis' influence on Hungarian politics and, being of Jewish background, he fled the increasingly harsh Hungarian anti-Jewish laws in 1938. After conducting a season of Russian ballet in London at the Royal Opera House he found refuge in Switzerland, where he remained during the Second World War. Prohibited from conducting there, he earned a living as a pianist. After the war, Solti was appointed musical director of the Bavarian State O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Knappertsbusch
Hans Knappertsbusch (12 March 1888 – 25 October 1965) was a German conductor, best known for his performances of the music of Wagner, Bruckner and Richard Strauss. Knappertsbusch followed the traditional route for an aspiring conductor in Germany in the early 20th century, starting as a musical assistant and progressing to increasingly senior conducting posts. In 1922, at the age of 34, he was appointed general music director of the Bavarian State Opera, holding that post for eleven years. In 1936 the Nazi régime dismissed him. As a freelance he was a frequent guest conductor in Vienna and Bayreuth, where his performances of ''Parsifal'' became celebrated. Studio recording did not suit Knappertsbusch, whose best-known recordings were made live during performances at Bayreuth. He died at the age of 77, following a bad fall the previous year. Life and career Early years Knappertsbusch was born in Elberfeld, today's Wuppertal, on 12 March 1888, the second son of a manufacturer, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clemens Krauss
Clemens Heinrich Krauss (31 March 189316 May 1954) was an Austrian conductor and opera impresario, particularly associated with the music of Richard Strauss, Johann Strauss and Richard Wagner. Krauss was born in Vienna to Clementine Krauss, then a 15-year-old dancer in the Vienna Imperial Opera Ballet, later a leading actress and operetta singer, niece of the prominent nineteenth-century operatic soprano Gabrielle Krauss. His natural father, Chevalier Hector (1851-1916), came from a family of wealthy Phanariot bankers resident in Vienna. Baltazzi's older sister Helene was married to Baron Albin Vetsera and was the mother of Baroness Mary Vetsera, who was accordingly Clemens Krauss' first cousin. Krauss sang in the Hofkapelle (Imperial Choir) as a Vienna Choir Boy. He graduated from the Vienna Conservatory in 1912, after studying composition with Hermann Graedener and theory with Richard Heuberger there. He was then appointed chorus master in the Brünn Theatre, Moravia, (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Keilberth
Joseph Keilberth (19 April 1908 – 20 July 1968) was a German conductor who specialised in opera. Career He started his career in the State Theatre of his native city, Karlsruhe. In 1940 he became director of the German Philharmonic Orchestra of Prague. Near the end of World War II, he was appointed principal conductor of the venerable Saxon State Opera Orchestra in Dresden. In 1949 he became chief conductor of the Bamberg Symphony, formed mainly of German musicians expelled from postwar Czechoslovakia under the Beneš decrees. Ring Cycles at Bayreuth and in recording Keilberth was a regular at the Bayreuth Festival in the early 1950s, with complete Wagner Ring Cycles from 1952, 1953 and 1955, as well as a well-regarded recording of ''Die Walküre'' from 1954 (the whereabouts of rest of the cycle are unclear) in which Martha Mödl, perhaps the greatest Wagnerian actress and tragedian of her time, sang her only recorded Sieglinde. He made the first stereo recording of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Von Karajan
Herbert von Karajan (; born Heribert Ritter von Karajan; 5 April 1908 – 16 July 1989) was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, with the Vienna Philharmonic, the Berlin Philharmonic, and during the Second World War he conducted at the Berlin State Opera. Generally regarded as one of the greatest conductors of the 20th century, he was a controversial but dominant figure in European classical music from the mid-1950s until his death. Part of the reason for this was the large number of recordings he made and their prominence during his lifetime. By one estimate, he was the top-selling classical music recording artist of all time, having sold an estimated 200 million records. Biography Early life Genealogy The Karajans were of Greek ancestry. Herbert's great-great-grandfather, Georg Karajan (Geórgios Karajánnis, el, Γεώργιος Καραγιάννης, lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Clemens Krauss")
_–_Gerd_Hruška.png "Click for more on -> Herbert Von Karajan")