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Paul Avenel
Paul Avenel (9 October 1823 – 14 April 1902) was a 19th-century French writer, poet, Goguette, goguettier, playwright, Chansonnier (singer), chansonnier and journalist. He was the elder brother of historian . Graduated in 1840 from an école supérieure de commerce, Avenel started studying medicine in 1845 and was an ardent student of Philibert Joseph Roux, Roux, Mathieu Orfila, Orfila and Alfred Velpeau, Velpeau. After the French Revolution of 1848, 1848 Revolution led him into journalism, he collaborated with many literary and political newspapers. He established and directed ''le Daguerréotype théâtral'' issues available on Gallica, Bibliothèque nationale de France, BnF digital library. ', worked for the ''Lycée français'', the ''Mousquetaire'', etc. He also wrote poetry, Play (theatre), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Petit (photographer)
:''Pierre Petit is not to be confused with (Jean) Pierre Yves-Petit (1886–1969), another French photographer who usually operated under the name Yvon''. Pierre Lanith Petit (15 August 1832 – 16 February 1909) was a French photographer. He is sometimes credited as Pierre Lamy Petit. Work Petit learned photography in Paris in the workshop of André-Adolphe-Eugène Disdéri (1819–1889) (together with 76 other employees). In 1858, he opened his own workshop in Paris with Antoine René Trinquart, later to be called ''La Photographie des Deux Mondes''. This proved to be very successful and workshops were opened in Baden-Baden and Marseille (in partnership with Emile Cazalis). In his lifetime he made thousands of photographs. In 1908 he handed over the business to his son. Some highlights in Petit's career: * He was the official photographer of the ''International Exposition of 1867''. * He went to New York City several times to report on the construction of the Statue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Société Des Auteurs Et Compositeurs Dramatiques
SACD, founded as Société des Auteurs et Compositeurs Dramatiques ( en, Society of Dramatic Authors and Composers) on 7 March 1829, is a French collecting society, undertaking collective rights management for authors. The Society manages, promotes and protects the performance rights of theatrical, audiovisual or photographic works for their creators by collecting royalties and authorising performances. It's also one of the main lobbies against "droit d'auteur" (copyright) changes and to protect the activities of collective rights management societies. History The SACD was founded in 1829 by French dramatist and miscellaneous writer Charles-Guillaume Étienne. The idea of society protecting the rights of the authors dates back to Beaumarchais, who founded his own organization in 1777. Current activities In 2006 the Society represented about 44,000 members in the performing arts and audiovisual sectors. The entire SACD repertoire currently comprises about 500,000 works, from the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Male Journalists
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century French Journalists
The 19th (nineteenth) century began on 1 January 1801 (Roman numerals, MDCCCI), and ended on 31 December 1900 (Roman numerals, MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolitionism, abolished in much of Europe and the Americas. The Industrial Revolution, First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Gunpowder empires, Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De L'Athénée (rue Scribe)
Théâtre de l'Athénée or Salle de l'Athénée was the name of a theatre in the basement of a building built in 1865 by the banker Bischoffsheim at 17 rue Scribe in the 9th arrondissement of Paris (near the new, but at the time unfinished opera house, now known as the Palais Garnier). The Athénée was initially small, with a capacity of 760 spectators, but was enlarged to 900 places by the addition of a top gallery in 1867. The interior was decorated by Charles Cambon. The venue was used by a variety of companies, including the Théâtre des Fantaisies-Parisiennes (1869), the Théâtre Lyrique (1871–1872), the Théâtre Scribe (1874–1875), and the Athénée-Comique (1876–1883). It closed permanently in 1883.Wild 1989, pp. 45–46. History The Athénée was inaugurated on 21 November 1866 with a series of concerts conducted by Jules Pasdeloup. Concerts were generally given on Monday, Wednesday, and Friday, and conferences on Tuesday, Thursday, or Saturday. The concerts we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amédée De Jallais
Amédée de Jallais (17 December 1826 – 31 January 1909) was a 19th-century French playwright, operetta librettist and chansonnier. Biography The son of a lieutenant colonel in the guards, he studied at the College Bourbon then entered in the insurance company La Nationale (1845–1850) as employee, a position he will leave to devote himself entirely to literature after the success of his comedy ''Un de perdu, une de retrouvée''. Collaborator of the ''Gazette des théâtres'', then of the ''Messager des théâtres'', he became managing director of the Théâtre des Délassements-Comiques (1871) then after the blaze of this theatre on 22 May 1871, of the Théâtre des Menus-Plaisirs. Administrator dof the Théâtre Déjazet (1874–1875), general secretary of the Théâtre de la République (1897), he married the actress Eudoxie Laurent in 1862. He wrote more than two hundred plays which were presented on the most important Parisian stages of the 19th century: Théâtr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Bouffes-Parisiens
The Théâtre des Bouffes-Parisiens () is a Parisian theatre founded in 1855 by the composer Jacques Offenbach for the performance of opéra bouffe and operetta. The current theatre is located in the 2nd arrondissement at 4 rue Monsigny with an entrance at the back at 65 Passage Choiseul. In the 19th century the theatre was often referred to as the Salle Choiseul. With the decline in popularity of operetta after 1870, the theatre expanded its repertory to include comedies.Bouffes-Parisien website .Lamb, Andrew. "Offenbach, Jacques" in Sadie 1992, vol. 3, pp. 653–658.Levin 2009, pp. 401–402. History Salle Lacaze [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Folies-Dramatiques
The Théâtre des Folies-Dramatiques was a theatre in Paris in the 19th and 20th centuries. Opened first in 1832 in the site of the old Théâtre de l'Ambigu-Comique on the Boulevard du Temple, under Frédérick Lemaître it became a noted venue for the genre of mélodrame.’L'encyclopédie multimedia de la comédie musicale théâtrale en France (1918-1940)’ (http://comedie-musicale.jgana.fr/index.htm), accessed 14.01.10. In 1862, the theatre moved to the rue de Bondy and the repertoire developed more in the field of operetta, ''La fille de Madame Angot'' by Charles Lecocq in 1873, ''Les cloches de Corneville'' by Robert Planquette in 1877, ''Madame Favart'', by Jacques Offenbach in 1878, ''La fille du tambour-major'' by Offenbach in 1879, ''La fauvette du temple'' by André Messager in 1885, '' La Béarnaise'' by Messager in 1887 and '' Surcouf'' by Robert Planquette in October of the same year being among the premieres seen at the theatre. Other operettas and light operas we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Thiéry
Henri Thiéry (Paris, 1829 – Bougival, 1 August 1872) was a 19th-century French journalist and playwright. The founder and director of the ''Journal des Demoiselles'', a regular collaborator of Amédée de Jallais, his plays were presented on the most important Parisian stages of the 19th century: Théâtre des Délassements-Comiques, Théâtre des Folies-Dramatiques, Théâtre du Palais-Royal etc. Works *1852: ''Dans une armoire'', folie-vaudeville in 1n act *1856: ''Le Boulanger à des écus'', drame-vaudeville in 3 acts, with Amédée de Jallais *1856: ''Mon ami Dupont'', vaudeville in 1 act, with de Jallais *1856: ''Manon de Nivelle'', vaudeville in 3 acts, with de Jallais *1856: ''Pan, pan, c'est la fortune'', comedy in 1 act, mingled with couplets, with de Jallais *1859: ''La Course aux canards'', vaudeville in 3 canards, with de Jallais *1859: ''Le Naufrage de La Pérouse'', drama in 5 acts and 9 tableaux, with de Jallais and Adolphe d'Ennery *1859: ''Arsène et Camille ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Variétés
The Théâtre des Variétés is a theatre and "salle de spectacles" at 7–8, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1974. History It owes its creation to the theatre director Mademoiselle Montansier (Marguerite Brunet). Imprisoned for debt in 1803 and frowned upon by the government, a decree of 1806 ordered her company to leave the Théâtre du Palais-Royal which then bore the name of "Variétés". The decree's aim was to move out Montansier's troupe to make room for the company from the neighbouring Théâtre-Français, which had stayed empty even as the Variétés-Montansier had enjoyed immense public favour. Strongly unhappy about having to leave the theatre by 1 January 1807, the 77-year-old Montansier gained an audience with Napoleon himself and received his help and protection. She thus reunited the "Société des Cinq", which directed her troupe, in order to found a new theatre, the one which stands at the side of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
