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Patdeep
Patdeep or Patdip (पटदीप), is a Hindustani classical raga from the Kafi Thaat. Theory Arohana and Avarohana Notation: S r R g G M Ḿ P d D n N S Lower case indicates 'komal' or flat notes, " indicates higher (third) octave, ' indicates lower (first) octave *Arohana: N' S g m P N S' *Avarohana: S" N D P, m P g, m g R S The raag has Komal Ga. It is an Audava-Sampoorna raga, implying that it has 5 notes in Arohana and 7 in Avarohana. Raag Patdeep is formed when pure N is taken instead of komal n in Raag Bhimpalasi. Patdeep is essentially Gowrimanohari sans rishaba and dhaivata in ascent. Vadi and Samavadi * Vadi: Pa *Samavadi: Sa Pakad or Chalan *Pakad or Chalan: N' S g M P (M) g, M g R S, g M P N S" D P, M P g, M g R S. Film Compositions Language:Tamil Language: Malayalam Anuraga Lola gathri Film : Dhwani Year : 1988 Raga : Patdeep Composer : Naushad Ali Lyricist : Yusafali Kechery Singers : K. J. Yesudas & P. Susheela Kathiru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhimpalasi
Bhimpalasi or Bheempalasi (also known as Bhimpalas or Bheempalas) is a Hindustani classical raga. Raga Bhimpalasi belongs to the Kafi Thaat. Theory *Aarohana: *Avaroha: The raag has komal Ni and Ga. It is an Audava-Sampoorna jati raga, implying that it has 5 notes in Arohana and 7 in Avarohana. * Vadi Swar: * Samavadi Swar: *Thaat: Kafi *Pakad or Chalan: Prominent Bandish(Composition) by Niyamat Khan 'Sadarang' Sthayi: Jaa, jaa re apane mandiravaa Suna paave gi (mori) saas-nanadiyaa Antara: Suna ho sadaa-rang, tuma ko chaahata hay kya tum hamako chalana kiyaa, (or kya tum hamako Thagana diya) Jaa, jaa re Prominent Bandish(Composition) by Acharya Dr. Pandit Gokulotsavji Maharaj "MadhurPiya" The Bandish Initials(Bandish Name): "Gaao Bajao Sab Mil Ata Umang So" The Bandish is set in taal EkTaal Organisation and relationships Related/similar ragas: *Bageshree, Dhanashree, Dhani, Patdeep, Hamsakinkini, Patdeepaki *In Carnatic music, Karnataka Devagandhari is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kafi (thaat)
Kafi () is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga ( Kharaharapriya) within this thaat. Description Kafi thaat makes use of the Komal Gandhara and Komal Nishad. So basically it adds Komal Gandhara to the Khamaj thaat. The Kafi raga is one of the oldest ragas and its intervals are described as the basic scale of the Natyashastra. Thus in ancient and medieval times, Kafi was considered as natural scale. Kafi is a late evening raga and said to convey the mood of springtime. Ragas Ragas in Kafi thaat include: * Abhogi * Bageshri * Bageshri-Ang Chandrakauns * Bahar * Barwa * Bhimpalasi * Brindavani Sarang * Dhani * Hanskinkini * Jog * Kafi * Megh * Malhar * Nayaki Kanada * Patdeep * Pilu * Jaijaiwanti Jaijaivanti or Jaijaiwanti is a Hindustani classical '' raga'' belonging to Khamaj Thaat. According to the Guru Granth Sahib, this ''raga'' is a mixture of two others: Bilaval and Sorath. The ''raga'' app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kafi Thaat
Kafi () is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga (Kharaharapriya) within this thaat. Description Kafi thaat makes use of the Komal Gandhara and Komal Nishad. So basically it adds Komal Gandhara to the Khamaj thaat. The Kafi raga is one of the oldest ragas and its intervals are described as the basic scale of the Natyashastra. Thus in ancient and medieval times, Kafi was considered as natural scale. Kafi is a late evening raga and said to convey the mood of springtime. Ragas Ragas in Kafi thaat include: * Abhogi * Bageshri * Bageshri-Ang Chandrakauns * Bahar * Barwa * Bhimpalasi * Brindavani Sarang * Dhani * Hanskinkini * Jog * Kafi * Megh * Malhar * Nayaki Kanada * Patdeep * Pilu * Jaijaiwanti Jaijaivanti or Jaijaiwanti is a Hindustani classical ''raga'' belonging to Khamaj Thaat. According to the Guru Granth Sahib, this ''raga'' is a mixture of two others: Bilaval and Sorath. The ''raga'' appears ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gowrimanohari
Gourimanohari or Gaurimanohari is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 23rd ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. The 23rd ''melakarta'' rāgam as per Muthuswami Dikshitar school of music is . The Western equivalent is the jazz minor scale. The Hindustani music equivalent to this rāgam is Raag Patdeep. Structure and Lakshana It is the 5th rāgam in the 4th ''chakra Veda''. The mnemonic name is ''Veda-Ma''. The mnemonic phrase is ''sa ri gi ma pa dhi nu''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications Its structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : The notes used in this scale are ''shadjam, chatushruti rishabham, sadharana gandharam, shuddha madhyamam, panchamam, chatushruti daivatam'' and ''kakali nishadham''. It is a ''sampurna'' rāgam – a rāgam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gourimanohari
Gourimanohari or Gaurimanohari is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 23rd ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. The 23rd ''melakarta'' rāgam as per Muthuswami Dikshitar school of music is . The Western equivalent is the jazz minor scale. The Hindustani music equivalent to this rāgam is Raag Patdeep. Structure and Lakshana It is the 5th rāgam in the 4th ''chakra Veda''. The mnemonic name is ''Veda-Ma''. The mnemonic phrase is ''sa ri gi ma pa dhi nu''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications Its structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : The notes used in this scale are ''shadjam, chatushruti rishabham, sadharana gandharam, shuddha madhyamam, panchamam, chatushruti daivatam'' and ''kakali nishadham''. It is a ''sampurna'' rāgam – a rāga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enippadigal
''Enippadigal'' () is a 1979 Indian Tamil-language film directed by P. Madhavan and produced by K. S. Sethumadhavan. It is a remake of the 1978 Telugu film ''Seetamalakshmi''. The film stars Sivakumar and Shoba. It was released on 16 February 1979. Plot Chella Kannu, a young sweeper becomes a popular movie star known as Kamala Devi. Her lover and fellow sweeper Manickam is the ladder of her success, but the villainy of her brother separates them. Cast * Sivakumar as Manickam * Shoba as Chella Kannu (Kamala Devi) * Sathyaraj as Muthu (Chella Kannu's brother) * Manorama as Jayanthi * Vadivukkarasi as Rani * T. M. Sami Kannu as Samykannu * A. Sakunthala as Chokkamma (Muthu's wife) * P. T. Sivam as Ramalingam * G. Srinivasan as Chella Kannu's father * Mohan Sharma (cameo appearance) ;Cameo appearances * V. S. Raghavan as himself * Kannan as Sambath * V. Gopalakrishnan as himself * S. Rama Rao as Singaram Production ''Ennaipadigal'', a remake of the Telugu film '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalathur Kannamma
''Kalathur Kannamma'' is a 1960 Indian Tamil-language romantic drama film directed by A. Bhimsingh and written by Javar Seetharaman. The film stars Gemini Ganesh, Savitri Ganesh and Kamal Haasan. It revolves around a couple — a wealthy zamindar's son and a farmer's daughter — who are separated due to circumstances, while their innocent son is forced to grow up in an orphanage. ''Kalathur Kannamma'', inspired by the 1960 Chinese film ''Nobody's Child'', was originally directed by T. Prakash Rao who left due to creative differences, resulting in Bhimsingh taking over. It was the debut film of Kamal Haasan. The film's soundtrack was composed by R. Sudarsanam. ''Kalathur Kannamma'' was released on 12 August 1960. The film was critically acclaimed, with Haasan's performance being singled out. It was also commercially successful, running for over 100 days in theatres. It won the Certificate of Merit by the Government of India, and the President's Gold Medal award fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paadha Kaanikkai
''Paadha Kaanikkai'' () is a 1962 Tamil-language drama film directed by K. Shankar and written by M. S. Solamalai. The film stars Gemini Ganesan and Savitri, with C. R. Vijayakumari, M. R. Radha and Kamal Haasan in supporting roles. It was released on 14 July 1962. Cast *Gemini Ganesan as Sekar * Savitri as Malathi * C. R. Vijayakumari as Chitra *M. R. Radha as Veerasamy Pillai * J. P. Chandrababu as Veerasamy Pillai's son *Kamal Haasan as Ravi * S. V. Subbaiah as Sekar's father * S. A. Ashokan as Manickam *M. V. Rajamma as Parvathi * C. K. Saraswathi as Eshwari *Karikol Raju as Villager *S. Rama Rao as Pardeshi *D. Balasubramaniam *Padmini Priyadarshini *K. R. Indira Devi Production ''Paadha Kaanikkai'' was produced by G. N. Velumani, directed and edited by K. Shankar, written by M. S. Solamalai. Soundtrack The music was composed by Viswanathan–Ramamoorthy, with lyrics by Kannadasan. Release and reception ''Paadha Kaanikkai'' was released on 14 July 1962. ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viswanathan–Ramamoorthy
Viswanathan–Ramamoorthy were an Indian music composing duo composed of M. S. Viswanathan and T. K. Ramamoorthy. They worked together on over 100 films, from 1952's '' Panam'' to 1965's '' Aayirathil Oruvan''. After their split, Ramamoorthy worked on 16 films between 1966 and 1986. He and Viswanathan reunited in 1995 for ''Engirundho Vandhan''. Early lives Ramamoorthy Ramamoorthy, born into a well-known musical family in Trichy, was a capable violinist at an early age. His father (Krishnasamy Pillai) and grandfather, Malaikottai Govindasamy Pillai, were noted violinists in Trichy. As a child, Ramamoorthy performed several times with his father. During the early 1940s he worked for Saraswathi Stores (in which AVM Productions owner Avichi Meiyappa Chettiar was a partner), and played violin for AVM composer R. Sudharsanam in several films. Ramamoorthy became friendly with P. S. Diwakar, the pianist-composer of Malayalam cinema, and roomed with P. S. Diwakar. C. R. Subburaman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sirkazhi G
Sirkazhi () also spelled as ''Siyali'' is a major municipal town in Mayiladuthurai district in Tamil Nadu, India. It is located from the coast of the Bay of Bengal, and from the state capital Chennai. Sirkazhi was a part of Thanjavur district until 1991 and has later been part of Nagapattinam district. The town covers an area of and in 2011 had a population of 34,927. It is administered by a second grade municipality. Sirkazhi is part of the Cauvery delta region and agriculture is the major occupation. Roads are the main means of transportation; the town has of district roads, including a national highway. The town is believed to be of significant antiquity and has been ruled by the Medieval Cholas, Later Cholas, Later Pandyas, the Vijayanagar Empire, the Marathas and the British. The Tamil trinity of Carnatic music; Arunachala Kavirayar (1711–78), Muthu Thandavar (1525–1600) and Marimutthu Pillai (1712–87), originated from Sirkazhi. The Saiva saint Tirugnanasamban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunnakudi Vaidyanathan
Kunnakudi Vaidyanathan (2 March 1935 – 8 September 2008) was an Indian classical music violinist and music composer. Early life Kunnakudi Vaidyanathan was born on 2 March 1935 and was trained by his father, Ramaswamy Sastry. He was the brother of Kunnakudi Subbalakshmi. Career The violin was his forte. He was known for his dexterity and subtlety in handling the violin, he catered not only to the music scholar but also to the layman. His play reflected his own different moods and the demands of his audience with whom he established and enjoyed a good rapport. He dwelled with ease and competence in the high as well as the low octaves. At the age of 12, he accompanied great stalwarts like Ariyakudi Ramanuja Iyengar, Semmangudi Srinivasa Iyer and Maharajapuram Santhanam in concerts. He also performed with Nadaswaram vidwans like T.N.Rajarathinam Pillai and Thiruvenkadu Subramania Pillai. He stopped accompanying vocal artistes in 1976 to concentrate more on solo concerts. He was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamil Language
Tamil (; ' , ) is a Dravidian language natively spoken by the Tamil people of South Asia. Tamil is an official language of the Indian state of Tamil Nadu, the sovereign nations of Sri Lanka and Singapore, and the Indian territory of Puducherry. Tamil is also spoken by significant minorities in the four other South Indian states of Kerala, Karnataka, Andhra Pradesh and Telangana, and the Union Territory of the Andaman and Nicobar Islands. It is also spoken by the Tamil diaspora found in many countries, including Malaysia, Myanmar, South Africa, United Kingdom, United States, Canada, Australia and Mauritius. Tamil is also natively spoken by Sri Lankan Moors. One of 22 scheduled languages in the Constitution of India, Tamil was the first to be classified as a classical language of India. Tamil is one of the longest-surviving classical languages of India.. "Tamil is one of the two longest-surviving classical languages in India" (p. 7). A. K. Ramanujan described it as "the on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
