Past And Present (paintings)
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Past And Present (paintings)
''Past and Present'' is the title usually given to the series of three oil paintings made by Augustus Egg in 1858, which are designed to be exhibited together as a triptych. When first exhibited at Royal Academy in 1858 the paintings were untitled, but accompanied by a fictional quotation from a diary, "August the 4th – Have just heard that B— has been dead more than a fortnight, so his poor children have now lost both parents. I hear she was seen on Friday last near the Strand, evidently without a place to lay her head. What a fall hers has been!". Painting The triptych depicts the discovery and disastrous consequences of a wife's adultery on a middle-class Victorian family. The artist leaves the viewer to determine whether the woman should be condemned or pitied. The paintings reflected fears that public morality and family life were imperiled by the recent Matrimonial Causes Act 1857, which reformed the law of divorce by moving jurisdiction from the ecclesiastical cou ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Drawing-room
A drawing room is a room in a house where visitors may be entertained, and an alternative name for a living room. The name is derived from the 16th-century terms withdrawing room and withdrawing chamber, which remained in use through the 17th century, and made their first written appearance in 1642. In a large 16th to early 18th century English house, a withdrawing room was a room to which the owner of the house, his wife, or a distinguished guest who was occupying one of the main apartments in the house could "withdraw" for more privacy. It was often off the great chamber (or the great chamber's descendant, the state room) and usually led to a formal, or "state" bedroom. In modern houses, it may be used as a convenient name for a second or further reception room, but no particular function is associated with the name. History and development In 18th-century London, the royal morning receptions that the French called ''levées'' were called "drawing rooms", with the sense orig ...
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Adelphi, London
Adelphi (; from the Greek ἀδελφοί ''adelphoi'', meaning "brothers") is a district of the City of Westminster in London.Mills, A., ''Oxford Dictionary of London Place Names'', (2001) The small district includes the streets of ''Adelphi Terrace'', ''Robert Street'' and ''John Adam Street''. Of rare use colloquially, Adelphi is grouped with Aldwych as the greater Strand district (a main street of London between the two areas and those immediately adjoining) which for many decades formed a parliamentary constituency and civil registration district. Adelphi Buildings The district is named after the Adelphi Buildings, a block of 24 unified neoclassical terrace houses that occupied the land between The Strand and the River Thames in the parish of St Martin in the Fields, which also included a headquarters building for the "Society for the Encouragement of Arts, Manufactures and Commerce" (now generally known as the Royal Society of Arts). They were built between 1768 and 1 ...
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Mourning Dress
Mourning is the expression of an experience that is the consequence of an event in life involving loss, causing grief, occurring as a result of someone's death, specifically someone who was loved although loss from death is not exclusively the cause of all experience of grief. The word is used to describe a complex of behaviours in which the bereaved participate or are expected to participate, the expression of which varies by culture. Wearing black clothes is one practice followed in many countries, though other forms of dress are seen. Those most affected by the loss of a loved one often observe a period of mourning, marked by withdrawal from social events and quiet, respectful behavior. People may follow religious traditions for such occasions. Mourning may apply to the death of, or anniversary of the death of, an important individual such as a local leader, monarch, religious figure, or member of family. State mourning may occur on such an occasion. In recent years, s ...
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Nightgown
A nightgown, nightie or nightdress is a loosely hanging item of nightwear, and is commonly worn by women and girls. A nightgown is made from cotton, silk, satin, or nylon and may be decorated with lace appliqués or embroidery at the bust and hem. A nightgown may have any neckline, and may have sleeves of any type, or be sleeveless, and any shoulder strap or back style. The length of a nightgown may vary from hip-length to floor-length. A short nightgown can be called a "shortie" or a " babydoll", depending on the style. The sweep (taper from top to bottom) of the night gown can vary from virtually straight, to full circle sweep, like the Olga gown. A slip nightgown may be used as a nightgown or as a full slip. Nightgowns may be worn with a matching outer garment such as a robe, a sheer chiffon peignoir, or a dressing gown, to make them appropriate for receiving guests. History Early nightgowns The ''Dictionary of Fashion History'' highlights the use of the term "nightgown" ...
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Clarkson Stanfield
Clarkson Frederick Stanfield (3 December 179318 May 1867) was a prominent English painter (often inaccurately credited as William Clarkson Stanfield) who was best known for his large-scale paintings of dramatic marine subjects and landscapes. He was the father of the painter George Clarkson Stanfield and the composer Francis Stanfield. Early life Stanfield was born in Sunderland, the son of James Field Stanfield (1749–1824) an Irish-born author, actor and former seaman, and Mary Hoad, an artist and actress. Stanfield was likely to have inherited artistic talent from his mother, who is said to have been an accomplished artist, but died in 1801. His father remarried, to Maria Kell, a year later. Stanfield was named after Thomas Clarkson, the slave trade abolitionist, whom his father knew, and this was the only forename he used, although there is reason to believe Frederick was a second one. He was briefly apprenticed to a coach decorator in 1806, but left owing to the dru ...
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Fall Of Man
The fall of man, the fall of Adam, or simply the Fall, is a term used in Christianity to describe the transition of the first man and woman from a state of innocent obedience to God in Christianity, God to a state of guilty disobedience. * * * * The doctrine of the Fall comes from a biblical interpretation of Book of Genesis, Genesis, chapters 1–3. At first, Adam and Eve lived with God in the Garden of Eden, but the Serpents in the Bible, serpent tempted them into Taboo#In religion and mythology, eating the Forbidden fruit, fruit from the tree of knowledge of good and evil, which God had forbidden. After doing so, they became ashamed of their nakedness and God expelled them from the Garden to prevent them from eating from the Tree of life (biblical), tree of life and becoming Immortality, immortal. In Nicene Christianity, mainstream (Nicene) Christianity, the doctrine of the Fall is closely related to that of original sin or ancestral sin. They believe that the Fall brought sin ...
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Garden Of Eden
In Abrahamic religions, the Garden of Eden ( he, גַּן־עֵדֶן, ) or Garden of God (, and גַן־אֱלֹהִים ''gan-Elohim''), also called the Terrestrial Paradise, is the Bible, biblical paradise described in Book of Genesis, Genesis 2-3 and Book of Ezekiel, Ezekiel 28 and 31. The location of Eden is described in the Book of Genesis as the source of four tributaries. Various suggestions have been made for its location: at the head of the Persian Gulf, in southern Mesopotamia (now Iraq) where the Tigris and Euphrates rivers run into the sea; and in Armenia. Like the Genesis flood narrative, the Genesis creation narrative and the account of the Tower of Babel, the story of Eden echoes the Ancient Mesopotamian religion, Mesopotamian myth of a king, as a primordial man, who is placed in a divine garden to guard the tree of life. The Hebrew Bible depicts Adam and Eve as walking around the Garden of Eden naked due to their sinlessness. Mentions of Eden are also made in ...
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Adam And Eve
Adam and Eve, according to the creation myth of the Abrahamic religions, were the first man and woman. They are central to the belief that humanity is in essence a single family, with everyone descended from a single pair of original ancestors. They also provide the basis for the doctrines of the fall of man and original sin that are important beliefs in Christianity, although not held in Judaism or Islam. In the Book of Genesis of the Hebrew Bible, chapters one through five, there are two creation narratives with two distinct perspectives. In the first, Adam and Eve are not named. Instead, God created humankind in God's image and instructed them to multiply and to be stewards over everything else that God had made. In the second narrative, God fashions Adam from dust and places him in the Garden of Eden. Adam is told that he can eat freely of all the trees in the garden, except for a tree of the knowledge of good and evil. Subsequently, Eve is created from one of Adam's ri ...
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William Powell Frith
William Powell Frith (9 January 1819 – 2 November 1909) was an English painter specialising in genre subjects and panoramic narrative works of life in the Victorian era. He was elected to the Royal Academy in 1853, presenting ''The Sleeping Model'' as his Diploma work. He has been described as the "greatest British painter of the social scene since Hogarth". Early life William Powell Frith was born in Aldfield, near Ripon in the then West Riding of Yorkshire on 9 January 1819. He had originally intended to be an auctioneer. Frith was encouraged to take up art by his father, a hotelier in Harrogate. Frith was great uncle and an advisor to the English school portrait painter Henry Keyworth Raine (1872–1932). He moved to London in 1835 where he began his formal art studies at Sass's Academy in Charlotte Street, before attending the Royal Academy Schools. Frith started his career as a portrait painter and first exhibited at the British Institution in 1838. In the 1840s ...
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Jane Ellen Panton
Jane Ellen Panton or Jane Ellen Frith Panton; Jane Ellen Frith (18 October 1847 – 13 May 1923) was an English writer. Life Panton was born as Jane Ellen Frith in Regent's Park in 1847. Her father, William Powell Frith was a successful painter and Panton reports that he showed very little interest in his children. After her mother, Isabelle Jane, died in 1880 she found out that her father had a mistress and further children. At this point her father married his former mistress. Panton appeared as a model in the 1859 painting trilogy Past and Present by Augustus Egg which incidentally deals with a spouse being unfaithful. She also appeared in another two paintings; one by her father and the other by Alfred Elmore. Her father's house would host visits by Charles Dickens and John Ruskin. She married James Albert Panton"Obituary: Mrs. J. E. Panton", ''The Times'', 1923 at All Saints' Church in Kensington on 10 August 1869. Her husband was a partner in a family brewery business ...
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