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Passing Chord
In music, a passing chord is a chord that connects, or passes between, the notes of two diatonic chords. "Any chord that moves between one diatonic chord and another one nearby may be loosely termed a passing chord. A diatonic passing chord may be inserted into a pre-existing progression that moves by a major or minor third in order to create more movement."Rawlins and Bahha (2005). ''Jazzology: The Encyclopedia of Jazz Theory for All Musicians'', p.104. . "'Inbetween chords' that help you get from one chord to another are called passing chords."Sokolow, Fred (2002). ''Jazzing It Up'', p.9. . For example, in the simple chord progression in the key of C Major, which goes from I7/iii7/ii7/V7: , Cmaj7 , Em7 , Dm7 , G7 , the diatonic (this means "from the scale of the tonic") passing chord (Dm7) may be inserted: , Cmaj7 Dm7 , Em7 , Dm7 , G7 , or the chromatic passing chord (Ebm7) may be inserted: , Cmaj7 , Em7 Ebm7 , Dm7 , G7 , or one or mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passing Chord In Bb
Passing may refer to: Social identity * Passing (sociology), presenting oneself as a member of another sociological group ** Passing (gender), presenting oneself as being cisgender ** Passing (racial identity), presenting oneself as a member of another race Literature and film * ''Passing'' (novel), a novel by Nella Larsen ** ''Passing'' (film), directed by Rebecca Hall (2021), based on Larsen's novel Math and technology *Message passing, a form of communication in computer science *Token passing, a channel access method in telecommunications * Variational message passing, a mathematical technique for continuous-valued Bayesian networks Sports *Passing (sports), to pass a ball or puck between members of the same team **Passing (American football) **Passing (association football), or soccer *Passing (juggling), when two or more people share a juggling pattern Transportation * Passing, overtaking, the act of driving around a slower automobile * Passing lane, a lane on a road ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Substitution
In music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of the European classical repertoire and the vast majority of blues, jazz and rock music songs are based on chord progressions. "A chord substitution occurs when a chord is replaced by another that is made to function like the original. Usually substituted chords possess two pitches in common with the triad that they are replacing." A chord progression may be repeated to form a song or tune. Composers, songwriters and arrangers have developed a number of ways to add variety to a repeated chord progression. There are many ways to add variety to music, including changing the dynamics (loudness and softness). Use in classical music In J. S. Bach's ''St Matthew Passion'', the chorale "Herzliebster Jesu" makes its first appearance in a straightforward harmonisation: Later, as the Passion Story draws towards its sombre conclusion, we f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammond Organ
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Piano
Jazz piano is a collective term for the techniques pianists use when playing jazz. The piano has been an integral part of the jazz idiom since its inception, in both solo and ensemble settings. Its role is multifaceted due largely to the instrument's combined melodic and harmonic capabilities. For this reason it is an important tool of jazz musicians and composers for teaching and learning jazz theory and set arrangement, regardless of their main instrument. By extension the phrase 'jazz piano' can refer to similar techniques on any keyboard instrument. Along with the guitar, vibraphone, and other keyboard instruments, the piano is one of the instruments in a jazz combo that can play both single notes and chords rather than only single notes as does the saxophone or trumpet. Beginning A new style known as “stride” or “Harlem stride” emerged during the 1920s, predominantly in New York. James P. Johnson was a prominent adherent. The left hand was used to establish rhyth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Guitar
Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars. In the early 1930s, jazz musicians sought to amplify their sound to be heard over loud big bands. When guitarists in big bands switched from acoustic to semi-acoustic guitar and began using amplifiers, it enabled them to play solos. Jazz guitar had an important influence on jazz in the beginning of the twentieth century. Although the earliest guitars used in jazz were acoustic and acoustic guitars are still sometimes used in jazz, most jazz guitarists since the 1940s have performed on an electrically amplified guitar or electric guitar. Traditionally, jazz electric guitarists use an archtop with a relatively broad hollow sound-box, violin-style f-holes, a " floating bridge", and a magnetic pickup. Solid body guitars, mass-produced since the early 1950s, are also used. Jazz guitar playing styles include '' c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm Section
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody. The core elements of the rhythm section are usually the drum kit and bass. The drums and bass provide the basic pulse and groove of a song. The section is augmented by other instruments such as keyboard instruments and guitars that are used to play the chord progression upon which the song is based. The bass instrument (either double bass or electric bass guitar, or another low-register instrument, such as synth bass, depending on the group and its style of music) plays the low-pitched bassline. The bassline is a musical part that supports the chord progression, typically by playing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comping (jazz)
In jazz, comping (an abbreviation of accompaniment; or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines. It is also the action of accompanying, and the left-hand part of a solo pianist.Hughes, Fred (2002). ''The Jazz Pianist: Left Hand Voicings and Chord Theory'', p.5. . Types In a standard jazz combo, the pianist or guitarist typically comps during the horn and double bass solos by improvising chords and countermelodies. The chordal accompaniment used in jazz is different from the chordal accompaniment style used in many types of popular music, such as rock and folk. *In a rock or folk band, a guitarist or piano player will accompany by playing primarily root-position triads consisting of the notes of the chord known as the root, 3rd, and 5th. In the key of C, the G chord would include the notes G, B, and D (t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Quartet
In music, a quartet or quartette (, , , , ) is an ensemble of four singers or instrumental performers; or a musical composition for four voices and instruments. Classical String quartet In classical music, one of the most common combinations of four instruments in chamber music is the string quartet. String quartets most often consist of two violins, a viola, and a cello. The particular choice and number of instruments derives from the registers of the human voice: soprano, alto, tenor and bass (SATB). In the string quartet, two violins play the soprano and alto vocal registers, the viola plays the tenor register and the cello plays the bass register. Composers of notable string quartets include Joseph Haydn ( 68 compositions), Wolfgang Amadeus Mozart (23), Ludwig van Beethoven (16), Franz Schubert (15), Felix Mendelssohn (6), Johannes Brahms (3), Antonín Dvořák (14), Alexander Borodin (2), Béla Bartók (6), Elizabeth Maconchy (13), Darius Milhaud (18), Heitor V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ Trio
An organ trio is a form of jazz ensemble consisting of three musicians; a Hammond organ player, a drummer, and either a jazz guitarist or a saxophone player. In some cases the saxophonist will join a trio which consists of an organist, guitarist, and drummer, making it a quartet. Organ trios were a popular type of jazz ensemble for club and bar settings in the 1950s and 1960s, performing a blues-based style of jazz that incorporated elements of R&B.John Koenig. Available at: https://web.archive.org/web/20070403185442/http://www.alvas.com/Zunigar/website/rick_zunigar.htm The organ trio format was characterized by long improvised solos and an exploration of different musical "moods". In organ trios, the Hammond organist plays several roles, including playing the basslines (either on the bass pedalboard or on the lower manual of the organ), playing chords ("comping"), and playing lead melodic lines and solos. In organ trios with a guitarist, the guitarist usually 'fills in' the music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead Sheet
A lead sheet or fake sheet is a form of musical notation that specifies the essential elements of a popular song: the melody, lyrics and harmony. The melody is written in modern Western music notation, the lyric is written as text below the staff and the harmony is specified with chord symbols above the staff. The lead sheet does not describe the chord voicings, voice leading, bass line or other aspects of the accompaniment. These are specified later by an arranger or improvised by the performers,Benward & Saker (2003). ''Music: In Theory and Practice'', Vol. I, p.76. Seventh Edition. . and are considered aspects of the arrangement or performance of a song, rather than a part of the song itself. A lead sheet may also specify an instrumental part or theme, if this is considered essential to the song's identity. For example, the opening guitar riff from Deep Purple's "Smoke on the Water" is a part of the song; any performance of the song should include the guitar riff, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassline
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, Dub music, dub and electronic music, electronic, traditional music, traditional, or classical music for the low-pitched Part (music), instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the bass guitar, electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer). In unaccompanied solo performance, basslines may simply be played in the lower register (music), register of any instrument while melody and/or further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16' and 32' bass pipes. Riffs and grooves Basslines in Pop music, popular m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Approach Chord
In music, an approach chord (also chromatic approach chord and dominant approach chord) is a chord one half-step higher or lower than the goal, especially in the context of turnarounds and cycle-of-fourths progressions, for example the two bar 50s progression: , G / Em / , Am / D7 / , , may be filled in with approach chords: , G F9 Em Abm , Am D#7 D7 Gb7 , , F9 being the half-step to Em, Am being the half-step to Am, D7 being the half-step to D7, and G7 being the half-step to G. G being I, Em being vi, Am being ii, and D7 being V7 (see ii-V-I turnaround and circle progression). An approach chord may also be the chord immediately preceding the target chord such as the subdominant (F Maj7) preceding the tonic (CMaj7) creating a strong cadence through the contrast of no more than two common tones: ''FA''CE – CE''GB''. Approach chords may thus be a semitone or a fifth or fourth from their target. Approach chords create the harmonic space of the modes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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