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Parlet
Parlet was a female spinoff group from P-Funk formed by veteran background vocalists Mallia Franklin, Jeanette Washington and Debbie Wright. Washington and Wright were the first female members in Parliament-Funkadelic Parliament-Funkadelic (abbreviated as P-Funk) is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their distinctive ... in 1975. Discography References American funk musical groups P-Funk groups Casablanca Records artists African-American girl groups {{US-band-stub ...
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Pleasure Principle (album)
''Pleasure Principle'' is the debut album by the female P-Funk spin off group Parlet. The album was released in 1978 by Casablanca Records and was produced by P-Funk leader/producer George Clinton. Parlet consisted of Mallia Franklin, Debbie Wright, and Jeanette Washington. The album features heavy involvement from the P-Funk musical collective. The track "Cookie Jar" was originally written and recorded by Clarence "Fuzzy" Haskins. In 1992, ''Pleasure Principle'' was reissued on CD in Japan by the Casablanca/Polystar label, but quickly went out of print. On July 30, 2013, Real Gone Music in the U.S. reissued both ''Pleasure Principle'' and ''Invasion of the Booty Snatchers'', featuring liner notes by former P-Funk minister of information Tom Vickers. Track listing #"Pleasure Principle" ( George Clinton, Ron Ford, Bernie Worrell) (released as single Casablanca NB 919) 8:58 #"Love Amnesia" (George Clinton, Ron Dunbar, Billy Bass Nelson) 5:22 #"Cookie Jar" (Clarence "Fuzzy" Has ...
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Play Me Or Trade Me
Cover art by Ronald "Stozo" Edwards ''Play Me or Trade Me'' is the third and final studio album by the P-Funk spin off act Parlet. The album was released by Casablanca Records in 1980 and was produced by George Clinton and Ron Dunbar. Like many albums released by the label during this year, it would be totally ignored in terms of promotion due to the label being bought by Polygram Records (now Universal Music). The vocal line up for this album ( Jeanette Washington, Janice Evans, and Shirley Hayden) remained the same as the previous album. ''Play Me or Trade Me'' failed to enter on the Billboard R&B album charts. ''Play Me or Trade Me'' was reissued on CD in Japan on the Casablanca/Polystar label in 1992. Track listing #"Help From My Friends" (Ron Dunbar, Tyrone Lampkin)-released as a single, NB 2293 and 12" single, NB 20220. 6:08 #"Watch Me Do My Thang" (Ron Dunbar, Bootsy Collins) 4:36 #"Wolf Tickets" (Jimmy Ali, George Clinton. Robert Johnson)-released as a single, NB 2260 a ...
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Invasion Of The Booty Snatchers
''Invasion of the Booty Snatchers'' is the second studio album by the P-Funk spin off group Parlet. Released on May 15, 1979, this was the final Parlet album to feature Mallia Franklin and the first to feature Janice Evans. The album was produced by George Clinton and Ron Dunbar. The cover art was created by Ronald "Stozo" Edwards. The album's highest-charting single was "Riding High". ''Invasion of the Booty Snatchers'' was re-released in Japan on the Casablanca/ Polystar label in 1992 and in Germany on Universal in 2003. On July 30, 2013, Real Gone Music in the U.S. reissued both ''Pleasure Principle'' and ''Invasion of the Booty Snatchers'', featuring liner notes by former P-Funk minister of information Tom Vickers. Track listing # "Riding High" ( Ron Dunbar, Donny Sterling) – released as 7-inch single Casablanca NB 975 and 12-inch single Casablanca NBD 20161 DJ 7:40 # "No Rump to Bump" (Donny Sterling, Ron Dunbar, Jim Vitti, George Clinton) 6:10 # "Don't Ever Stop (Lovin' ...
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Parliament-Funkadelic
Parliament-Funkadelic (abbreviated as P-Funk) is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their distinctive funk style drew on psychedelic culture, outlandish fashion, science-fiction, and surreal humor; it would have an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism. The groups released albums such as ''Maggot Brain'' (1971), '' Mothership Connection'' (1975), and '' One Nation Under a Groove'' (1978) to critical praise, and scored charting hits with singles such as " Give Up the Funk" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. The collective's origins date back to the doo-wop group the Parlia ...
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P-Funk Groups
Parliament-Funkadelic (abbreviated as P-Funk) is an American musical collective, music collective of rotating musicians headed by George Clinton (funk musician), George Clinton, primarily consisting of the funk bands Parliament (band), Parliament and Funkadelic, both active since the 1960s. Their distinctive funk style drew on psychedelic culture, outlandish fashion, science-fiction, and surreal humor; it would have an influential effect on subsequent funk, post-punk, hip hop music, hip-hop, and techno artists of the 1980s and 1990s, while their P-Funk mythology, collective mythology would help pioneer Afrofuturism. The groups released albums such as ''Maggot Brain'' (1971), ''Mothership Connection'' (1975), and ''One Nation Under a Groove'' (1978) to critical praise, and scored charting hits with singles such as "Give Up The Funk (Tear The Roof Off The Sucker), Give Up the Funk" (1975) and "Flash Light (song), Flash Light" (1978). Overall, the collective achieved thirteen top ...
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P-Funk
Parliament-Funkadelic (abbreviated as P-Funk) is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their distinctive funk style drew on psychedelic culture, outlandish fashion, science-fiction, and surreal humor; it would have an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism. The groups released albums such as ''Maggot Brain'' (1971), '' Mothership Connection'' (1975), and '' One Nation Under a Groove'' (1978) to critical praise, and scored charting hits with singles such as " Give Up the Funk" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. The collective's origins date back to the doo-wop group the Parliam ...
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Casablanca Records
Casablanca Records is an American record label owned by Universal Music Group and operated under Republic Records. Under its founder Neil Bogart, Casablanca was most successful during the disco era of the mid to late 1970s. The label currently focuses on dance and electronic music under the direction of Brett Alperowitz. Biography Casablanca was founded in 1973 by former Buddah Records executive Neil Bogart, who named the label in homage to the 1942 film ''Casablanca''. He partnered with Cecil Holmes, Larry Harris and Buck Reingold in 1973, and was based in Los Angeles. The label was formed after they left Buddah and secured financing from Warner Bros. Records to start the venture. Casablanca became one of the most successful American labels of the 1970s, signing and releasing albums by such acts as Kiss, Donna Summer, Village People, Cher, Lipps Inc. (with lead vocalist Cynthia Johnson), and Parliament (featuring George Clinton). In 1976, the label merged with ...
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Jeanette Washington
Jeanette Washington is a funk vocalist best known as a member of the band Parliament. Washington appeared as a background singer on recordings by James Brown in 1975. That year she joined Parliament with Debbie Wright, becoming the first female members of the group. She recorded with Parliament (1975–1980) and Funkadelic (1978–1980), both featuring George Clinton, and with the Sweat Band featuring Bootsy Collins and Maceo Parker (1980). Washington formed the female spin-off band Parlet in 1978 with Wright and Mallia Franklin Rosalind Mallia Franklin (March 1, 1952 – February 5, 2010), also known as The Queen Of Funk, was a vocalist of the American funk band Parliament-Funkadelic. She introduced friends George Clinton and Bootsy Collins in 1971, and brought ex- Ohi ... for their first album ''Pleasure Principle''. She recorded the group's remaining two albums ''Invasion Of the Booty Snatchers'' in 1979 and ''Play Me Or Trade Me'' in 1980 with Shirley Hayden and Ja ...
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Mallia Franklin
Rosalind Mallia Franklin (March 1, 1952 – February 5, 2010), also known as The Queen Of Funk, was a vocalist of the American funk band Parliament-Funkadelic. She introduced friends George Clinton and Bootsy Collins in 1971, and brought ex- Ohio Player Junie Morrison to the band in 1978. She sang background on early Parliament and Funkadelic albums, and became an original member of Parlet, P-Funk's sub-group, where she recorded '' Pleasure Principle'' in 1978 and half of '' Invasion Of The Booty Snatchers'' in 1979. She left the group to form a proposed P-Funk offshoot, Sterling Silver Starship with bassist Donnie Sterling. She appeared with Clinton in Prince's 1990 film '' Graffiti Bridge''. Her first solo album '' Funken Tersepter'' was released in Japan in 1995 on P-Vine. She wrote, with Snoop Dogg, on the 2002 release '' Suited and Booted'', and earlier appeared on his 1993 studio album, Doggystyle. Franklin was married to drummer Nathaniel Neblett of the band New Birth ...
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first b ...
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American Funk Musical Groups
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * ...
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Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were cons ...
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