|
Paris La Défense – Une Ville En Concert
Paris La Défense – Une Ville En Concert was a concert held by musician Jean-Michel Jarre on the district of La Défense in Paris on Bastille Day, 14 July, 1990. About 2.5 million people standing in front of the pyramidal stage all the way down to the Arc de Triomphe witnessed this event, setting a new ''Guinness Book of Records'' entry for Jarre. The concert was funded by the Mairie de Paris, the Ministry of Culture (France), Ministry of Culture and a small cluster of high-profile Parisian business concerns. Later, a concert video as well as a photobook of the event were released. The show featured new tracks from the Waiting for Cousteau album. The concert is the only time that the track Calypso 2 has been performed live to date. Vast grotesque marionettes created by Trinidadian Peter Minshall were used in the concert, along with a live steel drum band. A 50 minute TV edit was produced for broadcast worldwide after the event and a 75 minute edit later released on VHS casse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris La Défense (Une Ville En Concert) – Jean-Michel Jarre
Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the List of cities proper by population density, 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, Fashion capital, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called Caput Mundi#Paris, the capital of the world. The City of Paris is the centre of the Île-de-France Regions of France, region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Rousseau
Frederick Rousseau (born 1958 in Paris) is a New Age instrumentalist. His musical research is based on electronic sounds that he mixes with ethnic instruments, classical orchestras, and vocals. Career After a classical training in piano, Rousseau tried multiple instruments (including bass guitar, drums, electric guitar, and percussions) and finally chose the keyboards. After completing his studies in electronics, he was hired by the Defense Nationale in 1978 to work on the final tests of the neutronic head, the detonator for the French atomic bomb. After two years of this work, he quit. In 1980, he met Francis Mandin, a young electronic music fan, who convinced him to become a partner in Music Land, a music store in Paris and a laboratory for future electronic instruments. In 1981, after working on the finalization of the first polyphonic sequencer ( MDB Polysequencer), he met Jean Michel Jarre, who was looking for a musical programmer capable of manipulating this instrument ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland S-50
The Roland S-50 is a 61-key 12-bit sampler keyboard produced by the Roland Corporation in 1986. It featured a 3.5-inch DSDD floppy disk drive and had external CRT monitor support to facilitate editing of samples. It could hold up to 32 samples. A rack-mounted version was also available, which featured expanded memory. Sample rate 15 to 30 kHz variable sampling rates at a 12-bit resolution, (28.8 seconds and 14.4 seconds respectively) The samples can also be saved to disk (3.5-inch DSDD floppy disk drive). S-550 A rack-mountable version was released in 1987, which also had twice the sample memory (1.5 Mb) and time-variant filters. A less feature-rich version of the S-550 was also available as the S-330. Both can support the DT-100 Digitizer Tablet and an external computer monitor for visual manipulation of the samples on screen. References Further reading * * External links Roland S-50Roland S-50 Sampling Keyboard Roland synthesizers Polyphonic synthesizers Products ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akai S1000
The Akai S1000 is a 16-bit, 44.1 kHz professional stereo digital sampler, released by Akai in 1988. The S1000 was among the first professional-quality 16-bit stereo samplers.Russ, Martin (2004). ''Sound Synthesis and Sampling''. Elsevier. p. 221. Its abilities to splice, crossfade, trim, and loop sound in 16-bit CD quality made it popular among producers in the late 80s through to the mid 90s. The S1000 used 24-bit internal processing, had digital filters and an effects send and return, and came with 2MB of RAM (expandable to 32MB). Version 2.0 of the S1000's operating system introduced primitive timestretching, allowing a sound's pitch and length to be altered independently of one another. Far from seamless, this distinctive sound became popular in its own right, featured on songs such as "Higher State of Consciousness" and " RipGroove". Variants Several variations of the S1000 were produced: * The S1000HD included an internal 40MB hard disk * The S1000KB was built int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland MKS-80
The Roland MKS-80 Super Jupiter is a rack mount sound module version of the Roland Jupiter-6 and the Roland Jupiter-8 synthesizers. It is an 8-voice polyphonic analog synthesizer that was manufactured by Roland between 1984 and 1987. It is the only one of the MKS series of synthesizers to have analogue voltage-controlled oscillators (VCOs) instead of analogue digitally-controlled oscillators (DCOs). The voice architecture is almost identical to the Jupiter-6 synthesizer. The service manual states that "The module board of MKS-80 features the following in addition to that of JP-6, its brother module. 1) HPF. 2) Low boost circuit in the 2nd VCA. 3) DC supply current boost circuit (IC50)." The unit is capable of producing most of the Jupiter-8's signature sounds, in addition to many sounds unique to the MKS-80. In February 1985, Roland started producing a new revision of MKS-80, known as "Rev 5", with a new generation of both Roland VCO's, VCA's and filter. The Rev 5 filter was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland D-70
The Roland D-70 is a 76 note Super LA synthesizer produced in Japan in 1990. it featured a 240 x 64 pixel backlit LCD display and competed with the likes of the Korg M1 and T-series workstations and Yamaha SY77 workstation, although the D-70 was not itself a workstation because it lacked a sequencer. The D-70 can also split or layer the four tones that constitute a patch and has D-50 style TVF filters. It has onboard drums sounds and is 6-part multi timbral (5 synth parts and one drum part). It has four left control faders that can be assigned in real time to the following paramemeters: Level, Pan, Tuning, Cutoff, Resonance, Attack, and Release. It has three modes of play: Mono, Polyphonic, Split. Despite being anticipated as a "Super D-50", it is in fact a different machine, a prototype of very successful JV series full-sample playback synths (ROMplers). It's very similar to JV-90, though has fewer quality samples and fewer editing capabilities. Expandability The D-70 also can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland D-50
The Roland D-50 is a synthesizer produced by Roland and released in April 1987. Its features include subtractive synthesis, on-board effects, a joystick for data manipulation, and an analogue synthesis-styled layout design. The external Roland PG-1000 (1987-1990) programmer could also be attached to the D-50 for more complex manipulation of its sounds. It was also produced in a rack-mount variant design, the D-550 (1987-1990), with almost 450 user-adjustable parameters. The D-50's capabilities could be modified through the addition of third-party products by Musitronics, most notably the M-EX which made the D-50 multitimbral (the D-50 was bi-timbral) and expanded the patch memory, as well as a chip that improved the D-50's response to incoming MIDI commands. The D-50 was used in popular music by many artists including Jean-Michel Jarre, Prince, Sting, Michael Jackson, Queen, and Enya. History The D-50 was the first affordable synthesizer to combine sample playback with subtrac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korg
, founded as Keio Electronic Laboratories, is a Japanese multinational corporation that manufactures electronic musical instruments, audio processors and guitar pedals, recording equipment, and electronic tuners. Under the Vox brand name, they also manufacture guitar amplifiers and electric guitars. History Korg was founded in 1962 in Tokyo by Tsutomu Kato and Tadashi Osanai as ''Keio Gijutsu Kenkyujo Ltd.''. It later became because its offices were located near the Keio train line in Tokyo and Keio can be formed by combining the first letters of Kato and Osanai. Before founding the company, Kato ran a nightclub. Osanai, a Tokyo University graduate and noted accordionist, regularly performed at Kato's club accompanied by a Wurlitzer Sideman rhythm machine. Dissatisfied with the rhythm machine, Osanai convinced Kato to finance his efforts to build a better one.Julian Colbeck, Keyfax Omnibus Edition, MixBooks, 1996, p. 52. The company's first product was an electro-mech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korg M1
The Korg M1 is a synthesizer and music workstation manufactured by Korg from 1988 to 1995. According to ''Sound on Sound'', it is one of the bestselling synthesizers, selling an estimated 250,000 units. Development Korg's chief engineer, Junichi Ikeuchi, led the hardware engineering design of the M1. Whereas previous synthesizers had shipped with sounds chosen for different markets, the Korg chairman, Tsutomu Kato, and his son Seiki decided that their synthesizers should use the same sounds internationally. Korg assembled an international team to develop the sounds for the M1. To create a deep blown bottle sound, the team played a pan flute over a large sake bottle. Features The M1 features a 61-note velocity- and aftertouch-sensitive keyboard, 16-note polyphony with 1-oscillator Programs (or 8-note polyphony with 2-oscillator Programs), a joystick for pitch-bend and modulation control, an eight-track MIDI sequencer, separate LFOs for vibrato and filter modulation, and ADSR ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMS VCS 3
The VCS 3 (or VCS3; an initialism for ''Voltage Controlled Studio, version #3'') is a portable analog synthesizer with a flexible modular voice architecture introduced by Electronic Music Studios (London) Limited (EMS) in 1969. EMS released the product under various names. Logos printed at the console's front left (see photos) say "V.C.S. 3" on the most widely sold version; "The Putney (VCS 3)" on the earlier version; and "The Synthi (VCS 3) II" on the later version (Synthi VCS 3 II). History The VCS 3 was created in 1969 by Peter Zinovieff's EMS company. The electronics were designed largely by David Cockerell, and its distinctive appearance was the work of electronic composer Tristram Cary. It was one of the first ''portable'' commercially available synthesizers, in the sense that it was housed entirely in a small wooden case, unlike synths from American manufacturers such as Moog Music, ARP and Buchla, which had large cabinets and could take up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMS Synthi AKS
The EMS Synthi A and the EMS Synthi AKS, is a portable modular analog synthesiser made by EMS of England. The Synthi A model debuted in May 1971, and then Sythni AKS model appeared in March 1972 a with a built-in keyboard and sequencer. The EMS Sythi models are notable for its patch pin matrix, its functions and internal design are similar to the VCS 3 synthesiser, also made by EMS. EMS is still run by Robin Wood in Cornwall, and in addition to continuing to build and sell new units, the company repairs and refurbishes EMS equipment. When launched in 1972, the Synthi AKS retailed for around £450. There was an optional three octave (37 note) DK1 monophonic keyboard available for it, later the DK2 (Dynamic Keyboard 2) was available, this allowed independent control of two Oscillators, thus enabling the player to play two notes together. The Synthi instruments were used widely in progressive rock and electronic music. As with the VCS3, a Synthi AKS was worth considerably more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elka Synthex
The Elka Synthex is a polyphonic analog synthesizer produced by Italian music instrument manufacturer Elka from 1981 to 1985. Overview The Synthex was conceived and developed by independent Italian designer Mario Maggi, who then gained the financial backing of the Elka company of Italy, who produced the synthesizer from 1981 to 1985. Elka, a company more noted for its organs, had previously introduced their Rhapsody 490, 610 string machine, the monophonic Solist 505 and the big combo organ/synth X-705. A total of 1850 units were produced. Today is a highly sought-after instrument which recently reached quotations around 8,000 GBP. It was succeeded by the Elka EK-22 (based on the CEM3396 chip which was also featured in e.g. Oberheim's Matrix line of synthesizers) and the Elka EK-44 (based on Yamaha's 4-OP FM). Features and architecture The Synthex is an 8-voice analog synthesizer with 2 oscillators per note, separate envelope generators, and chorus. The use of stable DCOs (digitall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Korg")
.jpg "Click for more on -> Korg M1")
