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Paolo Marsi
Paolo Marsi or Paolo Marso, in Latin Paulus Marsus or Paulus Marsus Piscinas (1440–1484) was an Italian humanist and poet known primarily for his commentary on the ''Fasti'' of Ovid. Marsi was born at Pescina, and was the brother of the Pietro Marsi who was an acquaintance of Erasmus. He was a student of Pomponio Leto, and became a professor of rhetoric. He was a friend of Lodovico Lazzarelli, and a member of the Roman Academy who participated in antiquarian activities such as celebrating the founding of Rome. In the 1460s, several of the sodality's members, including the Marsi brothers, were imprisoned for fomenting "republicanism, paganism, and conspiracy". Marsi was among the poets who addressed homoerotic praise in the manner of Martial to Lucio Fazini, a handsome young scholar who was also incarcerated and tortured for pursuing classical studies. Marsi died in 1484, shortly after he delivered the funeral oration for Andrea Brenta. Marsi's commentary had a "supplemental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Humanist
Renaissance humanism was a revival in the study of classical antiquity, at first in Italy and then spreading across Western Europe in the 14th, 15th, and 16th centuries. During the period, the term ''humanist'' ( it, umanista) referred to teachers and students of the humanities, known as the , which included grammar, rhetoric, history, poetry, and moral philosophy. It was not until the 19th century that this began to be called ''humanism'' instead of the original ''humanities'', and later by the retronym ''Renaissance humanism'' to distinguish it from later humanist developments. During the Renaissance period most humanists were Christians, so their concern was to "purify and renew Christianity", not to do away with it. Their vision was to return ''ad fontes'' ("to the sources") to the simplicity of the New Testament, bypassing the complexities of medieval theology. Under the influence and inspiration of the classics, humanists developed a new rhetoric and new learning. Some scho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homoeroticism
Homoeroticism is sexual attraction between members of the same sex, either male–male or female–female. The concept differs from the concept of homosexuality: it refers specifically to the desire itself, which can be temporary, whereas "homosexuality" implies a more permanent state of identity or sexual orientation. It is a much older concept than the 19th-century idea of homosexuality, and is depicted or manifested throughout the history of the visual arts and literature. It can also be found in performative forms; from theatre to the theatricality of uniformed movements (e.g., the Wandervogel and Gemeinschaft der Eigenen). According to the ''Oxford English Dictionary'', it is "pertaining to or characterized by a tendency for erotic emotions to be centered on a person of the same sex; or pertaining to a homo-erotic person." This is a relatively recent dichotomyFlood, 2007, p.307. that has been studied in the earliest times of ancient poetry to modern drama by modern scholars. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Pescina
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Renaissance Humanists
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Frontispiece
A frontispiece in books is a decorative or informative illustration facing a book's title page—on the left-hand, or verso, page opposite the right-hand, or recto, page. In some ancient editions or in modern luxury editions the frontispiece features thematic or allegory, allegorical elements, in others is the author's portrait that appears as the frontispiece. In medieval illuminated manuscripts, a presentation miniature showing the book or text being presented (by whom and to whom varies) was often used as a frontispiece. Origin The word comes from the French language, French ''frontispice'', which derives from the late Latin ''frontispicium'', composed of the Latin ''frons'' ('forehead') and ''specere'' ('to look at'). It was synonymous with 'metoposcopy'. In English, it was originally used as an frontispiece (architecture), architectural term, referring to the decorative facade of a building. In the 17th century, in other languages as in Italian language, Italian, the term cam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna Hall, Susanna, and twins Hamnet Shakespeare, Hamnet and Judith Quiney, Judith. Sometime between 1585 and 1592, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rape Of Lucrece
''The Rape of Lucrece'' (1594) is a narrative poem by William Shakespeare about the legendary Roman noblewoman Lucretia. In his previous narrative poem, '' Venus and Adonis'' (1593), Shakespeare had included a dedicatory letter to his patron, the Earl of Southampton, in which he promised to compose a "graver labour". Accordingly, ''The Rape of Lucrece'' has a serious tone throughout. The poem begins with a prose dedication addressed directly to the Earl of Southampton, which begins, "The love I dedicate to your Lordship is without end." It refers to the poem as a pamphlet, which describes the form of its original publication of 1594. The dedication is followed by "The Argument", a prose paragraph that summarizes the historical context of the poem, which begins ''in medias res''. The poem contains 1,855 lines, divided into 265 stanzas of seven lines each. The meter of each line is iambic pentameter. The rhyme scheme for each stanza is ABABBCC, a format known as "rhyme royal" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Cortesi
Paolo Cortesi or Cortese, in Latin Paulus Cortesius or de Cortesii (1465–1510), was a Renaissance humanist from Rome. He is known for his Ciceronianism, his dispute over literary style with Angelo Poliziano in 1485 and his treatise on the cardinalate, ''De cardinalatu''. Life Cortesi was born in Rome in the first half of 1465 to Antonio Cortesi and Tita Aldobrandini. His father was a papal abbreviator from San Gimignano, although his family was originally from Pavia. His mother belonged to the Aldobrandini family of Florence. His father and elder brother, Alessandro (1460–1490), oversaw his education. With Alessandro, he visited many famous Roman men of learning in his youth, including Giulio Pomponio Leto, Lucio Fazini and Bartolomeo Platina. His brother arranged for him to succeed the late Platina as a scribe in the papal chancery in October 1481, when he was in his seventeenth year. In his ''Liber notarum'', Johann Burchard records Cortesi as a papal scribe as late as 23 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Brenta
Andrea Brenta ( – 11 February 1484), also known as Andreas Brentius, was an Italian Renaissance humanist, professor and Greek language, Greek–Latin translator. Life Brenta was born in Padua around 1454. He attended the lectures of Demetrios Chalkokondyles in 1463. He also credits Theodorus Gaza as one of his teachers. He joined Cardinal Oliviero Carafa as a secretary and was living in Rome by 1475. He taught Greek and Latin at the Sapienza University of Rome, University of Rome. He came to hold a highly negative opinion of the schools, regarding them as breeding grounds of ignorance and arrogance. In 1476, Brenta accompanied Oliviero Carafa to Naples to attend the coronation of Beatrice of Naples and to escape an outbreak of Bubonic plague, plague in Rome. The earliest surviving register of the Vatican Library—which was open to the public at the time—shows that Brenta borrowed the ''Anabasis (Xenophon), Anabasis'' on 10 October 1477 and a copy of Hippocrates on 21 June 147 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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