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Paolo Araldi
Paolo Araldi (18th century – after 1820) was an Italian painter of historical and religious subjects. Biography He was born in Casalmaggiore, and there initially studied under the local painter Abbott Francesco Antonio Chiozzi, but later moved to study at the Academy of Fine Arts of Parma. He became a professor at the Gymnasium of Casalmaggiore. He painted a ''Martyrdom of St Stephen'' for a monastery in Casalmaggiore. In 1820 at the Brera Academy, he exhibited two larger than life portrait heads of Heraclitus and Democritus. For the church of San Leonardo in Casalmaggiore, he painted an altarpiece of ''San Leonardo in Glory''. The painter Giuseppe Diotti was one of his pupils during 1790–1794. Museo Diotti of Casalmaggiore. It is if this Araldi was a descendant of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casalmaggiore
Casalmaggiore ( Casalasco-Viadanese: ) is a ''comune'' in the province of Cremona, Lombardy, Italy, located across the Po River. It was the birthplace of Italian composers Ignazio Donati and Andrea Zani. It became worldwide famous thanks to its Women Volleyball Team Volleyball Casalmaggiore especially in the years between 2015-2018. Sights include the ''Duomo'' (Cathedral), the Museo Diotti, and the Bijoux Museum. History Archaeological findings in 1970 proved that the area was inhabited from the Bronze Age, although the town most likely was founded by the Romans as ''Castra Majora'' ("Main Military Camp"). Around the year 1000 it was a fortified castle in the House of Este lands; in the 15th century it was under the Republic of Venice. On July 2, 1754, it obtained the status of city with an imperial decree. After a period under the Austrians, it became part of the newly unified Kingdom of Italy in 1861. Twin towns * Guilherand-Granges, France * Tarnów, Poland Poland, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Antonio Chiozzi
Abate Francesco Antonio Chiozzi (1730 - 7 March 1785) was an Italian painter and Franciscan cleric, active mainly in Casalmaggiore, Italy. Biography He was born in Casalmaggiore, and there was initially trained by a local priest Giuseppe Moreschi. Chiozzi then copied some works of Felice Torelli and by 1748 completed a Via Crucis for the church of San Giovanni Battista. In 1749, he completed a number of portraits for individuals in Casalmaggiore. Hoping to gain more expertise, he was placed the following year in a studio in Bologna, soon working with Vittorio Bigari, and obtaining commissions to make copies of medallions in the possession of the Aldrovandi family. In Bologna, his ''Abraham expels Hagar and Ishmael'' won a first prize at the Clementine Academy of Fine Arts for figure. The following year for the Marsigliani prizes, he won second place for his ''Hercules slays the Dragon at the Golden Gate''. In 1753, he completed a ''Burial of St Stephen'' for a local church that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Of Fine Arts Of Parma
The Accademia di Belle Arti di Parma (Academy of Fine Arts of Parma) is an artistic institution in the city of Parma, Italy. It is presently located in a wing of the Palazzo della Pilotta in the center of the city. History The Academy originated in 1752, as a private art school called the ''Scuola Lombarda''. Five years later, it was reorganized as an academy under the patronage of Phillip of Bourbon, Duke of Parma. During the Napoleonic occupation of 1803-1814, it was suppressed, but was reinstated under the patronage of Maria Louisa of Austria in 1816. Engraving was made one of the cornerstones of the curriculum in 1822. Paolo Toschi Paolo Toschi (1788 – 30 July 1854) was an Italian draughtsman and engraver. He was born in Parma. Biography He trained in Paris under Charles Clément Balvay (Bervic), and first made a reputation by a fine etching of ''Henry IV'', after Gérard ... became the Director at that time and served until 1850. After 1877, it underwent a variety of ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brera Academy
The Accademia di Belle Arti di Brera ("academy of fine arts of Brera"), also known as the or Brera Academy, is a state-run tertiary public academy of fine arts in Milan, Italy. It shares its history, and its main building, with the Pinacoteca di Brera, Milan's main public museum for art. In 2010 an agreement was signed to move the accademia to a former military barracks, the Caserma Magenta in via Mascheroni. In 2018 it was announced that Caserma Magenta was no longer a viable option, with the former railway yard in Via Farini now under consideration as a potential venue for the campus extension. History The academy was founded in 1776 by Maria Theresa of Austria. In typical Enlightenment fashion, it shared premises with other cultural and scientific institutions – the astronomical observatory, the Orto Botanico di Brera, the Scuole Palatine for philosophy and law, the Gymnasium, laboratories for physics and chemistry, the Biblioteca di Brera, the agricultural society and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Diotti
Giuseppe Diotti (1 March 1779 – 30 January 1846) was an Italian painter of the Neoclassic style. Biography He was born in Casalmaggiore. His full name was Francesco Giuseppe Antonio Diotti. He initially was apprenticed in his hometown to Paolo Araldi. As a teenager, until 1796, he attended the Academy at Parma and was there instructed by Carlo Calami. After a few years back at Casalmaggiore, he gained stipends to allow him to travel to Rome, where he was strongly influenced by the academic styles of both Gaspare Landi and Vincenzo Camuccini. He painted in fresco as well as in oil, distinguishing himself as a painter of historical subjects. From 1806 to 1809, he painted, among other topics, the ''Rest in Egypt'', a ''Deposition'', a ''Moses with Tablets'', an ''Adoration by Shepherds'', and ''Moses and the Bronze Serpent''. He then returned to Milan, and through his friendship with Andrea Appiani, he became a professor in the Accademia Carrara in Bergamo. He received many sub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Diotti
The Museo Diotti is an art institution and museum displaying 19th and 18th century art, located on Via Formis 17 in the historic center of Casalmaggiore, province of Cremona Lombardy, Italy. History The museum, opened in 2007, is located in the palace once owned by the local painter Giuseppe Diotti (1779–1846). After a successful career, the painter moved back to Casalmaggiore late in life; and in 1838, he had the architect Fermo Zuccari restructure the palace. By 1865, the structure had become a local gallery, but then over the years functioned as a nursing home, school, and civic library. The museum has one wing on the '' piano nobile'' displaying works from the 19th century, many by Diotti himself, and maintaining the rooms as they would have looked when he lived, taught, and painted there. The display includes works by Marcantonio Ghislina, Francesco Antonio Chiozzi, Paolo Araldi, Paolo Troubetzkoy, Tommaso Aroldi, Gaetano Previati Gaetano Previati (1852 – 1920) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Araldi
Alessandro Araldi (c. 1460 – c. 1529) was an Italian painter of the Renaissance, active mainly in Parma. Little is known of his biography. He apparently assisted with contemporary Cristoforo Caselli (il Temperello). His work shows the influences of the school of Melozzo da Forlì and of early Venetian Renaissance painters such as Giovanni Bellini and the Vivarini, but also Lorenzo Costa from Ferrara. He painted frescoes in the Benedictine monastery of San Paolo. He also painted two scenes with the story of St. Catherine, the ''Dispute before the emperor Maximilian'' and ''St. Catherine and St. Jerome'', including an odd Annunciation (1514), for the abbess Giovanna da Piacenza (1514). Antonio Allegri (Correggio) would complete his own masterpiece frescoes for the abbess in a strikingly different, and for the age, more modern style. Gallery File:Alessandro araldi, volta con scene bibliche, 1514, 01.jpg, Vault with Biblical scenes (1514) File:Alessandro araldi, volta con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century Italian Painters
The 18th century lasted from January 1, 1701 (Roman numerals, MDCCI) to December 31, 1800 (Roman numerals, MDCCC). During the 18th century, elements of Age of Enlightenment, Enlightenment thinking culminated in the American Revolution, American, French Revolution, French, and Haitian Revolution, Haitian Revolutions. During the century, History of slavery, slave trading and human trafficking expanded across the shores of the Atlantic Ocean, Atlantic, while declining in Russian Empire, Russia, Qing dynasty, China, and Joseon, Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that Proslavery, supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in Society, human society and the Natural environment, environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century Italian Painters
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Casalmaggiore
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painters From Parma
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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