Panciatichi Holy Family
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Panciatichi Holy Family
The Panciatichi Holy Family or Panciatichi Madonna and Child is a 1541 oil on panel painting by Bronzino, signed on a stone in the bottom left corner. It is now in the Uffizi in Florence, where it was first recorded in the Tribuna in 1704, where it remained until 2010, when it was moved as part of the "New Uffizi" project. Preparatory drawings for the work are in the Uffizi's Gabinetto dei Disegni e delle Stampe (n. 6639F0) and (with variations) in the Phillips collection in London. It may have been one of two "large paintings of Our Lady with other figures, beautiful and marvellous" which Vasari's ''Lives of the Artists'' mentions as being produced by Bronzino for Bartolomeo Panciatichi, chamberlain to Cosimo I de' Medici. A few years later Vincenzo Borghini mentioned "two paintings of the Glorified Virgin with other very beautiful figures" in the Panciatichi household. The Panciatichi link is supported by the flag with their coat of arms flying from a turret in the top left back ...
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Bronzino - Sacra Famiglia Panciatichi Or Madonna Panciatichi - Google Art Project
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, ''Venus, Cupid, Folly and Time'', c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures always a ...
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Accademia Degli Umidi
The Accademia Fiorentina was a philosophical and literary academy in Florence, Italy during the Renaissance. History The Accademia Fiorentina was founded in Florence on 1 November 1540 as the Accademia degli Umidi, or "academy of the wet ones", in contrast to or parody of the name of the recently founded Accademia degli Infiammati, or "academy of the burning ones", of Padova. The twelve founding members were Baccio Baccelli, Bartolomeo Benci, Pier Fabbrini, Paolo de Gei, Antonfrancesco Grazzini, Gismondo Martelli, Niccolò Martelli, Giovanni Mazzuoli, Cynthio d'Amelia Romano, Filippo Salvetti, Michelangelo Vivaldi and Simon della Volta. Within 15 months of its foundation, on 25 February 1541 more fiorentino (i.e. 25 February 1542), the academy changed its name to Accademia Fiorentina, in accordance with the wishes of Cosimo I de' Medici. In 1783, by order of Grand Duke Pietro Leopoldo, the Accademia Fiorentina was merged with the Accademia degli Apatisti and the Accademia de ...
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Paintings By Bronzino
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Paintings Depicting John The Baptist
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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Paintings Of The Holy Family
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Ecce Agnus Dei
is the Latin name under which the "Lamb of God" is honoured within the Catholic Mass and other Christian liturgies descending from the Latin liturgical tradition. It is the name given to a specific prayer that occurs in these liturgies, and is the name given to the music pieces that accompany the text of this prayer. The use of the title "Lamb of God" in liturgy is based on , in which St. John the Baptist, upon seeing Jesus, proclaims "Behold, the Lamb of God, who takes away the sin of the world!" Liturgical usage Latin Catholic The Syrian custom of a chant addressed to the Lamb of God was introduced into the Roman Rite Mass by Pope Sergius I (687–701) in the context of his rejection of the Council of Trullo of 692 (which was well received in the Byzantine East), whose canons had forbidden the iconographic depiction of Christ as a lamb instead of a man. The verse used in the first and second invocations may be repeated as many times as necessary whilst the celebran ...
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Lucrezia Panciatichi
Lucrezia or Lucrecia may refer to: *Lucrezia (given name): an Italian name, feminine of the Roman name Lucretius. The etymological origin of the name is debatable, but is thought to come from the Latin ''lucrum'', meaning "profit, wealth". Other sources believe it may be of Etruscan origin, though its original meaning has been lost. People *Lucrezia (singer), Italian singer * Lucrecia (singer), Cuban singer *Lucrezia Aguiari, Italian coloratura soprano *Lucrezia Borgia (1480–1519), the daughter of Rodrigo Borgia, who became Pope Alexander VI *Lucrezia Bori, Spanish opera singer *Lucrezia d'Alagno (1430–1479), close acquaintance of Alfonso V of Aragon *Several women named Lucrezia de' Medici *Lucrezia Galletta (1520s - 1580), Italian courtesan and banker *Lucrécia Jardim (born 1971), Portuguese athlete *Lucrecia Kasilag (1917–2008), Filipino composer *Lucrecia Martel (born 1966), Argentinian film director *Lucrezia Millarini, British TV news anchor *Lucrezia Tornabuoni, I ...
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Rosso Carminio
Rosso is the major city of south-western Mauritania and capital of Trarza region. It is situated on the Senegal River at the head of the river zone allowing year-round navigation. The town is 204 km south of the capital Nouakchott. The Arabic name is Al-Quwarib. History Rosso was once the capital of the Emirate of Trarza, a Precolonial Sahrawi dominated state in Africa. Under French colonial rule Senegal and Mauritania were administered as a single entity. When independence came, the new frontier was drawn along the Senegal River, thus splitting the small town of Rosso in two. This article refers to Mauritanian Rosso, on the northern bank of the river. Originally a staging-post for the gum arabic trade, Rosso has grown rapidly since independence. From a population of a mere 2 300 in 1960 it has now overtaken Kaédi to become the 3rd largest city in the country with 48 922 inhabitants (2000 census). Languages Southwestern Mauritania is predominantly a Wolof-speaki ...
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03 2015 Sacra Famiglia Panciatichi-Gesù Bambino E San Giovannino-Agnolo Bronzino--Galleria Degli Uffizi (Firenze) Photo Paolo Villa FOTO9245
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ...
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Angelo Bronzino - The Panciatichi Holy Family (detail) - WGA3287
Angelo is an Italian masculine given name and surname meaning "angel", or "messenger". People People with the given name *Angelo Accattino (born 1966), Italian prelate of the Catholic Church *Angelo Acciaioli (bishop) (1298–1357), Italian Roman Catholic bishop from Florence *Angelo Achini or Angiolo Achini (1850–1930), Italian painter *Angelo Agostini (1843–1910), illustrator, journalist and founder of several publications, and although born in Italy, is considered the first Brazilian cartoonist * Angelo Aimo (born 1964), Italian footballer *Angelo Albanesi (late 1765–1784), Italian engraver *Angelo Alistar (born 1975), Romanian footballer * Angelo Ambrogini Poliziano (1454–1494), Florentine classical scholar and poet *Angelo Andres (1851–1934), Italian zoologist *Angelo Anelli (1761–1820), Italian *Angelo Angeli (1864–1931), Italian chemist *Angelo Anquilletti (1943–2015), Italian football defender *Angelo Antonino Pipitone (born 1943), member of the Sicilian M ...
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Portrait Of Bartolomeo Panciatichi
The ''Portrait of Bartolomeo Panciatichi'' is a painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished around 1540. It is housed in the Uffizi Gallery of Florence, Italy since 1704. Bartolomeo Panciatichi was a Florentine humanist and politician. His wife was also portrayed by Bronzino a few years later. See also * *''Portrait of Lucrezia Panciatichi The ''Portrait of Lucrezia Panciatichi'' is an oil on panel painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished around 1545. It is housed in the Uffizi Gallery in Florence, Italy. Lucrezia di Sigismondo Pucci was the wife ...'' Notes References Panciatichi, Bartolomeo Panciatichi, Bartolomeo 1540 paintings Panciatichi, Bartolomeo Panciatichi, Bartolomeo Panciatichi, Bartolomeo Paintings by Bronzino in the Uffizi {{16C-painting-stub ...
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Bronzino
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, ''Venus, Cupid, Folly and Time'', c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures always a ...
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