Palácio Da Bolsa
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Palácio Da Bolsa
The Stock Exchange Palace () is a historical building in Porto, Portugal. The palace was built in the 19th century by the city's Commercial Association () in Neoclassical style. It is located in the Infante D. Henrique Square in the historical centre of Porto, designated World Heritage Site by UNESCO. History The Palácio da Bolsa is located beside the St Francis Church of Porto, which was once part of the St Francis Convent, founded in the 13th century. In 1832, during the Liberal Wars, a fire destroyed the cloisters of the convent, sparing the church. In 1841, Queen Mary II donated the convent ruins to the merchants of the city, who decided to use the spot to build the seat of the Commercial Association. Building work began in 1842 following the plans of Porto architect Joaquim da Costa Lima Júnior, who designed a Neoclassical palace of Palladian influence, inspired by previous structures built in the city. Most of the palace was finished by 1850, but the decoration of the in ...
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Porto July 2014-31a
Porto or Oporto () is the second-largest city in Portugal, the capital of the Porto District, and one of the Iberian Peninsula's major urban areas. Porto city proper, which is the entire municipality of Porto, is small compared to its metropolitan area, with an estimated population of just 231,800 people in a municipality with only 41.42 km2. Porto's metropolitan area has around 1.7 million people (2021) in an area of ,Demographia: World Urban Areas
March 2010
making it the second-largest urban area in Portugal. It is recognized as a global city with a Gamma + rating from the



Carlos Amarante
Carlos Luís Ferreira da Cruz Amarante (Braga, 1748 - Oporto, 1815) was an important Portuguese engineer and architect. Amarante's father was musician in the court of the Bishop of Braga. He began pursuing an ecclesiastical career, but left the seminary when he was 23 years old to marry Luísa Clara Xavier. After that he pursued a career in engineering and architecture. Artistically, Amarante led the transition between the late Baroque-Rococo architecture of northern Portugal to modern Neoclassical architecture. He was particularly influenced by the many Neoclassical buildings of English inspiration that were built in Oporto during the 18th century. The church of the sanctuary of Bom Jesus do Monte, built after 1784 to a design by Amarante, is considered one of the first Portuguese churches in Neoclassical style. Amarante is buried in the Trindade Church in Oporto. Works *Bom Jesus do Monte - Braga *Populo Church - Braga *Hospital Church - Braga *São Gonçalo Bridge over th ...
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Museums In Porto
Porto, a popular tourist destination in Portugal, is the country's second largest city. It is located along the Douro, Douro river estuary in Northern Portugal. Porto is one of the oldest European centers, and its historical core was classified a World Heritage Site by UNESCO in 1996. Landmarks Religious sites Museums Parks and gardens Others Nearby places See also * Porto * Tourism in Portugal References External links Official website of Porto City Hall
{{Wikivoyage, Porto Lists of tourist attractions by city, Porto Tourist attractions in Porto Lists of tourist attractions in Portugal, Porto ...
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Tourist Attractions In Porto
Porto, a popular tourist destination in Portugal, is the country's second largest city. It is located along the Douro river estuary in Northern Portugal. Porto is one of the oldest European centers, and its historical core was classified a World Heritage Site by UNESCO in 1996. Landmarks Religious sites Museums Parks and gardens Others Nearby places See also * Porto * Tourism in Portugal References External links Official website of Porto City Hall {{Wikivoyage, Porto Porto Tourist attractions in Porto Porto Porto or Oporto () is the second-largest city in Portugal, the capital of the Porto District, and one of the Iberian Peninsula's major urban areas. Porto city proper, which is the entire municipality of Porto, is small compared to its metropol ...
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Palaces In Porto
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a pa ...
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Buildings And Structures Completed In 1850
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Moorish Revival
Moorish Revival or Neo-Moorish is one of the exotic revival architectural styles that were adopted by architects of Europe and the Americas in the wake of Romanticist Orientalism. It reached the height of its popularity after the mid-19th century, part of a widening vocabulary of articulated decorative ornament drawn from historical sources beyond familiar classical and Gothic modes. Neo-Moorish architecture drew on elements from classic Moorish architecture and, as a result, from the wider Islamic architecture. In Europe The "Moorish" garden structures built at Sheringham Hall, Norfolk, ca. 1812, were an unusual touch at the time, a parallel to chinoiserie, as a dream vision of fanciful whimsy, not meant to be taken seriously; however, as early as 1826, Edward Blore used Islamic arches, domes of various size and shapes and other details of Near Eastern Islamic architecture to great effect in his design for Alupka Palace in Crimea, a cultural setting that had already been ...
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João Marques De Oliveira
João Joaquim Marques da Silva Oliveira (23 August 1853 – 9 October 1927) was a Portuguese painter in the Naturalist style. Biography Oliveira was born in Porto. In 1864, when he was only eleven, he entered the . Five years later, he enrolled in the history painting course taught by João António Correia and graduated in 1873. For the next six years, he lived in France with his colleague António da Silva Porto while they studied at the École des Beaux-arts under Alexandre Cabanel and Adolphe Yvon. While living there, they also made study trips to Belgium, England, the Netherlands and Italy. The sketches and paintings that resulted from these trips led to his participation in the Salons of 1876 and 1878.Brief biography
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José Maria Veloso Salgado
José is a predominantly Spanish and Portuguese form of the given name Joseph. While spelled alike, this name is pronounced differently in each language: Spanish ; Portuguese (or ). In French, the name ''José'', pronounced , is an old vernacular form of Joseph, which is also in current usage as a given name. José is also commonly used as part of masculine name composites, such as José Manuel, José Maria or Antonio José, and also in female name composites like Maria José or Marie-José. The feminine written form is ''Josée'' as in French. In Netherlandic Dutch, however, ''José'' is a feminine given name and is pronounced ; it may occur as part of name composites like Marie-José or as a feminine first name in its own right; it can also be short for the name ''Josina'' and even a Dutch hypocorism of the name ''Johanna''. In England, Jose is originally a Romano-Celtic surname, and people with this family name can usually be found in, or traced to, the English county of ...
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António Teixeira Lopes
António Teixeira Lopes (27 October 1866–21 June 1942) was a Portuguese sculptor. Life Teixeira Lopes was the son of sculptor José Joaquim Teixeira Lopes and started learning his art in his father's workshop. In 1882 he entered the Academy of Fine Arts (''Escola de Belas Artes'') in Porto, where he continued his education with celebrated artists like sculptor António Soares dos Reis and painter João Marques de Oliveira. In 1885 he left for Paris, where he entered the École des Beaux-Arts and became a distinguished student. Around 1895, together with his brother, architect José Teixeira Lopes, he built his atelier in Vila Nova de Gaia, which nowadays houses a museum (the Casa-Museu Teixeira Lopes) dedicated to his work. He was professor of the School of Fine Arts of Porto for many years. Works Teixeira Lopes dealt mostly with allegoric, historical and religious themes, using clay, marble Marble is a metamorphic rock composed of recrystallized carbonate min ...
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António Soares Dos Reis
António Manuel Soares dos Reis (Vila Nova de Gaia, 14 October 1847 - Vila Nova de Gaia, 16 February 1889) was a Portuguese sculptor. Studies He first studied at the Portuense Academy of Fine Arts, where he graduated in sculpture in 1867. He studied at the École des Beaux-Arts in Paris, from 1867 to 1870, where he achieved several prizes, and in Rome (1871–1872). It was there that he executed his finest work, in Carrara marble, the acclaimed "''O Desterrado''" ("The Exiled"), a touching image of neoclassical, romantic and realist resemblances, that is the masterpiece of Portuguese sculpture. After returning to Portugal, he returned to Porto, where he taught at the Portuense Academy of Fine Arts. Misunderstood and little credited in life, he committed suicide, aged only 41. He is considered, by far, one of the leading names in Portuguese realist sculpture. Fame The finest collection of his pieces is shown in a room dedicated to him at the National Museum Soares dos Reis, i ...
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Dome
A dome () is an architectural element similar to the hollow upper half of a sphere. There is significant overlap with the term cupola, which may also refer to a dome or a structure on top of a dome. The precise definition of a dome has been a matter of controversy and there are a wide variety of forms and specialized terms to describe them. A dome can rest directly upon a Rotunda (architecture), rotunda wall, a Tholobate, drum, or a system of squinches or pendentives used to accommodate the transition in shape from a rectangular or square space to the round or polygonal base of the dome. The dome's apex may be closed or may be open in the form of an Oculus (architecture), oculus, which may itself be covered with a roof lantern and cupola. Domes have a long architectural lineage that extends back into prehistory. Domes were built in ancient Mesopotamia, and they have been found in Persian architecture, Persian, Ancient Greek architecture, Hellenistic, Ancient Roman architecture, ...
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