Palazzo Salis
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Palazzo Salis
The Palazzo Salis is situated in the heart of the historic centre of Tirano, a small town in the valley Valtellina in the north of Italy. The building got constructed during the second half of the 17th century by the noble family von Salis-Zizers, a branch of the important and well known grison family von Salis. The Palazzo is still in the hands of the family Salis and is run today as a Museum. More than ten rooms decorated with frescoes and stucco from the 17th and 18th century, as well as the hidden Italian Garden on the backside of the building are opened for the public. Tirano - Valtellina The geographical location of Tirano, or rather of its historic centre, is a very strategical point for transport and trading in the Valtellina valley. It is the crossing point of the natural east–west latitude of the valley on the one hand, and an important north–south passage over the southern Alps on the other hand. Exactly those last mountain passes before entering the lowlands ...
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Tirano
Tirano ( lmo, Tiràn, german: Thiran) is a town in Valtellina, located in the province of Sondrio in northern Italy. It has 9,053 inhabitants (2016) and is adjacent to the Switzerland-Italy border. The river Adda flows through the town. Main sights Located nearby is the Catholic shrine of the Madonna di Tirano, a major tourist attraction. The shrine is dedicated to the appearance of the Blessed Mother to Mario Degli Omodei on September 29, 1504, an event religious pilgrims credit with ending a pestilence. The Museo Etnografico Tiranese (MET) is an ethnographic museum and located nearby the Basilica Madonna di Tirano in an 18th-century Palazzo, the Casa del Penitenziere (Penitent's House). The museum of Palazzo Salis in the old town of Tirano is an example of the use of trompe l'oeil to create the illusion of architectural features. Transportation Tirano has two neighboring railway stations. One, a standard gauge station, is operated by Trenitalia, the state railway compa ...
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Buildings And Structures In The Province Of Sondrio
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artis ...
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Cedrus Libani
''Cedrus libani'', the cedar of Lebanon or Lebanese cedar (), is a species of tree in the genus cedrus, a part of the pine family, native to the mountains of the Eastern Mediterranean basin. It is a large evergreen conifer that has great religious and historical significance in the cultures of the Middle East, and is referenced many times in the literature of ancient civilisations. It is the national emblem of Lebanon and is widely used as an ornamental tree in parks and gardens. Description ''Cedrus libani'' can reach in height, with a massive monopodial columnar trunk up to in diameter.Farjon 2010, p. 258 The trunks of old trees ordinarily fork into several large, erect branches.Masri 1995 The rough and scaly bark is dark grey to blackish brown, and is run through by deep, horizontal fissures that peel in small chips. The first-order branches are ascending in young trees; they grow to a massive size and take on a horizontal, wide-spreading disposition. Second-order branche ...
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House Of Habsburg
The House of Habsburg (), alternatively spelled Hapsburg in Englishgerman: Haus Habsburg, ; es, Casa de Habsburgo; hu, Habsburg család, it, Casa di Asburgo, nl, Huis van Habsburg, pl, dom Habsburgów, pt, Casa de Habsburgo, la, Domus Habsburg, french: Maison des Habsbourg and also known as the House of Austriagerman: link=no, Haus Österreich, ; es, link=no, Casa de Austria; nl, Huis van Oostenrijk, pl, dom Austrii, la, Domus Austriæ, french: Maison d'Autriche; hu, Ausztria Háza; it, Casa d'Austria; pt, Casa da Áustria is one of the most prominent and important dynasties in European history. The house takes its name from Habsburg Castle, a fortress built in the 1020s in present-day Switzerland by Radbot of Klettgau, who named his fortress Habsburg. His grandson Otto II was the first to take the fortress name as his own, adding "Count of Habsburg" to his title. In 1273, Count Radbot's seventh-generation descendant Rudolph of Habsburg was elected King of the ...
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Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he wa ...
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Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version o ...
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Illusionistic Ceiling Painting
Illusionistic ceiling painting, which includes the techniques of perspective ''di sotto in sù'' and ''quadratura'', is the tradition in Renaissance art, Renaissance, Baroque art, Baroque and Rococo art in which ''trompe-l'œil'', Perspective (graphical), perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the Oculus (architecture), oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of Illusionism (art), illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upw ...
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Visconti Of Milan
The Visconti of Milan are a noble Italian family. They rose to power in Milan during the Middle Ages where they ruled from 1277 to 1447, initially as Lords then as Dukes, and several collateral branches still exist. The effective founder of the Visconti Lordship of Milan was the Archbishop Ottone, who wrested control of the city from the rival Della Torre family in 1277. Origins The earliest members of the Visconti lineage appeared in Milan in the second half of the 11th century. The first evidence is on October 5, 1075, when Ariprando Visconti and his son Ottone ("Ariprandus Vicecomes", "Otto Vicecomes filius Ariprandi") attended and signed together some legal documents in Milan. Ariprando Visconti's family is believed to have pre-existed in Milan and obtained the title of viscount, which became hereditary throughout the male descent. In the years following 1075, Ottone Visconti is shown in the proximity of the Salian dynasty's sovereigns, Henry IV and his son Conrad. His d ...
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House Of Borromeo
), type=Noble family, country=, estates= Rocca d'Angera Palazzo Borromeo, Milan Castel of Peschiera Borromeo Borromean Islands Villa Borromeo, Arcore, titles=* Prince of Angera * Marquess of Romagnano * Count of Arona * Count of Peschiera * Lord of Cannobio and Vergante * Lord of Vogogna and Val Vigezzo, styles=''Don'' or ''Donna'', founded=, founder= Vitaliano I, current head=Vitaliano XI, deposition=, ethnicity=Italian, cadet branches=Borromeo Arese The aristocratic House of Borromeo were merchants in San Miniato around 1300 and became bankers in Milan after 1370. Vitaliano de' Vitaliani, who acquired the name of Borromeo from his uncle Giovanni, became the count of Arona in 1445. His descendants played important roles in the politics of the Duchy of Milan and as cardinals in the Catholic Reformation. In 1916 the head of the family was granted the title Prince of Angera by the King of Italy. The best known members of the family were the cardinals and archbishops of Mila ...
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House Of Medici
The House of Medici ( , ) was an Italian banking family and political dynasty that first began to gather prominence under Cosimo de' Medici, in the Republic of Florence during the first half of the 15th century. The family originated in the Mugello region of Tuscany, and prospered gradually until it was able to fund the Medici Bank. This bank was the largest in Europe during the 15th century and facilitated the Medicis' rise to political power in Florence, although they officially remained citizens rather than monarchs until the 16th century. The Medici produced four popes of the Catholic Church—Pope Leo X (1513–1521), Pope Clement VII (1523–1534), Pope Pius IV (1559–1565) and Pope Leo XI (1605)—and two queens of France— Catherine de' Medici (1547–1559) and Marie de' Medici (1600–1610). In 1532, the family acquired the hereditary title Duke of Florence. In 1569, the duchy was elevated to the Grand Duchy of Tuscany after territorial expansion. The Medici ruled ...
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Giovanni Antonio Cucchi
Giovanni Antonio Cucchi ( Campiglia Cervo, active 1750) was an Italian painter.Dizionario dei pittori dal rinnovamento delle belle arti fino al 1800
Volume 1, by Stefano Ticozzi, page 150.


Biography

He was active in painting for the . He also painted for the Palazzo Brentano in Corbetta, alongside