|
Palazzo Pisani Moretta
Palazzo Pisani Moretta is a palace situated along the Grand Canal in Venice, Italy (in the sestiere of San Polo) between Palazzo Tiepolo and Palazzo Barbarigo della Terrazza. History Built in the second half of the 15th Century by the Bembo family, the palace soon became the residence of a branch of the noble Pisani family (the Pisani Moretta branch). The palace was renovated, modified and extended over the following centuries, finally taking on its current aspect in the 18th Century. In fact many of the valuable interior decorations date back to the 18th Century. Past guests to the palace included important historic figures such as Tsar Paul I of Russia, Joséphine de Beauharnais and Joseph II, Holy Roman Emperor. Palazzo Pisani Moretta remained in the Pisani family until it died out in 1880 but the building is still owned privately. The interior rooms were decorated by Baroque artists such as Tiepolo, Jacopo Guarana, Gaspare Diziani and Giuseppe Angeli. The palace once hous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Pisani Moretta (Venice)
Palazzo Pisani Moretta is a palace situated along the Grand Canal (Venice), Grand Canal in Venice, Italy (in the sestiere of San Polo), between Palazzo Tiepolo and Palazzo Barbarigo della Terrazza. History Built in the second half of the 15th century by the Bembo (family), Bembo family, the palace soon became the residence of a branch of the noble Pisani family (the Pisani Moretta branch). The palace was renovated, modified and extended over the following centuries, finally taking on its current aspect in the 18th century. In fact many of the valuable interior decorations date back to the 18th century. Past guests to the palace included important historic figures such as Tsar Paul I of Russia, Joséphine de Beauharnais and Joseph II, Holy Roman Emperor. Palazzo Pisani Moretta remained in the Pisani family until it died out in 1880 but the building is still owned privately. The interior rooms were decorated by Baroque artists such as Giambattista Tiepolo, Tiepolo, Jacopo Guarana, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaspare Diziani
Gaspare Diziani (1689 – 17 August 1767) was an Italian painter of the late-Baroque or Roccoco period, active mainly in the Veneto but also in Dresden and Munich. The artist's canvas is the largest painting of the Hermitage Museum in St. Petersburg. Biography His earliest training was in his native town of Belluno with Antonio Lazzarini. He then moved to Venice, to the studio of Gregorio Lazzarini and later that of Sebastiano Ricci. His career largely overlapped with Lazzarini and Ricci's fellow pupil, Giambattista Tiepolo, who was seven years his elder. Between 1710-1720, he painted a group of eight pictures that included the ''Mary Magdalene'' for the church of Santo Stefano in Belluno, and ''Entry into Jerusalem'' for San Teodoro in Venice. He also painted three frescoes on the ''Life of Saint Helena'' in the Scuola del Vin next to the church of San Silvestro. Diziani's celerity and technical assurance are evident from preparatory oil sketches, where color has been applied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palaces On The Grand Canal (Venice)
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palaces In Sestiere San Polo
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mullioned Windows
A mullion is a vertical element that forms a division between units of a window or screen, or is used decoratively. It is also often used as a division between double doors. When dividing adjacent window units its primary purpose is a rigid support to the glazing of the window. Its secondary purpose is to provide structural support to an arch or lintel above the window opening. Horizontal elements separating the head of a door from a window above are called transoms. History Stone mullions were used in Armenian, Saxon and Islamic architecture prior to the 10th century. They became a common and fashionable architectural feature across Europe in Romanesque architecture, with paired windows divided by a mullion, set beneath a single arch. The same structural form was used for open arcades as well as windows, and is found in galleries and cloisters. In Gothic architecture windows became larger and arrangements of multiple mullions and openings were used, both for structure and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polifora
Polifora is a type of the multi-light window. It appears in towers and belfries on top floors, where it is necessary to lighten the structure with wider openings. The term ''polifora'' usually refers to the window with at least five parts. Overview The polifora is a multiple-part window, divided by small columns or pilasters. Each part has a small arch, which can be round or, more often, pointed. Central parts may sometimes be taller than side openings. The space among the arches is often decorated or perforated. The polifora is typical for Gothic architecture and widely used to decorate large cathedrals in the Northern Europe—particularly in Belgium and the Netherlands where the polifora became a true feature of distinction and personalization of the French Gothic style. The polifora is also widely used in Venetian Gothic architecture to decorate the main halls of Venetian palaces. Such windows can sometimes take specific names that indicate the exact number of openings: pentaf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Architecture
Gothic architecture (or pointed architecture) is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as ''opus Francigenum'' (lit. French work); the term ''Gothic'' was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity. The defining design element of Gothic architecture is the pointed or ogival arch. The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses, combined with elaborate tracery and stained glass windows. At the Abbey of Saint-Denis, near Paris, the choir was reconstructed between 1140 and 1144, draw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Monti - Servizio Fotografico - BEIC 6342981
Paolo is both a given name and a surname, the Italian form of the name Paul. Notable people with the name include: People with the given name Paolo Art *Paolo Alboni (1671–1734), Italian painter *Paolo Abbate (1884–1973), Italian-American sculptor *Paolo Antonio Barbieri (1603–1649), Italian painter *Paolo Buggiani (born 1933), Italian contemporary artist *Paolo Carosone (born 1941), Italian painter and sculptor *Paolo Moranda Cavazzola (1486–1522), Italian painter *Paolo Farinati (c. 1524–c. 1606), Italian painter *Paolo Fiammingo (c. 1540–1596), Flemish painter *Paolo Domenico Finoglia (c. 1590–1645), Italian painter *Paolo Grilli (1857–1952), Italian sculptor and painter *Paolo de Matteis (1662–1728), Italian painter * Paolo Monaldi, Italian painter *Paolo Pagani (1655–1716), Italian painter *Paolo Persico (c. 1729–1796), Italian sculptor *Paolo Pino (1534–1565), Italian painter *Paolo Gerolamo Piola (1666–1724), Italian painter *Paolo Porpora (1617 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Ballo Del Doge
{{italic title ''Il Ballo del Doge'' ("The Doge’s Ball") is a Venetian masquerade ball, one of the many events held annually during the Carnival of Venice. The ball itself is held in the 15th-century Venetian palace of Palazzo Pisani Moretta, situated on the Grand Canal in Venice. The ball's name derives from the title of the elected heads (''Doge'', "Duke" in English) who ruled Venice up until the fall of the Venetian republic in the 18th century. Every year the ball is attended by around four hundred guests dressed in period costume and masked. The event is a reconstruction of an 18th-century masquerade ball and includes a meal of Venetian cuisine. Over the years the entertainment has included performances by opera singers, musicians, burlesque artists and characters from the Commedia dell'Arte (; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly cal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Antonio Pellegrini
Giovanni Antonio Pellegrini (29 April 1675 – 2 November 1741) was one of the leading Venetian history painters of the early 18th century. His style melded the Renaissance style of Paolo Veronese with the Baroque of Pietro da Cortona and Luca Giordano. He travelled widely on commissions which brought him to England, the Southern Netherlands, the Dutch Republic, Germany, Austria and France.Bernard Aikema. "Pellegrini, Giovanni Antonio." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 9 Mar. 2016. He is considered an important predecessor of Giovanni Battista Tiepolo. One of his pupils was Antonio Visentini. Life Pellegrini was born in Venice. His father, also called Antonio, was a shoemaker from Padua. Pellegrini was a pupil of the Milanese painter Paolo Pagani. He travelled with his master to Moravia and Vienna in 1690 and was back in Venice in 1696 where he painted his first surviving works. The work of fellow Venetian Sebastiano Ricci had an importa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Family Of Darius Before Alexander
''The Family of Darius before Alexander'' is an oil painting on canvas by Paolo Veronese, created ca. 1565–1570. It depicts Alexander the Great with the family of Darius III, the Persian king he had defeated in battle. Although Veronese had previously painted a version of the subject, since destroyed, the theme had rarely been depicted by other artists before him.Salomon, 846 The painting has been in the collection of the National Gallery in London since 1857. Narrative In 333 BC Alexander defeated Darius III, the last king of the Achaemenid Empire, at the Battle of Issus. Darius escaped capture, but his wife Stateira I, his mother, Sisygambis, and his daughters Stateira II and Drypetis were taken by Alexander. Alexander displayed forgiveness in victory. According to Plutarch: " egave them leave to bury whom they pleased of the Persians, and to make use for this purpose what garments and furniture they thought fit out of the booty. He diminished nothing of their equipage, or o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Veronese
Paolo Caliari (152819 April 1588), known as Paolo Veronese ( , also , ), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as ''The Wedding at Cana'' (1563) and ''The Feast in the House of Levi'' (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the ''cinquecento''" and the Late Renaissance in the 16th century.Rosand, 107 Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian. His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and Verona are especially famous, and he was also the leadi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Palazzo Pisani Moretta")
.jpg "Click for more on -> Gothic Architecture")
