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Palazzo Loredan Cini
The Palazzo Loredan Cini is a Gothic-style palace located between the Palazzo Balbi Valier and the Rio San Vio on the Grand Canal, in the sestiere of Dorsoduro, Venice, Italy. The palace was formed from the amalgamation of the former Palazzo Foscari-Loredan with the adjacent Palazzo Grimani. The narrow facade on the Canal has no entrance, but the facade to the north on the Rio, has a single water door, and is connected to the adjacent campo by a bridge. The facade is decorated with two poliforas. History The Foscari palace, also called Loredan palace, was built on a site belonging to the Giustinian in the 14th-15th centuries. In 1428 it was purchased by the Republic for 6,500 ducats, and transferred to the Marquis of Mantua. A decade later, it was confiscated and given to Francesco Sforza. Nearly a decade later, it was again appropriated and sold by public auction to Doge Francesco Foscari. The Foscari, under Elisabetta Venier Foscari rebuilt it in the mid-1560s. In 1797 the pala ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Canal (Venice)
The Grand Canal ( it, Canal Grande ; vec, Canal Grando, anciently ''Canałasso'' ) is a channel in Venice, Italy. It forms one of the major water-traffic corridors in the city. One end of the canal leads into the lagoon near the Santa Lucia railway station and the other end leads into the basin at San Marco; in between, it makes a large reverse-S shape through the central districts ('' sestieri'') of Venice. It is long, and wide, with an average depth of . Description The banks of the Grand Canal are lined with more than 170 buildings, most of which date from the 13th to the 18th century, and demonstrate the welfare and art created by the Republic of Venice. The noble Venetian families faced huge expenses to show off their richness in suitable palazzos; this contest reveals the citizens’ pride and the deep bond with the lagoon. Amongst the many are the Palazzi Barbaro, Ca' Rezzonico, Ca' d'Oro, Palazzo Dario, Ca' Foscari, Palazzo Barbarigo and to Palazzo Venier de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Giorgio Maggiore
San Giorgio Maggiore ( vec, San Zorzi Mazor) is one of the islands of Venice, northern Italy, lying east of the Giudecca and south of the main island group. The island, or more specifically its Palladian church, is an important landmark. It has been much painted, featuring for example in a series by Monet. Location The isle is surrounded by ''Canale della Grazia'', ''Canale della Giudecca'', '' Saint Mark Basin'', '' Canale di San Marco'' and the southern lagoon. It forms part of the San Marco sestiere. File:Districts venice - san giorgio maggiore.png, San Giorgio Maggiore within Venice History San Giorgio Maggiore was probably occupied in the Roman period; after the foundation of Venice it was called ''Insula Memmia'' after the Memmo family who owned it. By 829 it had a church consecrated to St George; thus it was designated as ''San Giorgio Maggiore'' to be distinguished from San Giorgio in Alga. The San Giorgio Monastery was established in 982, when the Benedictine mon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Mazzolino
Ludovico Mazzolino (1480 – c. 1528) - also known as Mazzolini da Ferrara, Lodovico Ferraresa, and Il Ferrarese - was an Italian Renaissance painter active in Ferrara and Bologna. Biography He was born and died in Ferrara. He appears to have studied under such as Lorenzo Costa, who also may have trained Dosso Dossi, and came under the influence of Ercole Roberti. In 1521 he married Giovanna, the daughter of Bartolomeo Vacchi, a Venetian painter. Much of his work was commissioned by the duke Ercole I d'Este from Ferrara. Mazzolino was influenced by il Garofalo and Boccaccino. He is known for devotional cabinet pictures, in a style somewhat regressive, or primitive, relative to the modern classicism then emerging. For example, his ''Massacre'' canvas has a turbulent and cartoonish crowding. The exact date, or even year, of his death is not known, but he died during a plague which devastated the area. Paintings at National Gallery, London *''The Holy Family with Saint Francis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battista Dossi
Battista Dossi (ca. 1490–1548), also known as Battista de Luteri, was an Italian painter who belonged to the Ferrara School of Painting. He spent nearly his entire career in service of the Court of Ferrara, where he worked with his older brother Dosso Dossi (c. 1489–1542). It is believed that Battista worked in the Rome studio of Raphael from 1517 to 1520. Battista's students include Camillo Filippi Camillo Filippi (died 1574) was an Italian painter who flourished about the middle of the 16th century. Biography Filippo was born in Ferrara. He was a disciple of Dosso Dossi, and painted historical works with some success. The ''Annunciation' ... (c. 1500–1574). Gallery File:'The Flight into Egypt' by Battista Dossi and Dosso Dossi.JPG, ''The Flight into Egypt'' File:Madonna col Bambino e santo Vescovo, Battista Dossi e Dosso Dossi 001.JPG, ''Madonna and Child with Holy Bishop'' File:Battista Dossi - Holy Family with a Shepherd - 1949.185 - Cleveland Museum of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dosso Dossi
Giovanni di Niccolò de Luteri, better known as Dosso Dossi ( 1489–1542), was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian. From 1514 to his death he was court artist to the Este Dukes of Ferrara and of Modena, whose small court valued its reputation as an artistic centre. He often worked with his younger brother Battista Dossi, who had worked under Raphael. He painted many mythological subjects and allegories with a rather dream-like atmospheres, and often striking disharmonies in colour. His portraits also often show rather unusual poses or expressions for works originating in a court. Biography Dossi was born in San Giovanni del Dosso, a village in the province of Mantua. His early training and life are not well documented; his father, originally of Trento, was a bursar (''spenditore'' or ''fattore'') for the Dukes of Ferrara. He may have had traini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfonso I D’Este
Alfonso d'Este (21 July 1476 – 31 October 1534) was Duke of Ferrara during the time of the War of the League of Cambrai. Biography He was the son of Ercole I d'Este, Duke of Ferrara and Eleanor of Naples and became duke on Ercole's death in January 1505. In the first year of his rule he uncovered a plot by his brother Ferrante and half-brother Giulio d'Este, directed against him and his other brother Ippolito. In September 1506 a trial for lèse majesté and high treason was held and, as expected, the death sentence was passed, but just as Ferrante and Giulio were about to mount the gallows they were informed that the duke had commuted their sentence to life imprisonment. They were led away to two cells in the Torre dei Leoni. Ferrante died in his cell after 34 years of imprisonment, while Giulio held on until he was pardoned in 1559, after 53 years of imprisonment. After his release, Giulio was ridiculed in the streets of Ferrara for his outdated clothes and died in 1561 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Costa
Lorenzo Costa (1460 – 5 March 1535) was an Italian painter of the Renaissance. Biography He was born at Ferrara, but moved to Bologna by his early twenties, and was probably influenced by the Bolognese School. However, many artists worked in both cities, and thus some consider him a product of the School of Ferrara. It is possible that he trained with Cosimo Tura. In 1483 he painted the famous ''Bentivoglio Altarpiece'' and other frescoes on the walls of the Bentivoglio chapel in San Giacomo Maggiore. He was a great friend of Francesco Francia, who was much influenced by him. In 1509 he moved to Mantua to become the court painter of Marquis Francesco Gonzaga and Isabella d'Este. For the latter's studiolo in the Ducal Palace, he painted the ''Allegory of Isabella d'Este's Coronation'' (now at the Louvre) and the '' Reign of Comus'', two mythological paintings based on Mantegna's drawings. He died at Mantua in 1535. His sons Ippolito and Girolamo were also painters, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baldassarre D’Este
Baldassare Estense (ca. 1443 - after 1504) was an Italian painter. He was born in Reggio, has been supposed to have been an illegitimate scion of the house of Este, since no mention of his father's name ever occurs in contemporary records, whilst he was called 'Estensis,' and received unusual promotion and rewards from the Dukes of Ferrara. He was a pupil of Cosimo Tura, and was also a medallist. In 1469 he painted the likeness of Borso I, and was ordered to present it in person to the Duke of Milan. From 1471 to 1504 he was a salaried officer at the court of Ferrara, living first in Castel Nuovo, for which he painted a canvas that has perished, and afterwards in Castel Tedaldo, of which he was the governor. In 1483 he painted the portrait of Tito Strozzi, now in the Costabili Gallery The Costabili collection or Costabili Gallery was a large art collection in Ferrara in the 19th century, mainly consisting of Ferrarese art. Works from the collection were purchased by mid and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tito Vespasiano Strozzi
Tito Vespasiano Strozzi (Ferrara, 1424 – ca. 1505) was an Italian Renaissance poet at the Este court of Ferrara, who figures as an interlocutor in Angelo Decembrio's ''De politia litteraria'' ("On literary polish"). A member of the Strozzi family exiled from Florence, son of Giovanni, who served in Ferrara as Niccolò III d'Este's commander, Tito was a patrician of Ferrara, where he was educated in humanistic culture. He was a courtier of successive dukes of Ferrara, Leonello, Borso, and Ercole d'Este, and was entrusted with several important posts in the civil magistrature. He was the official champion of the Duke of Ferrara (1473), served as Governor of Rovigo and the Polesine (1473–84) then ''Giudice dei Savi'' (1497-1505), in which post he was succeeded by his son Ercole Strozzi. Strozzi was included in the entourage that accompanied Borso to Rome, March 1471, to be elevated from ''marchese'' to ''duca di Ferrara'' by Pope Sixtus IV Della Rovere. His portrait in pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Zoppo
Marco Zoppo (1433 – 19 February 1498) was an Italian painter of the Renaissance period, active mainly in Bologna. He was born in Cento. He was a pupil of the painter Lippo Dalmasio then for a few years with Francesco Squarcione around 1455. He was a contemporary of Andrea Mantegna. He painted a number of variations of the ''Virgin and Child Enthroned with Saints'' while he was in Bologna. Francesco Francia was one of his pupils. He died in Venice to where he had left after working for Squarcione. List of works *'' Madonna del Latte'' (1453-1455) Louvre, Paris *''Resurrezione'', Metropolitan Museum of Art, New York City *''Madonna col Bambino'', National Gallery of Art, Washington D.C. *''San Pietro'', National Gallery of Art, Washington D.C. *''Madonna col Bambino'', National Gallery of Art, Washington D.C. *''Sant'Agostino'', National Gallery, London *''Cristo morto sostenuto da santi'', National Gallery, London *''Cristo morto sostenuto da angeli e da san Giacomo'', Britis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Francesco Maineri
Giovanni Francesco Maineri or Gianfrancesco de' Maineri (active 1489–1506) was an Italian painter of the Renaissance, active in Ferrara. Putatively born in Parma to a painter Pietro de Maineri. He worked in Ferrara for the ruling Este family. His style recalls that of the contemporary Ercole de' Roberti. Lorenzo Costa Lorenzo Costa (1460 – 5 March 1535) was an Italian painter of the Renaissance. Biography He was born at Ferrara, but moved to Bologna by his early twenties, and was probably influenced by the Bolognese School. However, many artists worked i ..., another Roberti pupil, completed an altarpiece by Maineri, when the latter left for Mantua in 1498. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Petronio
The Basilica of San Petronio is a minor basilica and church of the Archdiocese of Bologna located in Bologna, Emilia Romagna, northern Italy. It dominates Piazza Maggiore. The basilica is dedicated to the patron saint of the city, Saint Petronius, who was the bishop of Bologna in the fifth century. Construction began in 1390 and its main facade has remained unfinished since. The building was transferred from the city to the diocese in 1929; the basilica was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000; until then they were preserved in the Santo Stefano church of Bologna. History Construction In 1388, the ''Consiglio Generale dei Seicento'' prepared the construction of the church as a civic temple. To make room for the church, the adjacent Curia of Sancti Ambrosii was demolished, together with the majority of one of the city's burgs, including at least eight churches and towers. The first stone of construction was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
