Palazzo Donà Giovannelli
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Palazzo Donà Giovannelli
Palazzo Donà Giovannelli is a civil building located in the city of Venice, Italy in the Cannaregio district. The palace neighbors Palazzo Pasqualigo Giovannelli and overlooks the Rio di Noale and the Rio di Santa Fosca. History The designer of the palazzo is unknown but may be attributed to Filippo Calendario, the architect of Doge's Palace. In 1538 the palace was owned by Francesco Maria I Della Rovere, Duke of Urbino, then it became the property of Giovanni Battista Donà, who was, however, forced sell it to the Giovannelli family to cover his debts. The building has been substantially renovated and altered several times: initially by Giovanni Battista Meduna between 1847 and 1848 and then in the middle of the 20th century. Exteriors The building locates at the confluence of two canals and has two facades. The side on the Rio di Noale or Noal has a monumental façade of the late-Gothic style. The ground floor has an impressive water portal and is decorated by small arched la ...
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Cannaregio
Cannaregio () is the northernmost of the six historic ''sestieri'' (districts) of Venice. It is the second largest ''sestiere'' by land area and the largest by population, with 13,169 people . Isola di San Michele, the historic cemetery island, is associated with the district. History The Cannaregio Canal, which was the main route into the city until the construction of a railway link to the mainland, gave the district its name (Canal Regio is Italian for Royal Canal). Development began in the eleventh century as the area was drained and parallel canals were dredged. Although elegant palazzos were built facing the Grand Canal, the area grew primarily with working class housing and manufacturing. Beginning in 1516, Jews were restricted to living in the Venetian Ghetto. It was enclosed by guarded gates and no one was allowed to leave from sunset to dawn. However, Jews held successful positions in the city such as merchants, physicians, money lenders, and other trades. Restricti ...
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Newton & Compton
Newton Compton Editori, sometimes spelled Newton & Compton, is an Italian publisher. The publisher was founded in Rome by Vittorio Avanzini in 1969. The house has published mostly paperbacks and low cost editions, including literature classics, essays and poetry. After devoting its activities mainly to reprints, starting from 2000s Newton Compton also publishes previously untranslated horror, science fiction, fantasy and historical novels by authors such as Simon Scarrow, Lisa J. Smith and Stuart MacBride. It has also published original works by Italian authors, including Andrea Frediani and Claudio Rendina Claudio is an Italian and Spanish first name. In Portuguese it is accented Cláudio. In Catalan and Occitan it is Claudi, while in Romanian it is Claudiu. Origin and history Claudius was the name of an eminent Roman gens, the most important m .... External linksOfficial website{{Authority control Italian publishers (people) Publishing companies established in 1969 ...
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Houses Completed In The 15th Century
A house is a single-unit residential building. It may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete or other material, outfitted with plumbing, electrical, and heating, ventilation, and air conditioning systems.Schoenauer, Norbert (2000). ''6,000 Years of Housing'' (rev. ed.) (New York: W.W. Norton & Company). Houses use a range of different roofing systems to keep precipitation such as rain from getting into the dwelling space. Houses may have doors or locks to secure the dwelling space and protect its inhabitants and contents from burglars or other trespassers. Most conventional modern houses in Western cultures will contain one or more bedrooms and bathrooms, a kitchen or cooking area, and a living room. A house may have a separate dining room, or the eating area may be integrated into another room. Some large houses in North America have a recreation room. In traditional agriculture-oriented societies, domestic animals suc ...
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Palazzo Giovanelli
Palazzo Giovanelli (also known as Palazzo Foscarini Giovanelli) is a palace in Venice, located in the Santa Croce district, overlooking the right side of the Grand Canal and the Rio di San Giovanni Decollato, before the Fondaco dei Turchi. History The palace dates back probably to the mid-15th century. The design is attributed to the architect Filippo Calendario, the designer of Palazzo Ducale. The palazzo has, nevertheless, undergone many renovations over the past centuries; it was almost completely rebuilt in 1847-48 by the architect Giovanni Battista Meduna. These interventions are visible on the side of the building facing the Rio Fosca river; they resulted in the mix of Gothic, late Renaissance, neo-Gothic style openings. Giovanni Battista Donà, a member of one of the most important Venetian families, was an initial owner. Then the building was donated by the Republic to Francesco Maria della Rovere, Duke of Urbino in 1538, who passed the ownership to the Giovannelli f ...
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Palazzo Donà-Ottobon
The Palazzo Donà-Ottobon is a palace located at Calle della Madonna on the Fondamenta di San Severo, corner with Calle Larga San Lorenzo, in the Sestiere of Castello in Venice, Italy. The remains of this Venetian Gothic palace are a small corner facade, alongside a canal, with two and a half walled-up gothic arcades in the piano nobile. The portal has an equally awkward marble relief of the Virgin with St Francis, St Claire de Montefalco, and a donor of reduced size. Earlier authors do not mention this portal. History By 1514, the palace was documented to belong to a Marco Donà, and two carved stones at the entrance sported the family shield. There is another Palazzo Donà della Madoneta on the Grand Canal shore of the Sestiere of San Polo. The palace at San Severo remained in this family till 1582 when it appears to have been sold to two brothers Troilo and Sertorio Altan, who were cloth merchants in Venice and the mainland. The Altàn had built tombs in the church of Sant'Anna ...
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Palazzo Donà
The Palazzo Donà or Donà Brusa is a Venetian Gothic style palace located in Campo San Polo in the Sestiere of San Polo in Venice. The palace was originally built by the old aristocratic Donà family, originally from Aquileia. Three members of the family, Francesco, Leonardo, and Nicolo became Doges. The composer Giovanni Francesco Brusa, a collaborator with Carlo Goldoni, lived in the palace. The palace is now owned by the ''Signum Foundation'', which sponsors exhibitions from Polish and foreign contemporary artists.Signum Foundation
website. There are at four three other Dona palaces in Venice, the Palazzo Donà della Madoneta on the Grand Canal, the Palazzo Donà-Ottobon in Fondamenta San Severo in
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Giorgione
Giorgione (, , ; born Giorgio Barbarelli da Castelfranco; 1477–78 or 1473–74 – 17 September 1510) was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art. Together with his younger contemporary Titian, he founded the Venetian school of Italian Renaissance painting, characterised by its use of colour and mood. The school is traditionally contrasted with Florentine painting, which relied on a more linear disegno-led style. Life What little is known of Giorgione's life is given in Giorgio Vasari's '' Lives of the Most Excellent Painters, Sculptors, and Architects''. He came from the small town of Castelfranco Veneto, 40 km inland from Venice. His name sometimes appe ...
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The Tempest (Giorgione)
''The Tempest'' (Italian ''La Tempesta'') is a Renaissance painting by the Italian master Giorgione dated between 1506 and 1508. Originally commissioned by the Venetian noble Gabriele Vendramin, the painting is now in the Gallerie dell'Accademia of Venice, Italy. Despite considerable discussion by art historians, the meaning of the scene remains elusive. Description and interpretations On the right a woman sits, suckling a baby. The woman has been described as a gypsy since at least 1530, and in Italy, the painting is also known as ''La Zingara e il Soldato'' ("The Gypsy Woman and the Soldier"), or as ''La Zingarella e il Soldato'' ("The Gypsy Girl and the Soldier"). Her pose is unusual – normally the baby would be held on the mother's lap; but in this case the baby is positioned at the side of the mother, so as to expose her pubic area. A man, possibly a soldier, holding a long staff or pike, stands in contrapposto on the left. He smiles and glances to the left, but does not ...
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Portego
Portego ("porch" in Venetian dialect) is a characteristic compositional element of the Venetian civil buildings built during the years of the Republic of Venice. The portego is similar to a reception hall but has peculiar features. History The portego is known from the ancient times; it is present even in the oldest Venetian palaces. In later centuries and especially during the emergence of the Renaissance architecture, the portego original central structure has changed substantially, allowing for T-shaped and L-shaped halls. Function In a typical Venetian palace, the portego is the local passage hall that joins the water portal with the land portal. On the ground floor, it serves as an entrance hall for loading goods, while on the upper floors the portego is used both as a reception hall and as a passing hall to access other rooms, located on both sides. Furthermore, the portego was crucial in providing ventilation and air circulation for the palazzo which, especially during medie ...
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Polifora
Polifora is a type of the multi-light window. It appears in towers and belfries on top floors, where it is necessary to lighten the structure with wider openings. The term ''polifora'' usually refers to the window with at least five parts. Overview The polifora is a multiple-part window, divided by small columns or pilasters. Each part has a small arch, which can be round or, more often, pointed. Central parts may sometimes be taller than side openings. The space among the arches is often decorated or perforated. The polifora is typical for Gothic architecture and widely used to decorate large cathedrals in the Northern Europe—particularly in Belgium and the Netherlands where the polifora became a true feature of distinction and personalization of the French Gothic style. The polifora is also widely used in Venetian Gothic architecture to decorate the main halls of Venetian palaces. Such windows can sometimes take specific names that indicate the exact number of openings: pentaf ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ...
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Noble Floor
The ''piano nobile'' (Italian for "noble floor" or "noble level", also sometimes referred to by the corresponding French term, ''bel étage'') is the principal floor of a palazzo. This floor contains the main reception and bedrooms of the house. Characteristics The ''piano nobile'' is usually the first storey (in European terminology; second floor in American terms), or sometimes the second storey, containing major rooms, located above the rusticated ground floor containing the minor rooms and service rooms. The reasons for this were so the rooms above the ground floor would have finer views and to avoid the dampness and odours of the street level. This is especially true in Venice, where the ''piano nobile'' of the many '' palazzi'' is especially obvious from the exterior by virtue of its larger windows and balconies, and open loggias. Examples of this are Ca' Foscari, Ca' d'Oro, Ca' Vendramin Calergi, and Palazzo Barbarigo. Larger windows than those on other floors are usua ...
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