Palazzo Bonfadini Vivante
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Palazzo Bonfadini Vivante
Palazzo Bonfadini Vivante is a palace in Venice, Italy located in the Cannaregio district and overlooking the Cannaregio canal. The neighboring buildings are Palazzo Savorgnan and Palazzo Testa. History The palace was built in the 16th century to be a residence of the Bonfadinis, a family of Tyrolean merchants who joined the Venetian patriciate. In the mid-17th century, the present façade was completed. In the 19th century, the Jewish family of the Vivantes settled in the palazzo, initially as a tenant, giving the building its second name. In the first half of the 20th century, the building suffered a prolonged degradation until the new owners carried out an important restoration in the 1990s. Architecture The façade of the palazzo is rather simple, of three levels and an attic on top. The structure has two rectangular portals on the ground floor flanked by square windows. The second noble floor is decorated with the most important element, a serliana with a metal parapet. The ...
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Cannaregio
Cannaregio () is the northernmost of the six historic ''sestieri'' (districts) of Venice. It is the second largest ''sestiere'' by land area and the largest by population, with 13,169 people . Isola di San Michele, the historic cemetery island, is associated with the district. History The Cannaregio Canal, which was the main route into the city until the construction of a railway link to the mainland, gave the district its name (Canal Regio is Italian for Royal Canal). Development began in the eleventh century as the area was drained and parallel canals were dredged. Although elegant palazzos were built facing the Grand Canal, the area grew primarily with working class housing and manufacturing. Beginning in 1516, Jews were restricted to living in the Venetian Ghetto. It was enclosed by guarded gates and no one was allowed to leave from sunset to dawn. However, Jews held successful positions in the city such as merchants, physicians, money lenders, and other trades. Restricti ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ...
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Venetian Renaissance Architecture
Venetian Renaissance architecture began rather later than in Florence, not really before the 1480s, and throughout the period mostly relied on architects imported from elsewhere in Italy. The city was very rich during the period, and prone to fires, so there was a large amount of building going on most of the time, and at least the facades of Venetian buildings were often particularly luxuriantly ornamented. Compared to the Renaissance architecture of other Italian cities, there was a degree of conservatism, especially in retaining the overall form of buildings, which in the city were usually replacements on a confined site, and in windows, where arched or round tops, sometimes with a classicized version of the tracery of Venetian Gothic architecture, remained far more heavily used than in other cities. The Doge's Palace was much rebuilt after fires, but mostly behind the Gothic facades. The Venetian elite had a collective belief in the importance of architecture in bolstering c ...
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Venice, Italy
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po and the Piave rivers (more exactly between the Brenta and the Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua and Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC. The city was historically ...
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Palazzo Savorgnan
Palazzo Savorgnan is a palace in Venice, Italy, located in the Cannaregio district and overlooking Canale di Cannaregio, to the right of Palazzo Priuli Manfrin. Attribution Built in the 17th century for the noble Savorgnan family, the palazzo is a project by Giuseppe Sardi, a Baroque architect of the nearby Palazzo Surian Bellotto, who was inspired by works of Baldassare Longhena. However, the architectural scholar Elena Bassi admits that the palazzo might have been designed by Giuseppe Gaspari due to the similarity of the building with Ca' Zenobio degli Armeni. Later, two wings were added to the initial structure. History In 1788, Palazzo Savorgnan was a victim of the serious fire, which damaged many parts, including the enormous eighteenth-century dormer and started a degradation process that lasted at least until the purchase of the structure by the Galvagna family in 1826. This family preserved a vast art gallery, with works of Palma il Vecchio and other great Venetian art ...
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Palazzo Testa
Palazzo Testa is a small Gothic palace in Venice, Italy, located in the Cannaregio district and overlooking the Canale di Cannaregio. History The palazzo was built in the 15th century but underwent numerous alterations between the 16th and 19th centuries. The building belonged at least from 1531 to 1748 to the ancient patrician Testa family. After the death of the last heir, Uberto Testa, the building passed to Count Alessandro di Marsciano. The palazzo remained the property of this family until 1808. Architecture The small façade is of the late Gothic style. It consists of three floors with a noble floor on top. The noble floor is decorated with a quadrifora supported by a balcony. The balcony is decorated with lion heads. The quadrifora is flanked by a pair of lancet windows A lancet window is a tall, narrow window with a pointed arch at its top. It acquired the "lancet" name from its resemblance to a lance. Instances of this architectural element are typical of Gothic c ...
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Noble Floor
The ''piano nobile'' (Italian for "noble floor" or "noble level", also sometimes referred to by the corresponding French term, ''bel étage'') is the principal floor of a palazzo. This floor contains the main reception and bedrooms of the house. Characteristics The ''piano nobile'' is usually the first storey (in European terminology; second floor in American terms), or sometimes the second storey, containing major rooms, located above the rusticated ground floor containing the minor rooms and service rooms. The reasons for this were so the rooms above the ground floor would have finer views and to avoid the dampness and odours of the street level. This is especially true in Venice, where the ''piano nobile'' of the many '' palazzi'' is especially obvious from the exterior by virtue of its larger windows and balconies, and open loggias. Examples of this are Ca' Foscari, Ca' d'Oro, Ca' Vendramin Calergi, and Palazzo Barbarigo. Larger windows than those on other floors are usua ...
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Serliana
A Venetian window (also known as a Serlian window) is a large tripartite window which is a key element in Palladian architecture. Although Sebastiano Serlio (1475–1554) did not invent it, the window features largely in the work of the Italian architect Andrea Palladio (1508–1580) and is almost a trademark of his early career. The true Palladian window is an elaborated version. Overview The Venetian window consists of an arched central light, symmetrically flanked by two shorter sidelights. Each sidelight is flanked by two columns or pilasters and topped by a small entablature. The entablatures serve as imposts supporting the semicircular arch that tops the central light. In the library at Venice, Sansovino varied the design by substituting columns for the two inner pilasters. To describe its origin as being either Palladian or Venetian is not accurate; the motif was first used by Donato Bramante and later mentioned by Serlio in his seven-volume architectural book ''Tutte ...
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Dentil
A dentil (from Lat. ''dens'', a tooth) is a small block used as a repeating ornament in the bedmould of a cornice. Dentils are found in ancient Greek and Roman architecture, and also in later styles such as Neoclassical, Federal, Georgian Revival, Greek Revival, Renaissance Revival, Second Empire, and Beaux-Arts architecture. Dentillation refers to use of a course of dentils. History Origin The Roman architect Vitruvius (iv. 2) states that the dentil represents the end of a rafter (''asser''). It occurs in its most pronounced form in the Ionic temples of Asia Minor, the Lycian tombs and the porticoes and tombs of Persia, where it clearly represents the reproduction in stone of timber construction. The earliest example is found carved into the rock of the tomb of Darius, c. 500 BC, reproducing the portico of his palace. Its first employment in Athens is in the cornice of the caryatid portico of the Erechtheum (480 BC). When subsequently introduced into the bed-mould of the corn ...
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Giuseppe Castelli
Giuseppe Castelli (5 October 1907 – 19 December 1942) was an Italian athlete who competed mainly in the 100 metres. Biography He competed for Italy in the 1932 Summer Olympics held in Los Angeles, California, in the 4 x 100 metre relay where he won the bronze medal with his teammates Ruggero Maregatti, Gabriele Salviati and Edgardo Toetti. He was killed in action during World War II World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposin .... Olympic results See also * Italy national relay team References External links * {{DEFAULTSORT:Castelli, Giuseppe 1907 births 1942 deaths Athletes (track and field) at the 1928 Summer Olympics Athletes (track and field) at the 1932 Summer Olympics Italian male sprinters Olympic athletes for Italy Olympic bronze medalists for ...
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Giuseppe Borsato
Giuseppe Borsato (14 February 1771 in Venice – 15 October 1849 in Venice) was an Italian painter, primarily of vedute. Known for his work as the architect, decorator, and painter to the French Imperial Court in Venice. Life and works From 1791 to 1792, he studied with Agostino Mengozzi-Colonna at the Accademia di Belle Arti. He painted interiors of churches, sometimes in the manner of Canaletto, but was also influenced by his contemporary, Vincenzo Chilone. Among his best known decorative works are those at St Mark's Basilica and Santa Maria Gloriosa dei Frari. In 1807, he and his student, Francesco Bagnara, decorated the Teatro La Fenice. He also painted frescoes in the Palazzo Zabarella during its renovation in 1818, alongside Francesco Hayez and Giovanni Carlo Bevilacqua. In 1815, his paintings were used in a popular guide to the artworks of Venice, written by Giannantonio Moschini. In 1831, his lectures at the Accademia di Belle Arti were published by the Accadem ...
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Giambattista Canal
Giovanni Battista Canal or Canale (1745 – 5 December 1825) was an Italian painter of the late Baroque and early Neoclassical era, active mainly depicting history and sacred subjects in his native Venice. Biography His father, Fabio Canal, was a fresco painter that was a follower of Tiepolo. Giovanni Battista was criticized for his celeritude in fresco painting, which led to a nickname of ''fa presto''. He too was strongly echoed by the light colors of Tiepolo, but lacked the skill in design of the great master. Giovanni Battista was initially trained by his father and then at the Academy of Fine Arts, Venice, where he would also teach from 1783 to 1807. He was made an academic in 1776. He was active throughout the Veneto, and also in Ferrara and Udine. Among his works were the ceiling of the church of Sant'Eufemia in the Giudecca. In 1776, he painted for the church of Fonte in Asolo. He painted ''Storia d'amore'' in villa Viola of Treviso; frescoes (1790) for the Palazzo Mo ...
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