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Palazzo Bolognini Amorini Salina, Bologna
The Palazzo Bolognini Amorini Salina is a Renaissance architecture palace located on Piazza Santo Stefano (Via Santo Stefano 9–11) in the center of Bologna, region of Emilia-Romagna, Italy. The Palace is notable by its circular niches with busts on the facade. The palace is still owned by descendant of the 16th-century Senatorial family. History The building was erected between 1517–25 with work continuing from 1551–1602. The design was by Andrea da Formigine; Formigine and Properzia de' Rossi sculpted the capitols in the portico. Palace construction ceased by 1602 for lack of funds, and work on the palace was not restarted till the 19th-century, and not completed until the 1884 under the engineer Lamberdini. The facade has a series of capricci busts made of terra-cotta in the spandrels and below the roofline. The Renaissance artists were Alfonso Lombardi and Nicolò da Volterra and the 19th-century contribution on the right of the facade were by Giulio Cesare Conventi A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologne Palazo Bolognini Amorini Salina
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion (architecture), proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piazza Santo Stefano
Piazza Santo Stefano also known as Piazza delle Sette Chiese (Seven churches square) is a Town square, piazza of Bologna, Italy. It is a pedestrianised, pedestrian zone, in a triangular space near the beginning of Via Santo Stefano, both of which are named after the Santo Stefano, Bologna, Basilica of Santo Stefano which is located on the piazza. Often used for cultural events, flea-markets and concerts, it has porticos along both long sides (North-East and South-West) with the Basilica occupying the short (South-East) side. To the left of the Basilica is a complex of buildings joined by the powerful medieval Isolani family. From the left side you can reach Strada Maggiore (formerly the Via Aemilia) via the Corte Isolani passage which was created in renovations to the Palazzo Isolani, Bologna, Palazzo Isolani in 1999. On the right is Palazzo Bolognini Amorini Salina, notable for its frieze with terracotta heads, and the "Case Tacconi", a good example of Bolognese merchant houses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Da Formigine
Andrea Marchesi da Formigine, also called "Andrea da Formigine" or "Il Formigine" (Formigine, c. 1485–1559) was an Italian architect, sculptor and carver of the Renaissance period, active mainly in Bologna, Italy. Father of Jacopo da Formigine. He was born in Formigine, near Modena. He was central in the design of a palace at the site of Santi Bartolomeo e Gaetano; the Palazzo Fantuzzi; Palazzo Dal Monte; and the Palazzo Bolognini Amorini Salina The Palazzo Bolognini Amorini Salina is a Renaissance architecture palace located on Piazza Santo Stefano (Via Santo Stefano 9–11) in the center of Bologna, region of Emilia-Romagna, Italy. The Palace is notable by its circular niches with busts ..., all in Bologna. He reputedly helped sculpt the capitals for the portico of the latter palace with Properzia de' Rossi. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Properzia De' Rossi
Properzia de' Rossi (c. 1490 Bologna – 1530 Bologna) was a ground-breaking female Italian Renaissance sculptor, the only woman to receive a biography in Vasari's ''Lives of the Artists.'' According to Vasari, she taught herself to carve by working with peach-stones. At the end of her life, she was sought out by the Pope Clement VII, however, she died while he was on his way to meet her. Biography Properzia de' Rossi was born in Bologna; she was the daughter of a notary named Giovanni Martino Rossi da Modena. Unusually for early modern female artists, she was not the daughter of an artist. She appears to have studied painting, music, dance, poetry, and classical literature. She is also said to have studied with a sculptor at the University of Bologna."Properzia de Rossi." CLARA Database of Women Artists. National Museum of Women in the Arts, 2008. Web. 13 February 2017. Vasari stated she was expert in "household matters" as well as many sciences and played and sang "better than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capriccio (painting)
In painting, a capriccio (, plural: ''capricci'' ; in older English works often anglicized as "caprice") means an architectural fantasy, placing together buildings, archaeological ruins and other architectural elements in fictional and often fantastical combinations. These paintings may also include staffage (figures). Capriccio falls under the more general term of landscape painting. This style of painting was introduced in the Renaissance and continued into the Baroque. By the late 18th century the term, had expanded to mean any image with an equivalent degree of fantasy, for example as used in the titles of print series by Giovanni Battista Tiepolo and Goya, both of which focus on figures rather than architecture. The term is also used for other types of art with an element of fantasy (as capriccio in music). Capriccio Style There are several etymologies that have been put forward for "capriccio", one of which being derived from the Italian word "capretto" which roughly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terra-cotta
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based unglazed or glazed ceramic where the fired body is porous. In applied art, craft, construction, and architecture, terracotta is the term normally used for sculpture made in earthenware and also for various practical uses, including vessels (notably flower pots), water and waste water pipes, roofing tiles, bricks, and surface embellishment in building construction. The term is also used to refer to the natural brownish orange color of most terracotta. In archaeology and art history, "terracotta" is often used to describe objects such as figurines not made on a potter's wheel. Vessels and other objects that are or might be made on a wheel from the same material are called earthenware pottery; the choice of term depends on the type of object rather than the material or firing technique. Unglazed pieces, and those made for building construction and industry, are a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spandrels
A spandrel is a roughly triangular space, usually found in pairs, between the top of an arch and a rectangular frame; between the tops of two adjacent arches or one of the four spaces between a circle within a square. They are frequently filled with decorative elements. Meaning There are four or five accepted and cognate meanings of the term ''spandrel'' in architectural and art history, mostly relating to the space between a curved figure and a rectangular boundary – such as the space between the curve of an arch and a rectilinear bounding moulding, or the wallspace bounded by adjacent arches in an arcade and the stringcourse or moulding above them, or the space between the central medallion of a carpet and its rectangular corners, or the space between the circular face of a clock and the corners of the square revealed by its hood. Also included is the space under a flight of stairs, if it is not occupied by another flight of stairs. In a building with more than one floor, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfonso Lombardi
Alfonso Lombardi (c. 1497–1537), also known as Lombardi da Lucca, Alfonso da Ferrara and as Alfonso Lombardo, was an Italian sculptor and medalist who was born in Ferrara, Italy in 1497, and died in Bologna in 1537. He was very active in Bologna where he created a number of works that are still present in the most important churches of that city. Giorgio Vasari dedicated a chapter to Lombardi in his '' Vite''.Vasari's ''Lives of the Most Excellent Painters, Sculptors, and Architects'' Works In his birthplace of Ferrara, Lombardi entered into his artistic apprenticeship, working with plaster and terracotta—materials that he continued to prefer later in his life. He worked at the court of Alfonso I d'Este, Duke of Ferrara, where he executed portrait medals carved in stucco or wax and then cast in metal. Lombardi relocated to Bologna around the age of twenty. Lombardi’s statue of ''Hercules battling the Hydra'', in terracotta, found in the Palazzo d'Accursio in Bologna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolò Da Volterra
Nicolò () is an Italian male given name. Another variation is Niccolò, most common in Tuscany. It may refer to: * Nicolò Albertini, statesman * Nicolò Amati, luthier * Nicolò Barella, Italian footballer * Nicolò Barattieri, Italian engineer * Nicolò Brancaleon, artist * Nicolò Egidi, chemist * Nicolò Fagioli, Italian footballer * Nicolò Gabrielli, composer * Nicolò Gagliano, violin-maker * Nicolò Isouard (1773-1818), French composer * Nicolò Melli, Italian basketball player * Nicolò Minato, poet * Nicolò Pacassi, architect * Nicolò Pollari, general * Nicolo Rizzuto (1924–2010), Italian-Canadian mobster * Nicolo Schiro, mobster * Nicolò Zanon, judge * Nicolò Zaniolo, italian footballer See also *Niccolò (other) *Nicolao *San Nicolò (other) San Nicolò may refer to: * San Nicolò a Tordino, frazione in the Province of Teramo in the Abruzzo region of Italy * San Nicolò dei Mendicoli, church, which is located in the sestiere of Dorsoduro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Cesare Conventi
Alessandro Algardi (July 31, 1598 – June 10, 1654) was an Italian high- Baroque sculptor active almost exclusively in Rome, where for the latter decades of his life, he was, along with Francesco Borromini and Pietro da Cortona, one of the major rivals of Gian Lorenzo Bernini. He is now most admired for his portrait busts that have great vivacity and dignity. Early years Algardi was born in Bologna, where at a young age, he was apprenticed in the studio of Agostino Carracci. However, his aptitude for sculpture led him to work for Giulio Cesare Conventi (1577–1640), an artist of modest talents. His two earliest known works date back to this period: two statues of saints, made of chalk, in the Oratory of Santa Maria della Vita in Bologna. By the age of twenty, Ferdinando I, Duke of Mantua, began commissioning works from him, and he was also employed by local jewelers for figurative designs. After a short residence in Venice, he went to Rome in 1625 with an introduction from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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