Palazzo Belgiojoso
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Palazzo Belgiojoso
The Palazzo Belgioioso (also spelled ''Belgiojoso'') is a palatial residence in the northern Italian city of Milan, completed in 1781 in a Neoclassical style by Giuseppe Piermarini. Considered to be one of Milan's architectural treasures, the mansion is modeled on Luigi Vanvitelli's Palace of Caserta. Built for Prince Alberico XII di Belgioioso d'Este, it is located on a side street off Via Manzoni on the site of the house where he was born. One of the finest examples of Neoclassical architecture in Lombardy, it stands out like a jewel in the centre of the city."Palazzo Belgioioso"
''Milano e Turismo''. Retrieved 12 September 2012.
It was designed in 1772 by

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Neoclassical Architecture
Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a second wave of Greek Revival architec ...
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Martin Knoller
Martin Knoller (18 November 1725 – 24 July 1804) was an Austrian-Italian painter active in Italy who is remembered for his fresco work. Biography Born in Steinach am Brenner near the Austrian city of Innsbruck, Knoller studied under Paul Troger and Michelangelo Unterberger in Salzburg and Vienna. Specializing in frescoes and altarpiece paintings, his first fresco, the Glory of St Stephen, was completed in 1754 at the parish church of Anras in East Tyrol. In 1755, he arrived in Rome where he was influenced by Neoclassicism, after studying under Anton Raphael Mengs and Johann Joachim Winckelmann. His works cover both Baroque and Rococo, the latter prevailing in his paintings rather than in his frescoes. His greatest patron was Karl Joseph von Firmian, the Imperial Governor of Lombardy under Maria Theresa who commissioned him to paint the Palazzo Firmian-Vigoni. From 1793, he taught at the Brera Academy of Fine Arts in Milan where he died in 1804.
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Palaces In Milan
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification ...
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Houses Completed In 1781
A house is a single-unit residential building. It may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete or other material, outfitted with plumbing, electrical, and heating, ventilation, and air conditioning systems.Schoenauer, Norbert (2000). ''6,000 Years of Housing'' (rev. ed.) (New York: W.W. Norton & Company). Houses use a range of different roofing systems to keep precipitation such as rain from getting into the dwelling space. Houses may have doors or locks to secure the dwelling space and protect its inhabitants and contents from burglars or other trespassers. Most conventional modern houses in Western cultures will contain one or more bedrooms and bathrooms, a kitchen or cooking area, and a living room. A house may have a separate dining room, or the eating area may be integrated into another room. Some large houses in North America have a recreation room. In traditional agriculture-oriented societies, domestic animals such as c ...
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Neoclassical Architecture In Milan
Neoclassical architecture in Milan encompasses the main artistic movement from about 1750 to 1850 in this northern Italian city. From the final years of the reign of Maria Theresa of Austria, through the Kingdom of Italy (Napoleonic), Napoleonic Kingdom of Italy and the European Restoration, Milan was in the forefront of a strong cultural and economic renaissance in which Neoclassicism was the dominant style, creating in Milan some of the most influential works in this style in Italy and across Europe. Notable developments include construction of the Teatro alla Scala, the restyled Royal Palace of Milan, Royal Palace, and the Brera institutions including the Brera Academy, Academy of Fine Arts, the Braidense Library and the Brera Astronomical Observatory.Pisaroni, 18 Neoclassicism also led to the development of monumental city gates, new squares and boulevards as well as public gardens and private mansions.TCI rosso, 40 Latterly two churches, San Tomaso in Terramara and San Carlo al ...
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Ugo Foscolo
Ugo Foscolo (; 6 February 177810 September 1827), born Niccolò Foscolo, was an Italian writer, revolutionary and a poet. He is especially remembered for his 1807 long poem ''Dei Sepolcri''. Early life Foscolo was born in Zakynthos in the Ionian Islands. His father Andrea Foscolo was an impoverished Venetian nobleman, and his mother Diamantina Spathis was Greek. In 1788, upon the death of his father, who worked as a physician in Spalato (present-day Split, Croatia), the family moved to Venice, and Foscolo completed the studies he began at the Dalmatian grammar school at the University of Padua. Amongst his Paduan teachers was the Abbé Melchiore Cesarotti, whose version of '' Ossian'' was very popular in Italy, and who influenced Foscolo's literary tastes; he knew both modern and Ancient Greek. His literary ambition revealed itself in the appearance in 1797 of his tragedy ''Tieste''—a production that enjoyed a certain degree of success. Politics and poetry Foscolo, who, ...
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Giuseppe Parini
Giuseppe Parini (23 May 1729 – 15 August 1799) was an Italian enlightenment satirist and poet of the neoclassic period. Biography Parini (originally spelled Parino) was born in Bosisio (later renamed Bosisio Parini in his honour) in Brianza, Lombardy from a poor family. His father, who was a petty silk trader, sent him to Milan under the care of his great aunt: there he studied under the Barnabites in the Arcimboldi Academy, while earning a living by copying manuscripts. In 1741 his great aunt left him a monthly payment, on condition that he enter the priesthood. Parini was thus ordained, although his religious studies were not profitable because of his need to work in a lawyer's office during his free time and his intolerance of the old-fashioned teaching methods used. In 1752, he published at Lugano, under the pseudonym of "Ripano Eupilino", a small volume of selected poems, ''Alcune poesie'', which secured his election to the Accademia dei Trasformati at Milan, as well ...
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Jerusalem Delivered
''Jerusalem Delivered'', also known as ''The Liberation of Jerusalem'' ( it, La Gerusalemme liberata ; ), is an epic poem by the Italian poet Torquato Tasso, first published in 1581, that tells a largely mythified version of the First Crusade in which Christian knights, led by Godfrey of Bouillon, battle Muslims in order to take Jerusalem. Tasso began work on the poem in the mid-1560s. Originally, it bore the title ''Il Goffredo''. It was completed in April, 1575 and that summer the poet read his work to Duke Alfonso of Ferrara and Lucrezia, Duchess of Urbino. A pirate edition of 14 cantos from the poem appeared in Venice in 1580. The first complete editions of ''Gerusalemme liberata'' were published in Parma and Ferrara in 1581. Tasso's choice of subject matter, an actual historic conflict between Christians and Muslims (albeit with fantastical elements added), had a historical grounding and created compositional implications (the narrative subject matter had a fixed endpoin ...
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Torquato Tasso
Torquato Tasso ( , also , ; 11 March 154425 April 1595) was an Italian poet of the 16th century, known for his 1591 poem ''Gerusalemme liberata'' (Jerusalem Delivered), in which he depicts a highly imaginative version of the combats between Christians and Muslims at the end of the First Crusade, during the Siege of Jerusalem (1099), Siege of Jerusalem of 1099. Tasso had mental illness and died a few days before he was to be Poet laureate, crowned on the Capitoline Hill as the king of poets by Clement VIII, Pope Clement VIII. His work was widely translated and adapted, and until the beginning of the 20th century, he remained one of the most widely read poets in Europe. Biography Early life Born in Sorrento, Torquato was the son of Bernardo Tasso, a nobleman of Bergamo and an epic and lyric poet of considerable fame in his day, and his wife Porzia de Rossi, a noblewoman born in Naples of Tuscany, Tuscan origins. His father had for many years been secretary in the service of F ...
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Giocondo Albertolli
Giocondo Albertolli (24 July 1743 – 15 November 1839) was a Swiss-born architect, painter, and sculptor who was active in Italy during the Neoclassical period. Biography Albertolli was born into a family of artists in Bedano, a village 7 km north of the Ticinese capital Lugano. He studied sculpture in Parma, and became known for his ornamental architectural decorations. In 1770, he travelled to Tuscany to work with his brother Grato on the stucco decoration of the Villa del Poggio Imperiale. He then visited Rome and Naples, where he briefly worked with Carlo Vanvitelli. In 1774, he returned to his family in Bedano; soon he met up with Giuseppe Piermarini for whom he collaborated in future stucco decoration of palaces in Milan. From 1775-1779, Piermarini built the Royal Villa at Monza, where Albertolli provided the stucco decoration. Albertolli also worked in the Palazzo Melzi d'Eril in Milan and designed (1808-1815) the famed lakeside Villa Melzi d'Eril in Bellagio. He ...
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Stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes. In English, "stucco" sometimes refers to a coating for the outside of a building and "plaster" to a coating for interiors; as described below, however, the materials themselves often have little to no differences. Other European languages, notably Italian, do not have the same distinction; ''stucco'' means ''plaster'' in Italian and serves for both. Composition The basic composition of stucco is cement, water, and sand. The difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. Until ...
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Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ...
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