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Palazzo Barbaro
The Palazzi Barbaro—also known as Palazzo Barbaro, Ca' Barbaro, and Palazzo Barbaro-Curtis—are a pair of adjoining palaces, in the San Marco district of Venice, northern Italy. They were formerly one of the homes of the patrician Barbaro family. The Palazzi are located on the Grand Canal of Venice, next to the Palazzo Cavalli-Franchetti and not far from the Ponte dell'Accademia. The buildings are also known as the Palazzo Barbaro-Curtis."Venice on foot, with the itinerary of the Grand Canal and several direct routes to useful places” Hugh A Douglas, C. Scribner's Sons, 1907, pg. 282 It is one of the least altered of the Gothic palaces of Venice.“Encyclopedia of Italian Renaissance & Mannerist art, Volume 1” Jane Turner, New York, 2000, pg. 112J [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Sargent Curtis
Daniel Sargent Curtis (1825–1908) was an American lawyer and banker. He was a trustee of the Boston Public Library, director of the Boston National Bank and owner of Palazzi Barbaro, Venice. Early life Curtis was born in Boston, Massachusetts to Thomas Buckminster Curtis and Maria Osborne Sargent. His maternal grandfather was Daniel Sargent, close friend of American President, John Quincy Adams. The Sargent extended family, an old Bostonian family whose ancestors arrived in America on the ''Mayflower'', included artist John Singer Sargent, Henry Sargent, and Lucius Manlius Sargent. His aunt, Nancy Brown (1794–1876), later known as Anne Sargent Gage, married Dr. Leander Gage (1792–1842), and had eight children, his only first cousins. His grandfather had her out of wedlock and attempted to distance himself from her throughout his lifetime. Curtis was a graduate of Harvard University in 1846 and of Harvard Law School in 1848. Life in Italy The Curtises left Bosto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Barbaro A San Vidal
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes. In English, "stucco" sometimes refers to a coating for the outside of a building and "plaster" to a coating for interiors; as described below, however, the materials themselves often have little to no differences. Other European languages, notably Italian, do not have the same distinction; ''stucco'' means ''plaster'' in Italian and serves for both. Composition The basic composition of stucco is cement, water, and sand. The difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. Until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James McNeill Whistler
James Abbott McNeill Whistler (; July 10, 1834July 17, 1903) was an American painter active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake". His signature for his paintings took the shape of a stylized butterfly possessing a long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting, ''Arrangement in Grey and Black No. 1'' (1871), commonly known as ''Whistler's Mother'', is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his theories and his friendships with other lea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry James
Henry James ( – ) was an American-British author. He is regarded as a key transitional figure between literary realism and literary modernism, and is considered by many to be among the greatest novelists in the English language. He was the son of Henry James Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for his novels dealing with the social and marital interplay between ''émigré ''Americans, English people, and continental Europeans. Examples of such novels include '' The Portrait of a Lady'', ''The Ambassadors'', and ''The Wings of the Dove''. His later works were increasingly experimental. In describing the internal states of mind and social dynamics of his characters, James often wrote in a style in which ambiguous or contradictory motives and impressions were overlaid or juxtaposed in the discussion of a character's psyche. For their unique ambiguity, as well as for other aspects of their composition, his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Wormeley Curtis
Ralph Wormeley Curtis (August 28, 1854 – February 4, 1922) was an American painter and graphic artist in the Impressionist style. He spent most of his life in Europe, where he was a close associate of his distant cousin, John Singer Sargent, and James McNeill Whistler. He painted in a variety of genres, but was known mostly for landscapes and urban scenes; especially of Venice. Early life Curtis was born in Boston on August 28, 1854. His father was the prominent lawyer and banker, Daniel Sargent Curtis and his mother was Ariana Randolph Wormeley (1834-1922), a sister of Elizabeth Wormeley Latimer, both descendants of John Randolph (1727–1784). His maternal grandfather, Ralph Randolph Wormeley, born in Virginia to loyalist parents, was raised in London and joined the Royal Navy, rising to the rank of admiral, while his grandmother, Caroline Preble, was from a venerable Boston family. His mother was therefore born and raised in London and returned to the United States in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Singer Sargent
John Singer Sargent (; January 12, 1856 – April 14, 1925) was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian-era luxury. He created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His ''oeuvre'' documents worldwide travel, from Venice to the Tyrol, Corfu, Spain, the Middle East, Montana, Maine, and Florida. Born in Florence to American parents, he was trained in Paris before moving to London, living most of his life in Europe. He enjoyed international acclaim as a portrait painter. An early submission to the Paris Salon in the 1880s, his ''Portrait of Madame X'', was intended to consolidate his position as a society painter in Paris, but instead resulted in scandal. During the next year following the scandal, Sargent departed for England where he continued a successful career as a portrait artist. From the beginning, Sargent's work is ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfonso I D'Este, Duke Of Ferrara
Alfonso d'Este (21 July 1476 – 31 October 1534) was Duke of Ferrara during the time of the War of the League of Cambrai. Biography He was the son of Ercole I d'Este, Duke of Ferrara and Eleanor of Naples and became duke on Ercole's death in January 1505. In the first year of his rule he uncovered a plot by his brother Ferrante and half-brother Giulio d'Este, directed against him and his other brother Ippolito. In September 1506 a trial for lèse majesté and high treason was held and, as expected, the death sentence was passed, but just as Ferrante and Giulio were about to mount the gallows they were informed that the duke had commuted their sentence to life imprisonment. They were led away to two cells in the Torre dei Leoni. Ferrante died in his cell after 34 years of imprisonment, while Giulio held on until he was pardoned in 1559, after 53 years of imprisonment. After his release, Giulio was ridiculed in the streets of Ferrara for his outdated clothes and died in 1561 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco II Gonzaga, Marquess Of Mantua
Francesco II (or IV) Gonzaga (10 August 1466 – ) was the ruler of the Italian city of Mantua from 1484 until his death. Biography Francesco was born in Mantua, the son of Marquess Federico I Gonzaga. Francesco had a career as a condottiero acting as Venice's commander from 1489 to 1498. He was the commander-in-chief of the army of the Italian league in the battle of Fornovo, under the tutorage of his more experienced uncle Ridolfo Gonzaga: even though Francesco was unable to stop Charles VIII and his army from returning to France, he claimed Fornovo as a victory. Francesco was described as "short, pop-eyed, snub-nosed and exceptionally brave, and was regarded as the finest knight in Italy". Francesco briefly commanded the Venetian army, but in 1502 he left to pay his respects to Louis XII who was then at Milan. By 29 April, he was with Louis XII when Genoa fell to the French army. Francesco, taking the initiative after the French victory at Agnadello, was occupying lands that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Tiepolo
Giovanni Battista Tiepolo ( , ; March 5, 1696 – March 27, 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain. Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period. Successful from the beginning of his career, he has been described by Michael Levey as "the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman." Biography ''The Glory of St. Dominic'', 1723 Early life (1696–1726) Born in Venice, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a family th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
