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SECAM
SECAM, also written SÉCAM (, ''Séquentiel de couleur à mémoire'', French for ''color sequential with memory''), is an analog color television system that was used in France, some parts of Europe and Africa, and Russia. It was one of three major analog color television standards, the others being PAL and NTSC. This page primarily discusses the SECAM colour encoding system. The articles on broadcast television systems and analog television further describe frame rates, image resolution, and audio modulation. SECAM video is composite video because the luminance (luma, monochrome image) and chrominance (chroma, color applied to the monochrome image) are transmitted together as one signal. All the countries using SECAM are currently in the process of conversion, or have already converted to Digital Video Broadcasting (DVB), the new pan-European standard for digital television. SECAM remained a major standard into the 2000s. History Development of SECAM predates PAL, and be ...
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NTSC
The first American standard for analog television broadcast was developed by National Television System Committee (NTSC)National Television System Committee (1951–1953), Report and Reports of Panel No. 11, 11-A, 12–19, with Some supplementary references cited in the Reports, and the Petition for adoption of transmission standards for color television before the Federal Communications Commission, n.p., 1953], 17 v. illus., diagrs., tables. 28 cm. LC Control No.:5402138Library of Congress Online Catalog/ref> in 1941. In 1961, it was assigned the designation CCIR System M, System M. In 1953, a second NTSC standard was adopted, which allowed for color television broadcast compatible with the existing stock of black-and-white receivers. It is one of three major color formats for analog television, the others being PAL and SECAM. NTSC color is usually associated with the System M. The only other broadcast television system to use NTSC color was the System J. Since the introdu ...
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Broadcast Television Systems
Broadcast television systems (or terrestrial television systems outside the US and Canada) are the encoding or formatting systems for the transmission and reception of terrestrial television signals. Analog television systems were standardized by the International Telecommunication Union in 1961, with each system designated by a letter ( A- N) in combination with the color standard used (NTSC, PAL or SECAM) - for example PAL-B, NTSC-M, etc.). These analog systems for TV broadcasting dominated until the 2010s. With the introduction of digital terrestrial television (DTT), they were replaced by four main systems in use around the world: ATSC, DVB, ISDB and DTMB. Analog television systems Every analog television system bar one began as a black-and-white system. Each country, faced with local political, technical, and economic issues, adopted a color television standard which was grafted onto an existing monochrome system such as CCIR System M, using gaps in the video spectrum ( ...
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Analog Television
Analog television is the original television technology that uses analog signals to transmit video and audio. In an analog television broadcast, the brightness, colors and sound are represented by amplitude, instantaneous phase and frequency, phase and frequency of an analog signal. Analog signals vary over a continuous range of possible values which means that Noise (electronics), electronic noise and interference may be introduced. Thus with analog, a moderately weak signal becomes Noise (video), snowy and subject to interference. In contrast, picture quality from a digital television (DTV) signal remains good until the signal level drops below digital cliff, a threshold where reception is no longer possible or becomes intermittent. Analog television may be wireless (terrestrial television and satellite television) or can be distributed over a cable network as cable television. All broadcast television systems used analog signals before the arrival of DTV. Motivated by the ...
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Tint Control
Because the NTSC color television standard relies on the absolute phase of the color information, color errors occur when the phase of the video signal is altered between source and receiver, or due to non linearities in electronics. To correct for phase errors, a tint control is provided on NTSC television sets, which allows the user to manually adjust the phase relationship between the color information in the video and the reference for decoding the color information, known as the "color burst", so that correct colors may be displayed. The tint control is normally set by sight to create satisfactory skin tones in a picture. The range of adjustment typically allows these colors to be adjusted from a green to a magenta tint. Television sets produced in recent decades typically include a (sometimes non-defeatable) distortion of the color decoding spectrum, to minimize the visual effects of phase error and lessen the need to adjust the tint control. On broadcast equipment, such as ...
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Chrominance
Chrominance (''chroma'' or ''C'' for short) is the signal used in video systems to convey the color information of the picture (see YUV color model), separately from the accompanying luma signal (or Y' for short). Chrominance is usually represented as two color-difference components: U =  B′ − Y′ (blue − luma) and V =  R′ − Y′ (red − luma). Each of these difference components may have scale factors and offsets applied to it, as specified by the applicable video standard. In composite video signals, the U and V signals modulate a color subcarrier signal, and the result is referred to as the chrominance signal; the phase and amplitude of this modulated chrominance signal correspond approximately to the hue and saturation of the color. In digital-video and still-image color spaces such as Y′CbCr, the luma and chrominance components are digital sample values. Separating RGB color signals into luma and ...
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Composite Video
Composite video is an analog video signal format that carries standard-definition video (typically at 525 lines or 625 lines) as a single channel. Video information is encoded on one channel, unlike the higher-quality S-Video (two channels) and the even higher-quality component video (three or more channels). In all of these video formats, audio is carried on a separate connection. Composite video is also known by the initials CVBS for composite video baseband signal or color, video, blanking and sync, or is simply referred to as ''SD video'' for the standard-definition television signal it conveys. There are three dominant variants of composite video signals, corresponding to the analog color system used: NTSC, PAL, and SECAM. Usually composite video is carried by a yellow RCA connector, but other connections are used in professional settings. Signal components A composite video signal combines, on one wire, the video information required to recreate a color picture, a ...
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France 2
France 2 () is a French public national television channel. It is part of the state-owned France Télévisions group, along with France 3, France 4 and France 5. France Télévisions also participates in Arte and Euronews. Since 3:20 CET on 7 April 2008, all France 2 programming has been broadcast in 16:9 widescreen format over the French analogue and digital terrestrial television. An HD simulcast feed of France 2 has been broadcasting on satellite provider CanalSat since 1 July 2008 and on digital terrestrial television since 30 October 2008. History Originally under the ownership of the RTF, the channel went on the air for the first time on 18 April 1964 as '' RTF Télévision 2''. Within a year, ORTF rebranded that channel as ''La deuxième chaîne'' (The Second Channel). Originally, the network was broadcast on 625-line transmitters only in preparation for the discontinuation of 819-line black & white transmissions and the introduction of colour. The switch to colour oc ...
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625 Lines
625-lines is a standard-definition television resolution used mainly in the context of analog systems. It was first demonstrated by Mark Iosifovich Krivosheev in 1948. Analog broadcast television standards The following International Telecommunication Union standards use 625-lines: * CCIR System B * CCIR System D * CCIR System G * CCIR System H * CCIR System I * CCIR System K * CCIR System L Analog color television systems The following analog television color systems were used in conjunction with the 625-line standards listed previously: * PAL analog color television system * SECAM analog color television system Digital video 625-lines is sometimes mentioned when digitizing analog video, or when outputting digital video in a standard-definition analog compatible format. * 576i, a standard-definition television digital video mode * PAL region, a common term regarding video games, meaning regions where the 625-lines PAL standard was traditionally used. * PAL/SECAM DVD * PAL ...
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Henri De France
Henri Georges de France (7 September 1911 Paris – 29 April 1986 Paris) was a pioneering French television inventor. His inventions include the 819 line French standard and the SECAM color system. He was also apparently behind the HD-MAC high-definition standard. On December 6, 1931, De France founded the Compagnie Générale de Télévision in Le Havre, making television sets with a vertical definition of 60 lines. In February 1932, De France made several transmissions over a distance of 7 km from the "Radio-Normandie" station in Fécamp. These signals were received by a few people located over 100 km away. In October 1932, he achieved a definition of 120 lines. In 1956, he patented the SECAM color television system. On October 1, 1967 at 2:15pm CET, la deuxième chaîne switched from black and white to color using SECAM. De France is interred in Paris (cimetière du Montparnasse). The public passage near France Télévisions buildings in Paris Paris () ...
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Image Resolution
Image resolution is the detail an image holds. The term applies to digital images, film images, and other types of images. "Higher resolution" means more image detail. Image resolution can be measured in various ways. Resolution quantifies how close lines can be to each other and still be visibly ''resolved''. Resolution units can be tied to physical sizes (e.g. lines per mm, lines per inch), to the overall size of a picture (lines per picture height, also known simply as lines, TV lines, or TVL), or to angular subtense. Instead of single lines, line pairs are often used, composed of a dark line and an adjacent light line; for example, a resolution of 10 lines per millimeter means 5 dark lines alternating with 5 light lines, or 5 line pairs per millimeter (5 LP/mm). Photographic lens and film resolution are most often quoted in line pairs per millimeter. Types The resolution of digital cameras can be described in many different ways. Pixel count The term ''resolution'' is o ...
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819 Line
819-line was an analog monochrome TV system developed and used in France as television broadcast resumed after World War II. Transmissions started in 1949 and were active up to 1985, although limited to France, Belgium and Luxembourg. It is associated with CCIR System E and F. History When Europe resumed TV transmissions after World War II (i.e. in the late 1940s and early 1950s) most countries standardized on 625-line television systems. The two exceptions were the British 405-line system, which had already been introduced in 1936, and the French 819-line system. During the 1940s René Barthélemy had already reached 1,015 lines and even 1,042 lines. On November 20, 1948, François Mitterrand, the then Secretary of State for Information, decreed a broadcast standard of 819 lines developed by Henri de France; broadcasting began at the end of 1949 in this higher definition format. It was used in France by TF1, and in Monaco by Tele Monte Carlo. Some 819-line TV sets were availa ...
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Digital Television Transition
The digital television transition, also called the digital switchover (DSO), the analogue switch/sign-off (ASO), the digital migration, or the analogue shutdown, is the process in which older analogue television broadcasting technology is converted to and replaced by digital television. Conducted by individual nations on different schedules, this primarily involves the conversion of analogue terrestrial television broadcasting infrastructure to digital terrestrial (DTT), a major benefit being extra frequencies on the radio spectrum and lower broadcasting costs, as well as improved viewing qualities for consumers. The transition may also involve analogue cable conversion to digital cable or Internet Protocol television, as well as analog to digital satellite television. Transition of land based broadcasting was begun by some countries around 2000. By contrast, transition of satellite television systems was well underway or completed in many countries by this time. It is an inv ...
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