Pāmitl
Pāmitl was the Aztec name for a flag or banner containing identifying emblems of officers and prestigious warriors. These have been recorded to have been carried in the hands or more commonly worn on the back in a similar manner to the Japanese uma-jirushi. Each of the Pāmitl is brightly decorated, lightweight, and unique. These features allowed officers better control of their troops on the battlefield while not hampering the combat abilities of the soldier. Similarly to much of the other clothing of the nobility of the Aztecs, Pāmitl were most likely made out of a woven cotton with feathers on top of the cotton backing. They were often formed to resemble an animal or religious symbol.Aztec Warrior: AD 1325–1521 References {{reflist Aztec clothing Aztec warfare ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Aztec Pāmitl In Ramírez Codex
The Aztecs () were a Mesoamerican culture that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different Indigenous peoples of Mexico, ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl, Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries. Aztec culture was organized into city-states (''altepetl''), some of which joined to form alliances, political confederations, or empires. The Aztec Empire was a confederation of three city-states established in 1427: Tenochtitlan, city-state of the Mexica or Tenochca; Texcoco (altepetl), Texcoco; and Tlacopan, previously part of the Tepanec empire, whose dominant power was Azcapotzalco (altepetl), Azcapotzalco. Although the term Aztecs is often narrowly restricted to the Mexica of Tenochtitlan, it is also broadly used to refer to Nahuas, Nahua polities or peoples of central Pre-Columbian Mexico, Mexico in the preh ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Uma-jirushi
were massive flags used in feudal Japan to identify a ''daimyō'' or equally important military commander on the field of battle. They came into prominence during the Sengoku period. While many were simply large flags, not very different from ''sashimono'' or ''hata-jirushi'', most were three-dimensional figures, more like kites, and in the shape of bells, gongs, umbrellas, or streamers. While these standards took many forms, they all fall into two broad categories: the ''ō-uma-jirushi'' and the ''ko-uma-jirushi'', the great standard and the lesser standard respectively. Poorer ''daimyo'' had just one, the lesser standard, while wealthier ''daimyo'' had both. In 1645, the Tokugawa shogunate formalized this, allowing ''daimyo'' with an income above 1300 ''koku'' to have a ''ko-uma-jirushi'', and ''daimyo'' earning more than 6000 ''koku'' to have an ''ō-uma-jirushi'' as well. The ''ō-uma-jirushi'' was the nucleus of action on the battlefield, and while it aided the organization ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Codex Mendoza Folio 67r Bottom
The codex (plural codices ) was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term ''codex'' is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback or softback and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuous scroll, which was the dominant form of document in the Ancient history, ancient world. Some codices are continuously folded like a concertina, in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tlacochcalcatl
Tlacochcalcatl ( "The man from the house of darts") was an Aztec military title or rank; roughly equivalent to the modern title of field marshal. In Aztec warfare the ''tlacochcalcatl'' was second in command only to the ''tlatoani'' and he usually lead the Aztec army into battle when the ruler was otherwise occupied. Together with the ''tlacateccatl'' (general), he was in charge of the Aztec army and undertook all military decisions and planning once the ''tlatoani'' had decided to undertake a campaign. The ''tlacochcalcatl'' was also in charge of the ''tlacochcalco. Tlacochcalco'' ("in the house of darts") was the name of four armories placed at the four entries to the ceremonial precinct of the Aztec capital Tenochtitlan. These mains armories were stocked with new weapons every year (during the festival of Quecholli), and one account by the Spanish ''conquistador'' Andrés de Tapia estimates the number of weapons found in each of the four armories to be 500 cartloads") The ' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Aztec Clothing
Aztec clothing is the fiber of clothing that was worn by the Aztecs people during their time that varied based on aspects such as social standing and gender. The garments worn by Aztec peoples were also worn by other pre-Columbian peoples of central Mexico who shared similar cultural characteristics. The strict sumptuary laws present in an Aztec society dictated the type of fiber and ornamentation present in clothing, as well as how that clothing was worn based on class. Clothing and cloth were immensely significant in the culture. Importance of cloth Cloth and clothing were of utmost importance to the Aztec people during the height of the empire. This importance is seen when noting the processes of making the garments and how these fibers were a key part of the social structure of the Aztecs. These assets were paramount in the culture as they served as both an essential market good and a significant tribute item. As discussed by scholar Ross Hassig, the ''Codex Mendoza'' denote ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |