Pylon (band)
Pylon was an American new wave/post-punk band from Athens, Georgia. The band's danceable sound, a blend of new wave, post-punk, jangle pop, alternative rock and funk rock, influenced the Athens music scene and the 1980s American pop underground. AllMusic wrote that Pylon's "role as elder statesmen of the alternative rock explosion is unassailable". History 1979–1983: Formation, early years and breakup Pylon was formed in 1979. The four members of Pylon were art students at the University of Georgia in Athens. Guitarist Randall Bewley and bass guitarist Michael Lachowski began playing music and attempting to form a band in 1978. Neither had any musical experience: as Lachowski later recalled, "A lot of us in the art school were trying out different media with a punk rock message, which is just go in there and do it. You don’t need training, or authority or legitimacy. Just figure it out". They originally formed the band with the intention of securing live appearances in New ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Athens, Georgia
Athens, officially Athens–Clarke County, is a consolidated city-county and college town in the U.S. state of Georgia. Athens lies about northeast of downtown Atlanta, and is a satellite city of the capital. The University of Georgia, the state's flagship public university and an R1 research institution, is in Athens and contributed to its initial growth. In 1991, after a vote the preceding year, the original City of Athens abandoned its charter to form a unified government with Clarke County, referred to jointly as Athens–Clarke County. As of 2020, the U.S. Census Bureau's population of the consolidated city-county (all of Clarke County except Winterville and a portion of Bogart) was 127,315. Athens is the sixth-largest city in Georgia, and the principal city of the Athens metropolitan area, which had a 2020 population of 215,415, according to the U.S. Census Bureau. Metropolitan Athens is a component of the larger Atlanta–Athens–Clarke County–Sandy Springs Combin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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40 Watt Club
The 40 Watt Club is a music venue in Athens, Georgia. Along with CBGB, the Whisky a Go Go, and selected others, it was instrumental in launching American punk rock and new wave music. The 40 Watt Club was the primary performance space for numerous "Athens bands", including Pylon, R.E.M., Love Tractor, Dreams So Real, Guadalcanal Diary, The Primates, Modern Skirts, and others. Its DIY ethos and informality were instrumental in the fostering of punk rock and a "scene" in Athens. In more recent years, the club has been the home-base for such nationally renowned local bands as of Montreal, Reptar, Drive-By Truckers, and The Whigs. The club's owner since 1987 has been Barrie Buck. Background The 40 Watt Club had its origins as Curtis Crowe's 171 College Avenue loft back in 1978. Bill Tabor and Crowe joked that it was a 40 Watt Club due to the single 40-watt bulb which hung from the ceiling. Crowe's first party in his space, on October 31, [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hurrah (nightclub)
Hurrah was a nightclub located at 36 West 62nd Street in New York City from 1976 until 1980. Hurrah was the first large dance club in NYC to feature punk, new wave and industrial music. The in-house DJ's at Hurrah were Sara Salir, Bill Bahlman, Bart Dorsey and Anita Sarko. Under the management of Henry Schissler, and later Jim Fouratt, it became known as the first "rock disco" in New York, and pioneered the use of music videos in nightclubs, placing video monitors around the club, over a year before the launch of MTV. The club was owned by Arthur Weinstein (who also created The World and the afterhours clubs The Jefferson and The Continental) and his partners, who opened the club in November 1976, months before Studio 54. With Ruth Polsky as booking agent, Hurrah became known as a place for new wave, punk and post-punk bands to play, featuring many of the British bands' first American performances. Bands playing the club included the Pop Group, the Cure, Human Sexual Response, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kate Pierson
Catherine Elizabeth Pierson (born April 27, 1948) is an American singer, lyricist, and founding member of the B-52's. She plays guitar, bass and various keyboard instruments. In the B-52s, she has performed alongside Cindy Wilson, Fred Schneider, Ricky Wilson, and Keith Strickland. In the early years, as well as being a vocalist, Pierson was the main keyboard player and performed on a keyboard bass during live shows and on many of the band's recordings, taking on a role usually filled by a bass guitar player, which differentiated the band from their contemporaries. This, along with Pierson's distinctive wide-ranging singing voice, remains a trademark of the B-52's' unique sound. Pierson has also collaborated with many other artists including The Ramones, Iggy Pop and R.E.M. Pierson possesses a soprano vocal range. In February 2015, Pierson released her first solo album, '' Guitars and Microphones'', featuring material co-written by Sia. She later released the non-album single ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fred Schneider
Frederick William Schneider III (born July 1, 1951) is an American singer, songwriter, arranger, and musician, best known as the frontman of the rock band The B-52's, of which he is a founding member. Schneider is well known for his ''sprechgesang'', which he developed from reciting poetry over guitars.Interview: Fred Schneider of the B-52's Survivingthegoldenage.com; retrieved on 2012-11-28. Early life Frederick William Schneider III was born on July 1, 1951, in , and lived inOceanport, New Jersey< ...
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The B-52's
The B-52's, also styled as The B-52s, are an American new wave band formed in Athens, Georgia, in 1976. The original lineup consisted of Fred Schneider (vocals, percussion), Kate Pierson (vocals, keyboards, synth bass), Cindy Wilson (vocals, percussion), Ricky Wilson (guitar), and Keith Strickland (drums, guitar, keyboards). Ricky Wilson died of AIDS-related illness in 1985, and Strickland switched from drums to lead guitar. The band also added various members for albums and live performances. The group evoked a "thrift shop aesthetic", in Bernard Gendron's words, by drawing from 1950s and 1960s pop sources, trash culture, and rock and roll. Schneider, Pierson, and Wilson sometimes use call-and-response-style vocals (Schneider's often humorous sprechgesang contrasting with Wilson's and Pierson's melodic harmonies), and their guitar- and keyboard-driven instrumentation is their trademark sound, which was also set apart from their contemporaries by the unusual guitar tunings Ric ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Perfect Sound Forever (magazine)
''Perfect Sound Forever'' (est. 1995) is one of the longest-running online-only music magazines. Along with Michael Goldberg's ''Addicted to Noise'' (est. 1994), it is one of the first publications to post recurring, feature-length music journalism online. PSF's origins trace back to New York freelance writer Jason Gross, who began a now-defunct website called Furious Green Thoughts (from the noted Noam Chomsky quote). The site was first hosted by the pre-Earthlink ISP Pipeline, and included articles covering politics, music and fiction. In 1995, Furious Green Thoughts was splintered into three sections, with the main title covering political (usually far-left) stories, "Assorted Realities" covering fiction and "Perfect Sound Forever" covering music. Laboring as a staff of one, Gross eventually folded Furious Green Thoughts and Assorted Realities, simplifying the zine's name to ''Perfect Sound Forever'' by the mid-1990s. PSF also moved from monthly to bi-monthly publication, wit ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eraserhead
''Eraserhead'' is a 1977 American surrealist film, surrealist horror film written, directed, produced, and edited by David Lynch. Lynch also created its Eraserhead (soundtrack), score and sound design, which included pieces by a variety of other musicians. Shot in black and white, it was Lynch's first feature-length effort following several short films. Starring Jack Nance, Charlotte Stewart, Jeanne Bates, Judith Roberts (actress), Judith Anna Roberts, Laurel Near, and Jack Fisk, it tells the story of a man who is left to care for his grossly deformed child in a desolate industrial landscape. ''Eraserhead'' was produced with the assistance of the American Film Institute (AFI) during Lynch's time studying there. It nonetheless spent several years in principal photography because of funding difficulties; donations from Fisk and his wife Sissy Spacek kept production afloat. It was shot on several locations owned by the AFI in California, including Greystone Mansion and a set of di ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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No New York
''No New York'' is a compilation album released in 1978 by record label Antilles under the curation of producer Brian Eno. Although it only contained songs by four different artists, some consider it to be a definitive single album documenting New York City's late-1970s no wave movement. Background and production Early in 1978, New York's Artists Space hosted an underground punk rock music festival with several local bands. The final two days of the show featured DNA and the Contortions on Friday, followed by Mars and Teenage Jesus and the Jerks on Saturday. English musician and producer Brian Eno, who had originally come to New York to produce the second Talking Heads album '' More Songs About Buildings and Food'', was in the audience. Impressed by what he saw and heard, and advised by Diego Cortez to do so, Eno was convinced that this movement should be documented and proposed the idea of a compilation album with himself as a producer. When Eno recorded ''No New York'', ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Suicide (band)
Suicide was an American musical duo composed of vocalist Alan Vega and instrumentalist Martin Rev, intermittently active between 1970 and 2016. The group's pioneering music utilized minimalist electronic instrumentation, including synthesizers and primitive drum machines, and their early performances were confrontational and often ended in violence. They were among the first acts to use the phrase " punk music" in an advertisement for a concert in 1970—during their very brief stint as a three-piece including Paul Liebegott. Though never widely popular among the general public, Suicide have been recognized as among the most influential acts of their era. Their debut album ''Suicide'' (1977) was described by ''Entertainment Weekly'' as "a landmark of electronic music", while AllMusic stated that it "provided the blueprints for post-punk, synth pop, and industrial rock." History Rev and Vega met and became friends in 1970. After the former's avant-jazz band broke up, they decide ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cabaret Voltaire (band)
Cabaret Voltaire was an English music group formed in Sheffield in 1973 and initially composed of Stephen Mallinder, Richard H. Kirk, and Chris Watson. The group was named after the Cabaret Voltaire, the Zürich nightclub that served as a centre for the early Dada movement. The early work of Cabaret Voltaire consisted primarily of experimentation with DIY electronics and tape machines, as well as Dada-influenced performance art, helping to pioneer industrial music in the mid-1970s. Finding an audience during the post-punk era, they integrated their experimental sensibilities with dance and pop styles. They are often characterized as among the most innovative and influential electronic groups of their era. History Formation By the early 1970s, Chris Watson of Sheffield, England, began experimenting with electronic devices to make "music without musical instruments." Inspired by the tech geekery of Brian Eno of Roxy Music, and helped along by his work as a telephone engineer, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |