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Purcell Operatic Society
The Purcell Operatic Society was a short-lived but influential London opera company devoted to the production of stage works by Henry Purcell and his contemporaries. It was founded in 1899 by the composer Martin Shaw and folded in 1902. Its stage director and production designer was Gordon Craig whose productions for the company marked the beginning of his career as a theatre practitioner. Their debut production of Purcell's opera ''Dido and Aeneas'' in 1900 was one of the earliest staged performances of the work in modern times. History Martin Shaw founded the Purcell Operatic Society in 1899 on the suggestion of his Hampstead neighbour, Nannie Dryhurst, who became the Society's secretary. Interest in Purcell's long-neglected stage works had been revived four years earlier on the bicentenary of his death when ''Dido and Aeneas'' received its first major staging in almost two hundred years. Shaw recruited his close friend, Gordon Craig, to create a new staging of the opera fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pound Sterling
Sterling (abbreviation: stg; Other spelling styles, such as STG and Stg, are also seen. ISO code: GBP) is the currency of the United Kingdom and nine of its associated territories. The pound ( sign: £) is the main unit of sterling, and the word "pound" is also used to refer to the British currency generally, often qualified in international contexts as the British pound or the pound sterling. Sterling is the world's oldest currency that is still in use and that has been in continuous use since its inception. It is currently the fourth most-traded currency in the foreign exchange market, after the United States dollar, the euro, and the Japanese yen. Together with those three currencies and Renminbi, it forms the basket of currencies which calculate the value of IMF special drawing rights. As of mid-2021, sterling is also the fourth most-held reserve currency in global reserves. The Bank of England is the central bank for sterling, issuing its own banknotes, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masque
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully. Development The masque tradition developed from the elaborate pageants and cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Crane
Walter Crane (15 August 184514 March 1915) was an English artist and book illustrator. He is considered to be the most influential, and among the most prolific, children's book creators of his generation and, along with Randolph Caldecott and Kate Greenaway, one of the strongest contributors to the child's nursery motif that the genre of English children's illustrated literature would exhibit in its developmental stages in the later 19th century. Crane's work featured some of the more colourful and detailed beginnings of the child-in-the-garden motifs that would characterize many nursery rhymes and children's stories for decades to come. He was part of the Arts and Crafts movement and produced an array of paintings, illustrations, children's books, ceramic tiles, wallpapers and other decorative arts. Crane is also remembered for his creation of a number of iconic images associated with the international Socialist movement. Biography Early life and influences Crane was t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novelty Theatre
The Novelty Theatre (later renamed the Great Queen Street Theatre from 1900 to 1907, and the Kingsway Theatre from 1907 to 1941) was a London theatre. It opened in 1882 in Great Queen Street and was accessed off Little Queen Street until 1905, and from the new Kingsway road from 1905 onwards. It hosted the London premiere of ''A Doll's House'' in 1889. The theatre closed in 1941 and was demolished in 1959. History The first theatre on the site was built to designs by Thomas Verity with decorations by E. W. Bradwell, and opened on 9 December 1882. Its first show was the comic opera ''Melita or the Parsee's Daughter'',"Novelty Theatre, Great Queen Street, Holborn, London" Arthur Lloyd (2008) composed by Henry Pontet, with a libretto by Juba Kennerley. It hosted, among other notable wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acis And Galatea (Handel)
''Acis and Galatea'' ( HWV 49) is a musical work by George Frideric Handel with an English text by John Gay. The work has been variously described as a serenata, a masque, a pastoral or pastoral opera, a "little opera" (in a letter by the composer while it was being written), an entertainment and by the New Grove Dictionary of Music as an oratorio. The work was originally devised as a one-act masque which premiered in 1718. Handel later adapted the piece into a three-act serenata for the Italian opera troupe in London in 1732, which incorporated a number of songs (still in Italian) from Aci, Galatea e Polifemo, his 1708 setting of the same story to different music. He later adapted the original English work into a two-act work in 1739. ''Acis and Galatea'' was the pinnacle of pastoral opera in England. Indeed, several writers, such as musicologist Stanley Sadie, consider it the greatest pastoral opera ever composed. As is typical of the genre, ''Acis and Galatea'' was writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical break ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lillie Langtry
Emilie Charlotte, Lady de Bathe (née Le Breton, formerly Langtry; 13 October 1853 – 12 February 1929), known as Lillie (or Lily) Langtry and nicknamed "The Jersey Lily", was a British socialite, stage actress and producer. Born on the island of Jersey, upon marrying she moved to London in 1876. Her looks and personality attracted interest, commentary, and invitations from artists and society hostesses, and she was celebrated as a young woman of great beauty and charm. During the aesthetic movement in England she had been painted by aesthete artists, and in 1882 she became the poster-girl for Pears Soap, becoming the first celebrity to endorse a commercial product. In 1881, Langtry became an actress and made her West End debut in the comedy ''She Stoops to Conquer'', causing a sensation in London by becoming the first socialite to appear on stage. She would go on to star in many plays in both the United Kingdom and the United States, including ''The Lady of Lyons'', and S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curtain Raiser (drama)
A curtain raiser is a short performance, stage act, show, actor or performer that opens a show for the main attraction. The term is derived from the act of raising the stage curtain. The first person on stage has "raised the curtain". The fashion in the late Victorian era and Edwardian era was to present long evenings in the theatre, and so full-length pieces were often presented together with, usually shorter, companion pieces. Each full-length work was normally accompanied by one or two short companion pieces. If the piece began the performance, it was called a curtain raiser. One that followed the full-length piece was called an afterpiece. W. J. MacQueen-Pope commented, concerning the curtain raisers: :This was a one-act play, seen only by the early comers. It would play to empty boxes, half-empty upper circle, to a gradually filling stalls and dress circle, but to an attentive, grateful and appreciative pit and gallery. Often these plays were little gems. They deserve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Reade
Charles Reade (8 June 1814 – 11 April 1884) was a British novelist and dramatist, best known for '' The Cloister and the Hearth''. Life Charles Reade was born at Ipsden, Oxfordshire, to John Reade and Anne Marie Scott-Waring, and had at least four brothers. He studied at Magdalen College, Oxford, taking his B.A. in 1835, and became a fellow of his college. He was subsequently dean of arts and vice-president, taking his degree of D.C.L. in 1847. His name was entered at Lincoln's Inn in 1836; he was elected Vinerian Fellow in 1842, and was called to the bar in 1843.Edwards, P.D. "Charles Reade." ''Oxford Dictionary of National Biography.'' He kept his fellowship at Magdalen all his life but, after taking his degree, he spent most of his time in London. William Winwood Reade, the influential historian, was his nephew. Writings Reade began his literary career as a dramatist, and he chose to have "dramatist" stand first in the list of his occupations on his tombstone. As an auth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ellen Terry
Dame Alice Ellen Terry, (27 February 184721 July 1928), was a leading English actress of the late 19th and early 20th centuries. Born into a family of actors, Terry began performing as a child, acting in Shakespeare plays in London, and toured throughout the British provinces in her teens. At 16, she married the 46-year-old artist George Frederic Watts, but they separated within a year. She soon returned to the stage but began a relationship with the architect Edward William Godwin and retired from the stage for six years. She resumed acting in 1874 and was immediately acclaimed for her portrayal of roles in Shakespeare and other classics. In 1878 she joined Henry Irving's company as his leading lady, and for more than the next two decades she was considered the leading Shakespearean and comic actress in Britain. Two of her most famous roles were Portia in ''The Merchant of Venice'' and Beatrice in ''Much Ado About Nothing''. She and Irving also toured with great success in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dioclesian
''Dioclesian'' (''The Prophetess: or, The History of Dioclesian'') is an English tragicomic semi-opera in five acts by Henry Purcell to a libretto by Thomas Betterton based on the play '' The Prophetess'', by John Fletcher and Philip Massinger, which in turn was based very loosely on the life of the Emperor Diocletian. It was premiered in late May 1690 at the Queen's Theatre, Dorset Garden. The play was first produced in 1622. Choreography for the various dances was provided by Josias Priest, who worked with Purcell on several other semi-operas. Betterton reworked the play extensively, making room for a great deal of Purcell's music, notably in the 'monster' scene at the end of Act II and the final Masque about the victory of Love, which remained popular until well into the eighteenth century. The premier production had a Prologue written by John Dryden that was suppressed after only one performance; it was far too critical of King William's military campaign in Ireland. Synop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
