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Puppetoons
Puppetoons is a series of animated puppet films made in Europe (1930s) and in the United States (1940s) by George Pal. They were made using replacement animation: using a series of different hand-carved wooden puppets (or puppet heads or limbs) for each Animation frame, frame in which the puppet moves or changes expression, rather than moving a single puppet, as is the case with most stop motion puppet animation. They were particuarly made from 1932-1948, in both Europe and the US. History The Puppetoons series of animated puppet films were made in Europe in the 1930s and in the United States in the 1940s. The series began when George Pal made an advertising film using "dancing" cigarettes in 1932, which led to a series of theatrical advertising shorts for Philips Radio in the Netherlands. This was followed by a series for Horlicks Malted Milk in England. These shorts have an art deco design, often reducing characters to simple geometric shapes. Pal arrived in the U.S. in 1940, and ...
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George Pal
George Pal (born György Pál Marczincsak; ; February 1, 1908 – May 2, 1980) was a Hungarian-American animator, film director and producer, principally associated with the fantasy and science-fiction genres. He became an American citizen after emigrating from Europe. He was nominated for Academy Awards (in the category Best Short Subjects, Cartoon) for seven consecutive years (1942–1948) and received an honorary award in 1944. This makes him the second-most nominated Hungarian exile (together with William S. Darling and Ernest Laszlo) after Miklós Rózsa. Early life and career Pal was born in Cegléd, Hungary, the son of György Pál Marczincsak, Sr. and his wife Mária. He graduated from the Hungarian University of Fine Arts in 1928 (aged 20). From 1928 to 1931, he made films for Hunnia Film Studio of Budapest, Hungary. At the age of 23 in 1931, he married Elisabeth "Zsóka" Grandjean, and after moving to Berlin, founded Trickfilm-Studio GmbH Pal und Wittke, with UFA S ...
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John Henry And The Inky-Poo
''John Henry and the Inky-Poo'' is a 1946 stop-motion animation film written and directed by George Pal using Pal's ''Puppetoons'' stop-motion style. The film is based on African American folk hero John Henry. ''John Henry and the Inky-Poo'' was nominated for an Oscar for Best Animated Short for the 19th Academy Awards. In 2015, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was also included in the 1987 compilation film ''The Puppetoon Movie''. Reception * ''The Film Daily'' (Aug 14, 1946): "In a departure from the fables dreamed up for the familiar scarecrow and the little pickaninny (Jasper) character, usually featured in this series. George Pal has produced an engaging Puppetoon version of the legendary figure, John Henry, drawn from the annals of American Folklore, who pitted his brawn and brains against the steam engine known as the Inky Poo ...
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Tubby The Tuba (1947 Film)
''Tubby the Tuba'' is a 1947 American animated short film from Paramount Pictures, directed by George Pal as part of his ''Puppetoons'' series. It was based on the original song by Paul Tripp and George Kleinsinger. The film features narration by Victor Jory. The film received an Academy Award nomination for Best Animated Short, but lost to Warner Bros. Cartoons' ''Merrie Melodies'' cartoon ''Tweetie Pie''. A feature-length version was released in 1975 by AVCO Embassy. The 1987 compilation feature, ''The Puppetoon Movie'', featured the original short in its entirety. Plot This story takes place in an orchestra featuring, among each other, a piccolo (Peepo), a flute, an oboe, a clarinet, a bassoon, a trumpet, a French horn, a trombone, a tuba (Tubby), a violin, a cello, a double bass, a xylophone, cymbals, a timpani and a celeste. Tubby, the orchestra's tuba, comments after a rehearsal's warmup that he is tired of playing only the bass line. This draws ridicule from the othe ...
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Tulips Shall Grow
''Tulips Shall Grow'' is a 1942 American animated short film in the ''Puppetoons'' series, directed by George Pal and starring Rex Ingram and Victor Jory. It was released by Paramount Pictures and originally photographed in 3-strip Technicolor. It later became the black-and-white edition by National Telefilm Associates. Plot A Dutch boy and girl's idyllic existence is destroyed when they are overrun by a group of Nazi-like mechanical men called "The Screwballs", who lay waste to everything they touch. The Screwballs are later destroyed by a thunderstorm (the rain of which causes them to rust) and the boy and girl's idyllic life resumes. Reception The cartoon was nominated for the Oscar for Best Short Subject, Cartoons. In 1997, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was also included in the 1987 compilation film ''The Puppetoon Movie ...
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National Telefilm Associates
National Telefilm Associates (NTA) was an audio-visual marketing company primarily concerned with the syndication of American film libraries to television, including the Republic Pictures film library. It was successful enough on cable television between 1983 and 1985, that it renamed itself Republic Pictures and undertook film production and home video sales as well. History NTA was founded by Ely Landau and Oliver A. Unger in 1954 when Ely Landau, Inc. was reorganized in partnership with Unger and Harold Goldman. NTA was the successor company to U.M. & M. TV Corporation, which it bought out in 1956. In October 1956, NTA launched the NTA Film Network, a syndication service which distributed both film and live programs to television stations not affiliated with NBC, CBS, or ABC ( DuMont had recently gone out of business). The ad-hoc network's flagship station was WNTA-TV, channel 13 in New York. The NTA Network was launched as a "fourth TV network", and trade papers of the tim ...
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And To Think That I Saw It On Mulberry Street
''And to Think That I Saw It on Mulberry Street'' is Theodor Seuss Geisel's first Children's literature, children's book published under the pen name Dr. Seuss. First published by Vanguard Press in 1937, the story follows a boy named Marco, who describes a parade of imaginary people and vehicles traveling along a road, Mulberry Street, in an elaborate fantasy story he dreams up to tell his father at the end of his walk. However, when he arrives home, he decides instead to tell his father what he actually saw—a simple horse and wagon. Geisel conceived the core of the book aboard a ship in 1936, returning from a European vacation with his wife. The rhythm of the ship's engines captivated him and inspired the book's signature lines: At least 20 publishers rejected the book before Geisel ran into an old college classmate, who had just become juvenile editor at Vanguard Press. Vanguard agreed to publish the book, and it met with high praise from critics upon release, though sales ...
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Stop Motion
Stop motion is an animated filmmaking technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back. Any kind of object can thus be animated, but puppets with movable joints (puppet animation) or plasticine figures (''clay animation'' or claymation) are most commonly used. Puppets, models or clay figures built around an armature are used in model animation. Stop motion with live actors is often referred to as pixilation. Stop motion of flat materials such as paper, fabrics or photographs is usually called cutout animation. Terminology The term "stop motion", relating to the animation technique, is often spelled with a hyphen as "stop-motion". Both orthographical variants, with and without the hyphen, are correct, but the hyphenated one has a second meaning that is unrelated to animation or cinema: "a device for automatical ...
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The Wonderful World Of The Brothers Grimm
''The Wonderful World of the Brothers Grimm'' is a 1962 American fantasy film directed by Henry Levin and George Pal. The latter was the producer and also in charge of the stop motion animation. The film was one of the highest-grossing films of 1962. It won one Oscar and was nominated for three additional Academy Awards. Several prominent actors—including Laurence Harvey, Karlheinz Böhm, Jim Backus, Barbara Eden, and Buddy Hackett—are in the film. It was filmed in the Cinerama process, which was photographed in an arc with three lenses, on a camera that produced three strips of film. Three projectors, in the back and sides of the theatre, produced a panoramic image on a screen that curved 146 degrees around the front of the audience. Plot The story focuses on the Grimm brothers, Wilhelm and Jacob, and is biographical and fantastical at the same time. They are working to finish a history for a local Duke, though Wilhelm is more interested in collecting fairy tales and often ...
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Stop-motion
Stop motion is an animated filmmaking technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back. Any kind of object can thus be animated, but puppets with movable joints (puppet animation) or plasticine figures (''clay animation'' or claymation) are most commonly used. Puppets, models or clay figures built around an armature are used in model animation. Stop motion with live actors is often referred to as pixilation. Stop motion of flat materials such as paper, fabrics or photographs is usually called cutout animation. Terminology The term "stop motion", relating to the animation technique, is often spelled with a hyphen as "stop-motion". Both orthographical variants, with and without the hyphen, are correct, but the hyphenated one has a second meaning that is unrelated to animation or cinema: "a device for automatical ...
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Mammy Archetype
A mammy is a U.S. historical stereotype depicting black women who work in a white family and nurse the family's children. The fictionalized mammy character is often visualized as a larger-sized, dark-skinned woman with a motherly personality. The origin of the mammy figure stereotype is rooted in the history of slavery in the United States. Black slave women were tasked with domestic and childcare work in white American slaveholding households. The mammy stereotype was inspired by these domestic workers. The mammy caricature was used to create a narrative of black women being happy within slavery or within a role of servitude. The mammy stereotype associates black women with domestic roles and it has been argued it, combined with segregation and discrimination, limited job opportunities for black women during the Jim Crow era, approximately 1877 to 1966. History The mammy caricature was first seen in the 1830s in antebellum proslavery literature as a way to oppose the descri ...
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Pickaninny
Pickaninny (also picaninny, piccaninny or pickinninie) is a pidgin word for a small child, possibly derived from the Portuguese ('boy, child, very small, tiny'). In North America, ''pickaninny'' is a racial slur for African American children. It can also refer to a derogatory caricature of a dark-skinned child of African descent. Origins and usage The origins of the word ''pickaninny'' are disputed; it may derive from the Portuguese term for a small child, . ''Pickaninny'' (along with its alternative spellings ''picaninny'' and ''piccaninny'') was used in the seventeenth century to mean any child of African descent. It aquired a pejorative connotation by the nineteenth century and was used for black children in the United States and Britain, as well as aboriginal children of the Americas, Australia, and New Zealand. Pidgin languages The term ''piccanin'', derived from the Portuguese , has along with several variants become widely used in pidgin languages, meaning 'small'. T ...
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Confidence Trick
A confidence trick is an attempt to defraud a person or group after first gaining their trust. Confidence tricks exploit victims using their credulity, naïveté, compassion, vanity, confidence, irresponsibility, and greed. Researchers have defined confidence tricks as "a distinctive species of fraudulent conduct ..intending to further voluntary exchanges that are not mutually beneficial", as they "benefit con operators ('con men') at the expense of their victims (the 'marks')". Terminology Synonyms include con, confidence game, confidence scheme, ripoff, scam, and stratagem. The perpetrator of a confidence trick (or "con trick") is often referred to as a confidence (or "con") man, con-artist, or a "grifter". The shell game dates back at least to Ancient Greece. Samuel Thompson (1821–1856) was the original "confidence man". Thompson was a clumsy swindler who asked his victims to express confidence in him by giving him money or their watch rather than gaining their confidenc ...
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