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Puppalli
Ambalavasi, more properly Ampalavasi, ( ml, അമ്പലവാസി; IAST: Ampalavāsi; ) is the generic name for a group of Caste system in India, castes among Hindus in Kerala, India, who have traditionally rendered temple services. Castes The Ambalavasis are broadly divided into two groups, being those who wear the sacred thread and those who do not. Sacred thread wearers Pushpaka Brahmins * Pushpaka (Pushpakan Unni) * Nambeesan * Theeyattunni, Theeyatt Unni * Kurukkal * Puppalli * Plappalli (caste), Plappalli (Pilappalli) * Nambidi * Daivampadi or Brahmani Others * Chakyar, * Nambiar (Ambalavasi/Mizhavu), Nambiar * Atikal (also written as Adikal) Threadless Ambalavasis *Pisharody *Marar (Caste), Marar *Variar, Varyar *Pothuval, The feminine names of threadless ''ambalavasi'' castes are formed by adding the suffix ''-syar'' to the masculine names as Pisharadi-Pisharasyar, Marar-Marasyar, Variar-Varasyar, Poduval-Poduvalsyar. Temple services Though all Ampalavāsis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pothuval
Ambalavasi, more properly Ampalavasi, ( ml, അമ്പലവാസി; IAST: Ampalavāsi; ) is the generic name for a group of castes among Hindus in Kerala, India, who have traditionally rendered temple services. Castes The Ambalavasis are broadly divided into two groups, being those who wear the sacred thread and those who do not. Sacred thread wearers Pushpaka Brahmins * Pushpaka (Pushpakan Unni) * Nambeesan * Theeyatt Unni * Kurukkal * Puppalli * Plappalli (Pilappalli) * Nambidi * Daivampadi or Brahmani Others * Chakyar, * Nambiar * Atikal (also written as Adikal) Threadless Ambalavasis *Pisharody * Marar * Varyar *Pothuval, The feminine names of threadless ''ambalavasi'' castes are formed by adding the suffix ''-syar'' to the masculine names as Pisharadi-Pisharasyar, Marar-Marasyar, Variar-Varasyar, Poduval-Poduvalsyar. Temple services Though all Ampalavāsis have to do service in temples, they have sufficiently distinct functions to perform. Pushpakans and Namb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ampalavasi Women Old Image
Ambalavasi, more properly Ampalavasi, ( ml, അമ്പലവാസി; IAST: Ampalavāsi; ) is the generic name for a group of castes among Hindus in Kerala, India, who have traditionally rendered temple services. Castes The Ambalavasis are broadly divided into two groups, being those who wear the sacred thread and those who do not. Sacred thread wearers Pushpaka Brahmins * Pushpaka (Pushpakan Unni) * Nambeesan * Theeyatt Unni * Kurukkal * Puppalli * Plappalli (Pilappalli) * Nambidi * Daivampadi or Brahmani Others * Chakyar, * Nambiar * Atikal (also written as Adikal) Threadless Ambalavasis *Pisharody * Marar * Varyar *Pothuval, The feminine names of threadless ''ambalavasi'' castes are formed by adding the suffix ''-syar'' to the masculine names as Pisharadi-Pisharasyar, Marar-Marasyar, Variar-Varasyar, Poduval-Poduvalsyar. Temple services Though all Ampalavāsis have to do service in temples, they have sufficiently distinct functions to perform. Pushpakans and Namb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puppalli
Ambalavasi, more properly Ampalavasi, ( ml, അമ്പലവാസി; IAST: Ampalavāsi; ) is the generic name for a group of Caste system in India, castes among Hindus in Kerala, India, who have traditionally rendered temple services. Castes The Ambalavasis are broadly divided into two groups, being those who wear the sacred thread and those who do not. Sacred thread wearers Pushpaka Brahmins * Pushpaka (Pushpakan Unni) * Nambeesan * Theeyattunni, Theeyatt Unni * Kurukkal * Puppalli * Plappalli (caste), Plappalli (Pilappalli) * Nambidi * Daivampadi or Brahmani Others * Chakyar, * Nambiar (Ambalavasi/Mizhavu), Nambiar * Atikal (also written as Adikal) Threadless Ambalavasis *Pisharody *Marar (Caste), Marar *Variar, Varyar *Pothuval, The feminine names of threadless ''ambalavasi'' castes are formed by adding the suffix ''-syar'' to the masculine names as Pisharadi-Pisharasyar, Marar-Marasyar, Variar-Varasyar, Poduval-Poduvalsyar. Temple services Though all Ampalavāsis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IAST
The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during the nineteenth century from suggestions by Charles Trevelyan, William Jones, Monier Monier-Williams and other scholars, and formalised by the Transliteration Committee of the Geneva Oriental Congress, in September 1894. IAST makes it possible for the reader to read the Indic text unambiguously, exactly as if it were in the original Indic script. It is this faithfulness to the original scripts that accounts for its continuing popularity amongst scholars. Usage Scholars commonly use IAST in publications that cite textual material in Sanskrit, Pāḷi and other classical Indian languages. IAST is also used for major e-text repositories such as SARIT, Muktabodha, GRETIL, and sanskritdocuments.org. The IAST scheme represents more than a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishnanattam
Krishnaattam (Malayalam: കൃഷ്ണാട്ടം, IAST: Kṛṣṇanāṭṭaṃ) is a temple art in Kerala, India. It is a dance drama and presents the story of Krishna in a series of eight plays and was created by Manaveda (1585–1658 AD), the then Zamorin Raja of Calicut in northern Kerala. The eight plays are: Avataram, Kaliyamardanam, Rasakrida, Kamsavadham, Swayamvaram, Banayuddham, Vividavadham and Swargarohanam. It survives in its glory at the Guruvayur Sri Krishna temple (Thrissur district, Kerala, India). The troupe of players, once maintained by Zamorin of Calicut came to Guruvayur Devaswom. in 1958.The only troupe of artists are well maintained by devaswom till date. Origin Krishnanattam is based on Krishnagiti (1654 AD) written by Manaveda, Zamorin of Kozhikode. It is believed that the Zamorin had a vision of Krishna who gave the king a peacock feather, which became the living symbol of this dance-drama. Krishnanattam players wore a peacock feather a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nambiar (Ambalavasi Caste)
The Nambiar (also written as Nambyar) is a Hindu Ambalavasi caste of Kerala. Ambalavasi Nambiars wear sacred thread like Brahmins and is traditionally considered as a higher caste to Nairs including same name bearing Nair-Nambiar caste which usually leads to confusion. See also *Kunchan Nambiar *Mizhavu *Ottan Thullal *Chakyar koothu Chakyar Koothu (pronounced ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the ''Ramayana'' and the ''Mahabharata'') and stories from ... References * {{DEFAULTSORT:Nambiar (Ambalavasi Mizhavu) Social groups of India Indian castes Kerala society Malayali Brahmins Hindu communities ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pushpakan Unni
Pushpaka is a caste of Hindu Brahmins of Kerala. In Malayalam language, this caste is also referred to as Pushpakan, Pushpakar, Pushpaka Unni or Pushpakan Unni. They are a part of the Ambalavasi community in Kerala. They carry out the various activities of the temple like teaching of sacred texts, assisting in pooja, garland making, lamp bearing, blowing Sankha (conch shell) during puja etc., and sometimes they perform actual priestly activities also. The male members of this caste generally use the surname Unni with their name. Apart from the prevalent practice of using the title "Unni" as surname, Pushpakas also commonly use other surnames, such as Nambi and Sarma. Pushpakas are also classified based on their gotra, or patrilineal descent, and the Veda that they follow. Pushpaka women are known as Pushpakathi. Pushpaka men are addressed by their surname ''Unni'' or ''Nambi'', while pushpaka women are addressed as ''Atheramma''. Pushpaka house is known as ''Matham'' ( ml, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhadrakali Theeyattu
Bhadrakali (IAST: Bhadrakālī; ), also known as Mahakali and Kali, is a Hindu goddess. According to Shaktism, she is one of the fierce forms of the Supreme Goddess Shakti, or Adi Parashakti, mentioned in the Devi Mahatmyam. In Vaishnavism, Bhadrakali is among the many epithets of Yogamaya, the internal potency of illusion of the preserver deity, Vishnu. According to several Puranas, Bhadrakali is a form of the goddess Parvati. She is worshipped in Kerala as Bhagavati, Mahakali, Chamunda, Sree Kurumba, and Kariam Kali Murti. She is purported to be the auspicious and fortunate form of Mahakali who protects the good, known as Bhadra. Etymology In Sanskrit, ''Bhadra'' means ''auspicious.'' Another interpretation of this name is that ''Bhadra'' comes from 'Bha' and 'dra', The letter 'Bha' means 'delusion' or 'Maya'and 'dra' is used as a superlative i.e. meaning 'the most/the greatest etc.' which makes the meaning of Bhadra as ''Maha Maya''. In other words, maya represents the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margi Madhu In Koodiyattam As Ravanan
Margi ( gr, Μαργί) is a village located in the Nicosia District of Cyprus. Before 1960, the village population was made up almost exclusively of Turkish Cypriot Turkish Cypriots or Cypriot Turks ( tr, Kıbrıs Türkleri or ''Kıbrıslı Türkler''; el, Τουρκοκύπριοι, Tourkokýprioi) are ethnic Turks originating from Cyprus. Following the Ottoman conquest of the island in 1571, about 30,00 ...s. References Communities in Nicosia District Turkish Cypriot villages depopulated after the 1974 Turkish invasion of Cyprus {{Cyprus-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varna (Hinduism)
''Varṇa'' ( sa, वर्ण, varṇa), in the context of Hinduism, refers to a social class within a hierarchical caste system in India, caste system. The ideology is epitomized in texts like ''Manusmriti'', which describes and ranks four varnas, and prescribes their occupations, requirements and duties, or ''Dharma''. *Brahmins: Vedas, Vedic scholars, priests or teachers. *Kshatriyas: Rulers, administrators or warriors. *Vaishyas: Agriculturalists, farmers or merchants. *Shudras: Artisan, Artisans, laborers or servants. Communities which belong to one of the four varnas or classes are called savarna Hindus. The Dalits and tribes, tribals who do not belong to any varna were called avarna. This quadruple division is a form of social stratification, quite different from the more nuanced system ''Jātis'' which correspond to the European term caste system in India, "caste". The varna system is discussed in Hindu texts, and understood as idealised human callings. The concept i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matrilineality
Matrilineality is the tracing of kinship through the female line. It may also correlate with a social system in which each person is identified with their matriline – their mother's lineage – and which can involve the inheritance of property and/or titles. A matriline is a line of descent from a female ancestor to a descendant (of either sex) in which the individuals in all intervening generations are mothersin other words, a "mother line". In a matrilineal descent system, an individual is considered to belong to the same descent group as their mother. This ancient matrilineal descent pattern is in contrast to the currently more popular pattern of patrilineal descent from which a family name is usually derived. The ''matriline'' of historical nobility was also called their enatic or uterine ancestry, corresponding to the patrilineal or "agnatic" ancestry. Early human kinship In the late 19th century, almost all prehistorians and anthropologists believed, followi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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