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Punkhouse
''Punkhouse'' is the first EP by the Chicago-based punk rock band Screeching Weasel. The EP was originally released on 7-inch vinyl with a limited pressing of 500 copies on July 7, 1989 through Limited Potential Records. It was the band's only non-compilation release to feature drummer Brian Vermin and the first to feature Dan Vapid (then known as Sewercap), who would be featured on many later Screeching Weasel albums. Musically, the songs on ''Punkhouse'' are in a similar vein to the band's previous album ''Boogadaboogadaboogada!'', albeit with a rougher sound. The EP went out of print quickly, and vocalist Ben Weasel repressed it himself on his own label No Budget Records in 1991 without a jacket. The last repress was by Selfless Records in 1993, who released it with a slightly different cover from the original. The song "Fathead" was later re-recorded for the group's third album ''My Brain Hurts'' in 1991 and all the original tracks from the EP were included on the compilation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Screeching Weasel
Screeching Weasel is an American punk rock band consisting of Ben Weasel (vocals), Mike Kennerty (guitar), Mike Hunchback (guitar), Zach "Poutine" Brandner (bass) and Pierre Marche (drums). Screeching Weasel is originally from the Chicago suburb of Prospect Heights, Illinois. The band was formed in 1986 by Ben Weasel and John Jughead. Since their formation, Screeching Weasel have reformed several times with lineup changes. Ben Weasel has been the only constant member, though Jughead was present in every incarnation of the band until 2009. Other prominent members include guitarist/bassist Dan Vapid and drummer Dan Panic, who have each appeared on six of the band's studio albums, and Green Day bassist Mike Dirnt who appeared on one. Screeching Weasel has recorded 14 studio albums so far, splitting time between a number of famous independent record labels such as Lookout! Records and Fat Wreck Chords. Despite never achieving mainstream success, a number of largely popular acts cit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Brain Hurts
''My Brain Hurts'' is the third studio album by the Chicago-based punk rock band Screeching Weasel. The album was originally released on CD, vinyl and cassette in September 1991 through Lookout Records. It was the group's first album on Lookout as well as the only release with bassist Dave Naked and the first with drummer Dan Panic, the latter of which would go on to appear on several of the band's albums. The album marked a very distinct stylistic shift for the group, fully moving toward a Ramones-inspired sound and completely abandoning their previous hardcore punk influences as a condition made by vocalist Ben Weasel when reforming the band after a brief break-up.Screeching Weasel - ''Kill the Musicians'' liner notes. Retrieved 2016-02-07 After the release of ''My Brain Hurts'', the band grew increasingly popular within the punk community and began drawing bigger crowds at their shows, which Weasel later admitted put pressure on him when recording the follow-up album ''Wiggle (al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kill The Musicians
''Kill the Musicians'' is a compilation album released in 1995 which was meant to serve as a "cleaning up" of loose ends after Screeching Weasel's breakup in 1994. The compilation collects demos, B-sides, vinyl-only EPs, and other various odds and ends the band had accumulated in their career from 1989 to 1994. It came on the heels of 1994's ''How to Make Enemies and Irritate People'', which itself was a collection of the final songs the band had written prior to splitting up. The band would soon reform in 1996 and remain together again until 2000, when they disbanded again. This collection was out of print for a short period until it was remastered and re-released by Asian Man Records in 2005. The original album contained an in-depth essay written by Ben Weasel covering the history of the band. This was later omitted from the re-issue. In 2010, Recess Records had intentions to release a double LP vinyl reissue, however production was aborted and only a small amount of test pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dan Vapid
Dan Schafer (born January 18, 1970), better known by his stage name Dan Vapid, is a punk rock musician from Chicago, Illinois, United States. He is best known for his participation in Screeching Weasel, The Riverdales, The Methadones, and various other punk rock/pop punk bands. His current band is Dan Vapid and the Cheats. Generation Waste Schafer's first band was the hardcore punk band Generation Waste, formed in 1985. They were around for 4 years and recorded one album, which remains unreleased. He was the vocalist and the other band members were Ted Domurat (later of Gear) on guitar, Frank Ciampi (later of Tension Wire, Devastation, Mindfunk) on bass and Dave Juarez on drums. Juarez was later replaced by Pat Buckley (later of Gear, The Vindictives (as "P.J. Parti")). Screeching Weasel In 1989, Schafer became the bass player for Screeching Weasel, though he switched back and forth from bass to guitar several times over the band's history. He performs under the pseudonym Dan V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy James And The Shondells
Tommy James and the Shondells are an American pop rock/psychedelic rock band, formed in Niles, Michigan, in 1964. They had two No. 1 singles in the U.S. – " Hanky Panky" (July 1966, their only RIAA Certified Gold record) and "Crimson and Clover" (February 1969) – and also charted twelve other top 40 hits, including five in the Hot 100's top ten: "I Think We're Alone Now", "Mirage", " Mony Mony", "Sweet Cherry Wine", and "Crystal Blue Persuasion". History Origins The band The Echoes formed in 1959 in Niles, Michigan, then evolved into Tom and the Tornadoes, with 12-year-old Tommy James (then known as Tommy Jackson) as lead singer. While attending Niles High School in Niles, Michigan, the group released its first single, "Long Pony Tail", in 1962.Tommy James and the Shondells. ''40 Years: The Complete Singles Collection (1966–2006)''. CD booklet. Aura Records, 2008. In 1964, James renamed the band the Shondells because the name "sounded good" and in honor of nearby Fort ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Sorrondeguy
Martin Sorrondeguy (born December 3, 1967) is the singer of American hardcore punk bands Los Crudos and Limp Wrist, the founder of the DIY record label Lengua Armada Discos, and a prominent figure in both the straight edge scene and the queercore scene. He currently does vocals in the band Needles. Biography Martin Sorrondeguy was born in Montevideo, Uruguay, and grew up in Chicago, United States. He sang about many issues facing Spanish speaking minorities in the U.S. as the vocalist for Los Crudos. The band recorded in both Spanish and English, releasing many recordings, and toured in South America and Mexico, as well as the U.S. and Canada. Sorrondeguy created the independent record label Lengua Armada Discos to release his bands records. While in Los Crudos, Sorrondeguy began making his documentary film ''Beyond The Screams: A U.S. Latino Hardcore Punk Documentary''. The film was released in 2004. It was during the time he was vocalist for Los Crudos that Sorrondegu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
