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Pucker (album)
''Pucker'' is a 2013 album by jazz drummer Scott Amendola and guitarist Charlie Hunter. It's the second of the pair's albums as co-leaders, following the Hunter-fronted ''Not Getting Behind Is the New Getting Ahead''; this time, Amendola receives top billing and the majority of the song credits. Track listing All songs written by Scott Amendola except where noted. #"Leave On" – 4:18 #"Pucker" – 2:38 #"Deep Eyes" – 5:03 #"Tiny Queen" – 5:28 #"Scott's Tune" (Tony Gottuso) – 4:38 #"Rubbed Out" – 4:48 #"Sharp Tooth" – 3:38 #"The Mighty" – 5:26 #"Buffalo Bird Women" – 4:47 Personnel * Charlie Hunter – seven-string guitar, producer * Scott Amendola – drums, producer References

2013 albums Charlie Hunter albums Blues albums by American artists {{2010s-jazz-album-stub ...
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Scott Amendola
Scott Amendola (born February 6, 1969) is an American drummer from the San Francisco Bay Area. His styles include jazz, blues, groove, and rock.Andrew Gilbert"Exploring New Degrees In Drumming" ''sfgate.com'', October 3, 2004. Amendola is originally from New Jersey and studied at the Berklee School of Music in Boston. After relocating to California, he rose to popularity in the 1990s as a member of the band T.J. Kirk with Charlie Hunter, Will Bernard, and John Schott. Their second album, ''If Four Was One'', received a Grammy Awards, Grammy Award nomination. Amendola has led his own bands and trios, which have included musicians such as Nels Cline, Jenny Scheinman, Jeff Parker (musician), Jeff Parker, John Shifflett, Ben Goldberg, and Devin Hoff. He has recorded with Pat Martino, Jim Campilongo, G.E. Stinson, and Tony Furtado, among others. He is an original member of the Larry Ochs (musician), Larry Ochs Sax & Drumming Core and has been a session percussionist for Cris Williamso ...
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Charlie Hunter
Charlie Hunter (born May 23, 1967) is an American guitarist, composer, and bandleader. First coming to prominence in the early 1990s, Hunter plays custom-made seven- and eight-string guitars on which he simultaneously plays bass lines, chords, and melodies. Critic Sean Westergaard described Hunter's technique as "mind-boggling...he's an agile improviser with an ear for great tone, and always has excellent players alongside him in order to make great music, not to show off." Hunter's technique is rooted in the styles of jazz guitarists Joe Pass and Tuck Andress, two of his biggest influences, who blended bass notes with melody in a way that created the illusion of two guitars. Biography A native of Rhode Island, Hunter was around guitars at an early age because his mother repaired them for a living. He and his mother and sister lived for several years on a commune in Mendocino County, California, then settled in Berkeley. Hunter attended Berkeley High School and took lessons from ...
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Tiny Telephone Studios
Tiny may refer to: Kane Places * Tiny, Ontario, a township in Canada * Tiny, Virginia, an unincorporated community in the US * Tiny Glacier, Wyoming, US Computing * Tiny BASIC, a dialect of the computer programming language BASIC * Tiny Encryption Algorithm, in cryptography, a block cipher notable for its simplicity of description and implementation * Tiny Computers, a defunct UK computer manufacturer * TinyMCE, a web-based editor * TinyMUD, a MUD server ** MU*, a family of MUD servers often called the Tiny family Automobiles * Tara Tiny, an Indian electric car * Tiny (car), a British cyclecar manufactured between 1912 and 1915 People Nickname * Nate Archibald (born 1948), American National Basketball Association player * Tiny Bonham (1913–1949), American Major League Baseball pitcher * Tiny Bradshaw (1905–1958), American jazz and rhythm and blues bandleader, singer, composer, and musician * Tiny Broadwick (1893–1978), American pioneering parachutist * Tiny Cahoon (190 ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Jazz Rock
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ...
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Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ...
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Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ...
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Not Getting Behind Is The New Getting Ahead
''Not Getting Behind Is the New Getting Ahead'' is a 2012 album by jazz guitarist Charlie Hunter and drummer Scott Amendola. "Our intention in making this record was to tell a bunch of stories around the central theme of the album’s title," said Hunter. "The new tunes are meant to evoke some of the things you might see in your travels through the USA these days. Scott and I wanted to think of each composition as a starting point for some kind of narrative." All songs were recorded live in one room, and most are first takes. Said Amendola, "One of the best elements of this new album is that we didn't use any headphones. We could hear everything naturally and acoustically. No mixing and no fixing, straight to ¼-inch tape. It sounds incredible. My drums haven't sounded this good ever. Everything sounded just as you were naturally playing it." Track listing All songs written by Charlie Hunter. #"Assessing the Assessors, an Assessor's Assessment" – 5:32 #"Rust Belt" – 4:12 ...
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Cars/Williams/Porter/Ellington
''Cars/Williams/Porter/Ellington'' is a 2014 compilation album by jazz guitarist Charlie Hunter and drummer Scott Amendola. The album collects four EPs recorded by Hunter and Amendola in early 2014, respectively focused on the songs of The Cars, Hank Williams, Cole Porter, and Duke Ellington. Said Hunter, The idea is to do these four and see how people respond. We started thinking why do we keep making 10-song CDs. I don’t necessarily want to do 10 Hank Williams songs, but five can work well. As long as the song is good we can put it through the mill, like what we did with T.J. Kirk and the Bob Marley album I made. Track listing Part I: The Cars #" Bye Bye Love" – 5:44 #" Candy-O" – 3:43 #" Double Life" – 3:29 #" Good Times Roll" – 4:40 #" Let's Go" – 3:38 Part II: Hank Williams #" Move It On Over" – 4:43 #" I'm So Lonesome I Could Cry" – 4:07 #" Cold, Cold Heart" – 3:39 #" Ramblin' Man" – 3:17 #" Your Cheatin' Heart" – 3:37 Part III: Duke Ellingt ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Newspapers
A newspaper is a periodical publication containing written information about current events and is often typed in black ink with a white or gray background. Newspapers can cover a wide variety of fields such as politics, business, sports and art, and often include materials such as opinion columns, weather forecasts, reviews of local services, obituaries, birth notices, crosswords, editorial cartoons, comic strips, and advice columns. Most newspapers are businesses, and they pay their expenses with a mixture of subscription revenue, newsstand sales, and advertising revenue. The journalism organizations that publish newspapers are themselves often metonymically called newspapers. Newspapers have traditionally been published in print (usually on cheap, low-grade paper called newsprint). However, today most newspapers are also published on websites as online newspapers, and some have even abandoned their print versions entirely. Newspapers developed in the 17th ...
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Seven-string Guitar
The seven-string guitar adds one additional string to the more common six-string guitar, commonly used to extend the bass range (usually a low B) or also to extend the treble range. The additional string is added in one of two different ways: by increasing the width of the fingerboard such that the additional string may be fretted by the left hand; or, by leaving the fingerboard unchanged and adding a "floating" bass string. In the latter case, the extra bass string lies next to the existing bass strings, but free of the fingerboard in similar fashion as the archlute and theorbo. Such unfrettable bass strings were historically known as diapasons or bourdons. Some types of seven-string guitars are specific to certain cultures such as the Russian, Mexican, and Brazilian guitars. History The history of the seven-string guitar stretches back more than 230 years. During the Renaissance period (), the European guitar generally had four courses, each strung with two gut strings, an ...
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