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Psalmus Hungaricus (Kodály)
''Psalmus Hungaricus'', Op. 13, is a choral work for tenor, chorus and orchestra by Zoltán Kodály, composed in 1923. The Psalmus was commissioned to celebrate the fiftieth anniversary of the unification of Buda, Pest and Óbuda for a gala performance on 19 November 1923 along with the '' Dance Suite'' by Béla Bartók, and the ''Festival Overture'' by Ernő Dohnányi, who conducted the concert. The work's first performance outside Hungary took place under Volkmar Andreae in Zürich on 18 June 1926. This marked a turning point in the international recognition of Kodály as a composer, beyond his renown as an ethnomusicologist and music educator. Background The text is based on the gloss of Psalm 55, "Give ear to my prayer, oh God", by 16th-century poet, preacher, and translator . Uncommonly, Kodály chose a sacred text to mark a secular occasion; the libretto's passages of despair and call to God provide opportunities for the composer to address Hungary's tragic past and disa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
István Kertész (conductor)
István Kertész (28 August 192916 April 1973) was an internationally acclaimed Hungarian orchestral and operatic conductor who, throughout his brief career led many of the world's great orchestras, including the Cleveland, Chicago, Philadelphia, New York, Los Angeles, Pittsburgh, Detroit, San Francisco and Minnesota Orchestras in the United States, as well as the London Symphony, Vienna Philharmonic, Berlin Philharmonic, Royal Concertgebouw Orchestra, Israel Philharmonic, and L'Orchestre de la Suisse Romande. His orchestral repertoire numbered over 450 works from all periods, and was matched by a repertoire of some sixty operas ranging from Mozart, Verdi, Puccini and Wagner to the more contemporary Prokofiev, Bartók, Britten, Kodály, Poulenc and Janáček. Kertész was part of a musical tradition that produced fellow Hungarian conductors Fritz Reiner, Antal Doráti, János Ferencsik, Eugene Ormandy, George Szell, János Fürst, Ferenc Fricsay, and Georg Solti. Early lif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Symphony Orchestra
The London Symphony Orchestra (LSO) is a British symphony orchestra based in London. Founded in 1904, the LSO is the oldest of London's orchestras, symphony orchestras. The LSO was created by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades. The LSO underwent periods of eclipse in the 1930s and 1950s when it was regarded as inferior in quality to new London orchestras, to which it lost players and bookings: the BBC Symphony Orchestra and the London Philharmonic Orchestra in the 1930s and the Philharmonia Orchestra, Philharmonia and Royal Philharmonic Orchestra, Royal Philharmonic after the Second World War. The profit-sharing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brighton Festival Chorus
Brighton Festival Chorus (abbreviated to BFC) is a large choir of over 150 amateur singers based in Brighton, UK. One of the country's leading symphony choruses.., and considered "one of the jewels in the city's musical crown", BFC performs in major concert halls throughout Britain and Europe, particularly in Brighton and London. BFC performs regularly with all the major British orchestras, including the Royal Philharmonic Orchestra (RPO), BBC Symphony Orchestra (BBCSO), City of Birmingham Symphony Orchestra (CBSO), London Symphony Orchestra (LSO), The Hallé Orchestra and the Philharmonia Orchestra. BFC also has a long-standing relationship with the Brighton Philharmonic Orchestra (BPO). BFC has also made 10 appearances at the BBC Proms since its first Proms performance in 1986 and two of its many recordings of classical works have been nominated for Grammy awards. As of October 2021, the chorus has performed 656 works in 530 concerts and 93 recording sessions at 103 different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lajos Kozma
Lajos Kozma (1938–2007) was a Hungarian operatic tenor, particularly associated with lyric Italian roles, baroque operas and oratorios. Born on 2 September 1938 in Lepsény, Hungary, he studied at the Franz Liszt Academy in Budapest, and made his debut at the Budapest Opera in 1961 (as ''Malcolm''), where he won considerable acclaim as Pelléas in Debussy's '' Pelléas et Mélisande''. In 1963, he went to Italy to further his studies at the Accademia di Santa Cecilia in Rome, with Giorgio Favaretto and Franco Capuana. Beginning in 1964, he sang widely in Italy, appearing in Bologna, Venice, Florence, Trieste, Palermo, at the Rome Opera, at La Scala in Milan, and the San Carlo in Naples. His career quickly became international with guest appearances at the Vienna State Opera, the Royal Opera House in London, La Monnaie in Brussels, Amsterdam, Copenhagen, and Philadelphia. He also appeared at the Salzburg Festival and Aix-en-Provence Festival, notably as Ferrando in '' Così ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
József Simándy
József Simándy (Kistarcsa, 18 September 1916 – Budapest, 4 March 1997) was a Hungarian tenor with German origins. His name in Hungarian form is ''Simándy József'', his original family name is ''Schulder''. A student of Emilia Posszert, he joined the chorus of the Hungarian State Opera in 1940; in 1946, he made his debut as Don José in '' Carmen'' in Szeged. In 1947, he returned to the Budapest Opera, where he was the leading heroic tenor until 1984. He performed regularly in Munich as well, from 1956 until 1960. Besides heroic tenor roles, Simándy took on lyric and spinto parts as well; he was best known for his Radames, Lohengrin, and Otello. Recordings include two operas by Ferenc Erkel, ''Bánk bán'' and ''Hunyadi László László Hunyadi or Ladislaus Hunyadi ( Slovak: ''Ladislav Huňady''; 1431Bánhegyi 2008, p. 17. – 16 March 1457) was a Hungarian nobleman. Ladislaus Hunyadi was the elder of the two sons of John Hunyadi, voivode of Transylvania and later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferenc Fricsay
Ferenc Fricsay (; 9 August 1914 – 20 February 1963) was a Hungarian conductor. From 1960 until his death, he was an Austrian citizen. Biography Fricsay was born in Budapest in 1914 and studied music under Béla Bartók, Zoltán Kodály, Ernst von Dohnányi, and Leó Weiner. With these and other faculty at the Budapest Academy of Music he studied piano, violin, clarinet, trombone, percussion, composition and conducting. Fricsay made his first appearance as a conductor at age 15, substituting for his father at the podium of the Young Musicians Orchestra of Budapest. In 1930, at the age of 16, he succeeded his father as conductor of the Young Musicians Orchestra. On graduating in 1933, Fricsay became répétiteur for the chorus of the Budapest Opera; then, from 1933 to 1943, he was music director of the Szeged Philharmonic Orchestra in the third largest city in Hungary; he also served as director of its military band from 1933. In 1942, he was court-martialed by the governmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Haefliger
Ernst Haefliger (6 July 191917 March 2007) was a Swiss tenor. Biography Haefliger was born in Davos, Switzerland, on 6 July 1919 and studied at the Wettinger Seminary and the Zürich Conservatory. Later he became a pupil of Fernando Carpi in Geneva and the noted tenor Julius Patzak in Vienna. He devoted himself to lieder and choral works, and soon established a reputation for impeccable style and musicianship. Haefliger sang the Evangelist in Bach's ''St John Passion'' for the first time in Zurich, in 1943. After this debut he was engaged for several concerts in Switzerland and – after World War II – abroad. He soon won the attention of Ferenc Fricsay, who engaged him for the Salzburg Festival where Haefliger's world career started in 1949 with the role of Tiresias in Carl Orff's opera ''Antigonae''. He also sang the role of First Armed Man in ''Die Zauberflöte'' conducted by Wilhelm Furtwängler the same year at the Salzburg Festival. In 1952, he responded to the call o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antal Doráti
Antal Doráti (, , ; 9 April 1906 – 13 November 1988) was a Hungarian-born conductor and composer who became a naturalized American citizen in 1943. Biography Antal Doráti was born in Budapest, where his father Alexander Doráti was a violinist with the Budapest Philharmonic Orchestra and his mother Margit Kunwald was a piano teacher. He studied at the Franz Liszt Academy with Zoltán Kodály and Leó Weiner for composition and Béla Bartók for piano. His links with Bartók continued for many years: he conducted the world premiere of Bartók's Viola Concerto, as completed by Tibor Serly, with the Minneapolis Symphony Orchestra in 1949, with William Primrose as the soloist. He made his conducting debut in 1924 with the Budapest Royal Opera. As well as composing original works, he compiled and arranged pieces by Johann Strauss II for the ballet ''Graduation Ball'' (1940), premiered by the Original Ballet Russe in Sydney, Australia, with himself on the conductor's podiu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dallas Symphony Orchestra
The Dallas Symphony Orchestra (DSO) is an American orchestra based in Dallas, Texas. Its principal performing venue is the Morton H. Meyerson Symphony Center in the Arts District of downtown Dallas. History The orchestra traces its origins to a concert given by a group of forty musicians in 1900 with conductor Hans Kreissig. It continued to perform and grow in numbers and stature, so that in 1945 it was in a position to appoint Antal Doráti as music director. Under Doráti, the orchestra became fully professional. Several times during the history of the orchestra it has suspended operations, including periods during the First and Second World Wars from 1914 to 1918 and from 1942 to 1945, and more recently in 1974 due to fiscal restraints. Subsequent music directors have included Georg Solti, Anshel Brusilow, and Eduardo Mata. Andrew Litton was music director from 1994 to 2006. During Litton's tenure, the orchestra recorded the four Rachmaninoff piano concerti and the ''Rhapso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabor Carelli
Gabor Carelli (born as ''Krausz'', Gábor Pál) (1915 – 22 January 1999) was a Hungarian classical tenor who had an important career in operas and concerts in North America during the mid-20th century. He was notably committed to the Metropolitan Opera in New York City from 1951 to 1974 where he gave a total of 1,079 performances. Music critic Elizabeth Forbes stated that he had "a lyrical voice, a stylish technique and an aptitude for comedy." In 1964 he joined the faculty of the Manhattan School of Music, where he taught singing and worked as an ensemble instructor until his death in Manhattan at the age of 83. Life and career Born in Budapest, Carelli was the son of Hungarian Jews. He studied singing at the Franz Liszt Academy of Music while simultaneously attending Eötvös Loránd University where he earned a law degree. He pursued further studies in opera in Rome where he was a pupil of Beniamino Gigli for two years. Carelli made his stage debut in 1938 in Florence as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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