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Proserpine (Rossetti Painting)
''Proserpine'' (also ''Proserpina'') is an oil painting on canvas by English artist and poet Dante Gabriel Rossetti, painted in 1874 and now in Tate Britain. Rossetti began work on the painting in 1871 and painted at least eight separate versions, the last only completed in 1882, the year of his death. Early versions were promised to Charles Augustus Howell. The painting discussed in this article is the so-called seventh version commissioned by Frederick Richards Leyland, now at the Tate Gallery, with the very similar final version now at the Birmingham Museum and Art Gallery. History In his ''Proserpine'', the artist illustrates in his typical Pre-Raphaelite style the Greek goddess Proserpina who lives in the underworld during Winter. Although Rossetti inscribed the date 1874 on the picture, he worked for seven years on eight separate canvases before he finished with it. His Proserpine, like his model Jane Morris, is an exquisitely beautiful woman, with delicate facial featur ...
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Dante Gabriel Rossetti
Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti (), was an English poet, illustrator, painter, translator and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais. Rossetti inspired the next generation of artists and writers, William Morris and Edward Burne-Jones in particular. His work also influenced the European Symbolists and was a major precursor of the Aesthetic movement. Rossetti's art was characterised by its sensuality and its medieval revivalism. His early poetry was influenced by John Keats and William Blake. His later poetry was characterised by the complex interlinking of thought and feeling, especially in his sonnet sequence, ''The House of Life''. Poetry and image are closely entwined in Rossetti's work. He frequently wrote sonnets to accompany his pictures, spanning from '' The Girlhood of Mary Virgin'' (1849) and ''Astarte ...
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Ceres (Roman Mythology)
In ancient Roman religion, Ceres ( , ) was a goddess of agriculture, grain crops, fertility and motherly relationships.Room, Adrian, ''Who's Who in Classical Mythology'', p. 89-90. NTC Publishing 1990. . She was originally the central deity in Rome's so-called plebeian or Aventine Triad, then was paired with her daughter Proserpina in what Romans described as "the Greek rites of Ceres". Her seven-day April festival of Cerealia included the popular ''Ludi Ceriales'' (Ceres' games). She was also honoured in the May ''lustratio'' of the fields at the Ambarvalia festival, at harvest-time, and during Roman marriages and funeral rites. She is usually depicted as a mature woman. Ceres is the only one of Rome's many agricultural deities to be listed among the Dii Consentes, Rome's equivalent to the Twelve Olympians of Greek mythology. The Romans saw her as the counterpart of the Greek goddess Demeter,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. w ...
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Triptych
A triptych ( ; from the Greek language, Greek adjective ''τρίπτυχον'' "''triptukhon''" ("three-fold"), from ''tri'', i.e., "three" and ''ptysso'', i.e., "to fold" or ''ptyx'', i.e., "fold") is a work of art (usually a panel painting) that is divided into three sections, or three Wood carving, carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry. Beyond its association with art, the term is sometimes used more generally to connote anything with three parts, particularly if integrated into a single unit. In art The triptych form appears in early Christian art, and was a popular standard format for altar paintings from the Middle Ages onwards. Its geographical range was from the easter ...
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Lady Lilith
''Lady Lilith'' is an oil painting by Dante Gabriel Rossetti first painted in 1866–1868 using his mistress Fanny Cornforth as the model, then altered in 1872–73 to show the face of Alexa Wilding. The subject is Lilith, who was, according to ancient Judaic myth, "the first wife of Adam" and is associated with the seduction of men and the murder of children. She is shown as a "powerful and evil temptress" and as "an iconic, Amazon-like female with long, flowing hair."Delaware Art Museum, ''Lady Lilith
Rossetti overpainted Cornforth's face, perhaps at the suggestion of his client, shipping magnate , who displayed the painting in ...
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Veronica Veronese
''Veronica Veronese'' is an oil painting by Dante Gabriel Rossetti painted in 1872 with Alexa Wilding as the model. The painting was conceived as a companion to ''Lady Lilith.'' Rossetti sold the painting to one of his best clients, shipping magnate Frederick Richards Leyland.''Waking Dreams'', p.194. In 1923 it was acquired by the estate of Samuel Bancroft which donated it in 1935 to the Delaware Art Museum. Painting Like much of Rossetti's work of the 1860s and 1870s, ''Veronica Veronese'' was inspired by Venetian painting. It is believed to represent "the artistic soul in the act of creation". This theme is expounded by the fictitious quote inscribed on the frame of the painting. Though the quote is attributed on the frame to "The Letters of Girolamo Ridolfi," critics believe that Algernon Charles Swinburne or Rossetti actually wrote it. The symbolism in the painting includes the uncaged bird, which may represent "the marriage of the voices of nature and the soul" and overt ...
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Dante Gabriel Rossetti00
Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: ''Commedia'') and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to the most educated readers. His '' De vulgari eloquentia'' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as '' The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio would la ...
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The Blessed Damozel
"The Blessed Damozel" is perhaps the best known poem by Dante Gabriel Rossetti, as well as the title of his painting (and its replica) illustrating the subject. The poem was first published in 1850 in the Pre-Raphaelite journal '' The Germ''. Rossetti subsequently revised the poem twice and republished it in 1856, 1870 and 1873. Poem The poem was partially inspired by Edgar Allan Poe's poem "The Raven", with its depiction of a lover grieving on Earth over the death of his loved one. Rossetti chose to represent the situation in reverse. The poem describes the damozel observing her lover from heaven, and her unfulfilled yearning for their reunion in heaven. The first four stanzas of the poem are inscribed on the frame of the painting: Paintings ''The Blessed Damozel'' is the only one of Rossetti's paired pictures and poems in which the poem was completed first. Friends and patrons repeatedly urged Rossetti to illustrate his most famous poem,Treuherz et al. (2003), p. 100 and ...
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Mnemosyne (Rossetti)
__NOTOC__ ''Mnemosyne'', also titled ''Lamp of Memory'' and ''Ricordanza'', is an oil painting by Dante Gabriel Rossetti begun in 1875 or early 1876 and completed in 1881. Jane Morris was the model, and Frederick Richards Leyland bought the painting in 1881 and displayed it in his drawing room with five other Rossetti "stunners."''Waking Dreams'', p.206. At about the same time Rossetti, a founder of the Pre-Raphaelite Brotherhood, was painting ''Astarte Syriaca'', a larger painting completed in 1877 with Morris in a very similar pose. Painting ''Mnemosyne'' began as an oil study for ''Astarte Syriaca'', for which Jane Morris sat over the winter of 1875–1876,Marsh (1987), p. 130 but Rossetti later worked it up as an image of Mnemosyne, the Greek personification of Memory. Rossetti wrote to his mother about the two paintings on 29 April 1876: A month later Rossetti was considering ordering a frame for the painting and selling it to Clarence Fry. Fry declined and in July 1876 ...
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Monna Rosa
''Monna Rosa'' is the title of two oil paintings by Dante Gabriel Rossetti, both portraits of Frances Leyland, the wife of shipping magnate Frederick Richards Leyland, a regular patron of Rossetti. The earlier and smaller painting was completed in 1862 and its whereabouts is now unknown. The second was completed in 1867 and is now in a private collection. Frederick Leyland displayed the larger painting in his drawing room with five other Rossetti "stunners." Painting Rossetti wrote to Frederick Leyland about the painting on 18 June 1867: Rossetti asked Leyland to return the painting for reworking and soon finished on 3 December 1873 at Kelmscott. About the time Rossetti was painting ''Monna Rosa'', he introduced James Abbott McNeill Whistler to Leyland. ''Monna Rosa's'' peacock background and blue and white Chinese porcelain are similar to the themes in ''The Peacock Room'' that Whistler later created for Leyland. File:FRLeylandsdrawingroom1892.jpg, 320px, Six Rossetti ...
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8th Rossetti Proserpine Cropped
8 (eight) is the natural number following 7 and preceding 9. In mathematics 8 is: * a composite number, its proper divisors being , , and . It is twice 4 or four times 2. * a power of two, being 2 (two cubed), and is the first number of the form , being an integer greater than 1. * the first number which is neither prime nor semiprime. * the base of the octal number system, which is mostly used with computers. In octal, one digit represents three bits. In modern computers, a byte is a grouping of eight bits, also called an octet. * a Fibonacci number, being plus . The next Fibonacci number is . 8 is the only positive Fibonacci number, aside from 1, that is a perfect cube. * the only nonzero perfect power that is one less than another perfect power, by Mihăilescu's Theorem. * the order of the smallest non-abelian group all of whose subgroups are normal. * the dimension of the octonions and is the highest possible dimension of a normed division algebra. * the first num ...
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Jupiter (mythology)
Jupiter ( la, Iūpiter or , from Proto-Italic language, Proto-Italic "day, sky" + "father", thus "sky father" Greek: Zeus, Δίας or Zeus, Ζεύς), also known as Jove (genitive case, gen. ''Iovis'' ), is the sky god, god of the sky and god of thunder, thunder, and Pantheon (gods), king of the gods in ancient Roman religion and Roman mythology, mythology. Jupiter was the chief deity of Roman state religion throughout the Roman Republic, Republican and Roman Empire, Imperial eras, until Constantine the Great and Christianity, Christianity became the dominant religion of the Empire. In Roman mythology, he negotiates with Numa Pompilius, the second king of Rome, to establish principles of Roman religion such as offering, or sacrifice. Jupiter is usually thought to have originated as a sky god. His identifying implement is the thunderbolt and his primary sacred animal is the eagle, which held precedence over other birds in the taking of auspices and became one of the most comm ...
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Adonis
In Greek mythology, Adonis, ; derived from the Canaanite word ''ʼadōn'', meaning "lord". R. S. P. Beekes, ''Etymological Dictionary of Greek'', Brill, 2009, p. 23. was the mortal lover of the goddess Aphrodite. One day, Adonis was gored by a wild boar during a hunting trip and died in Aphrodite's arms as she wept. His blood mingled with her tears and became the anemone flower. Aphrodite declared the Adonia festival commemorating his tragic death, which was celebrated by women every year in midsummer. During this festival, Greek women would plant "gardens of Adonis", small pots containing fast-growing plants, which they would set on top of their houses in the hot sun. The plants would sprout, but soon wither and die. Then the women would mourn the death of Adonis, tearing their clothes and beating their breasts in a public display of grief. The Greeks considered Adonis's cult to be of Near Eastern origin. Adonis's name comes from a Canaanite word meaning "lord" and most mod ...
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