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Promotionen
Promotionen (''Graduations''), Op. 221, is the name of a waltz composed by Johann Strauss II. It was dedicated to the law students at Vienna University, and was first performed under the title of ''Die Präparanden'', a term referring to students who are preparing for their final examinations. The waltz was not very successful when first performed in the Sofienbad-Saal on February 8, 1859: the ''Fremden-Blatt'', although praising the execution of the waltz, said that it "lacked the rhythm and melody of older Strauss compositions." However, a reviewer for the ''Wiener Allgemeine Theaterzeitung'' was less critical of the composition, commenting that "in particular the first, third and fifth altz sectionsare rich in fresh and attractive melodies ..through this composition Strauss has lately demonstrated that he still has at his disposal a profusion of piquant and original melodies." The ''Promotionen'' waltz soon fell out of the Strauss Orchestra's repertoire, but the composer late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farewell To America
''Farewell to America'' (Opus number, w/o op.) is the name of a waltz composed by Johann Strauss II. In the immediate wake of the composer's visit to the United States in the summer of 1872, when he conducted several times in Boston and New York City, New York, no less than seven publishers issued waltzes supposedly composed by Strauss. Only two from the total of nine compositions that were published are known to have been performed by Strauss during his tour of the United States: the ''Jubilee Waltz'' and the ''Manhattan Waltzes''. It is unknown whether or not the other compositions that were published were written by Strauss while he was in America, completed by him after his return to Vienna and sent through the mail, or that some of the publications had nothing to do with Strauss himself, but were compiled by publishers anxious to benefit from Strauss' American tour and the clamour for new Strauss music. Unlike its companion waltz, the ''Greeting to America'',STRAUSS II, J.: Edit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Strauss II
Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer" (Emperor Waltz), "Tales from the Vienna Woods", "Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, ''Die Fledermaus'' and ''Der Zigeunerbaron'' are the best known. Strauss was the son of Johann Strauss I and his first wife Maria Anna Streim. Two younger brothers, Josef and Eduard Strauss, also became composers of light music, although they were never as well known as their brot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna University
The University of Vienna (german: Universität Wien) is a public university, public research university located in Vienna, Austria. It was founded by Rudolf IV, Duke of Austria, Duke Rudolph IV in 1365 and is the oldest university in the Geographical distribution of German speakers, German-speaking world. With its long and rich history, the university has developed into one of the largest universities in Europe, and also one of the most renowned, especially in the Humanities. It is associated with 21 List of Nobel laureates, Nobel prize winners and has been the academic home to many scholars of historical as well as of academic importance. History From the Middle Ages to the Enlightenment The university was founded on March 12, 1365, by Rudolf IV, Duke of Austria, hence the name "Alma Mater Rudolphina". After the Charles University in Prague and Jagiellonian University in Kraków, the University of Vienna is the third oldest university in Central Europe and the oldest universit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sofienbad-Saal
The Sofiensaal is a concert hall and recording venue located in Vienna, Austria. It is situated on Marxergasse, in the city's third district of Landstraße. The building burned down on 16 August 2001, but it was rebuilt and opened once again in December 2013. Creation and initial use The building was completed in 1826. It was named after Princess Sophie of Bavaria, the mother of Emperor Franz Josef I. It was originally used as a steam bath and known as the Sofienbad. Between 1845 and 1849, it was converted by the architects August Sicard von Sicardsburg and Eduard van der Nüll into a dance hall and renamed the Sofiensaal. Johann Strauss I performed there regularly and conducted at the opening ball of the house in 1848. Many of the Strauss family's waltzes were first performed there.Death of a princess [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltzes By Johann Strauss II
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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