Prologue High School
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Prologue High School
A prologue or prolog (from Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek ''prólogos'' included the modern meaning of ''prologue'', but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded. Latin On the Latin stage the prologue was often more elaborate than it was in Athens, and in the careful composition of the poems which Plautus prefixes to his plays we see what importance he gave to this portion of the entertainment; sometimes, as in the preface to the ''Rudens'', Plautus rises to the height of his genius in his adroit and romantic pro ...
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Ancient Greek
Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic period (), and the Classical period (). Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical periods of the language. From the Hellenistic period (), Ancient Greek was followed by Koine Greek, which is regarded as a separate historical stage, although its earliest form closely resembles Attic Greek and its latest form approaches Medieval Greek. There were several regional dialects of Ancient Greek, of which Attic Greek developed into Koine. Dia ...
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Induction (play)
An induction in a play is an explanatory scene, summary or other text that stands outside or apart from the main play with the intent to comment on it, moralize about it or in the case of dumb show—to summarize the plot or underscore what is afoot. Typically, an induction precedes the main text of a play. Inductions are a common feature of plays written and performed in the Renaissance period, including those of Shakespeare. While Shakespeare plays do not typically have inductions, they are sometimes depicted as part of the device of the play within the play. Examples include the dumb show in ''Hamlet'' and the address to the audience by Puck in ''A Midsummer Night's Dream''. Another example, in ''The Spanish Tragedy'' by Thomas Kyd, is the introduction to that play by the ghost of Andrea who preps the audience by laying out the story to come. Likewise, Shakespeare's ''The Taming of the Shrew'' opens with induction scenes which involve characters watching the play proper. See als ...
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Preface
__NOTOC__ A preface () or proem () is an introduction to a book or other literary work written by the work's author. An introductory essay written by a different person is a '' foreword'' and precedes an author's preface. The preface often closes with acknowledgments of those who assisted in the literary work. It often covers the story of how the book came into being, or how the idea for the book was developed; this may be followed by thanks and acknowledgments to people who were helpful to the author during the time of writing. A preface is often signed (and the date and place of writing often follow the typeset signature); a foreword by another person is always signed. Information essential to the main text is generally placed in a set of explanatory notes, or perhaps in an "Introduction" that may be paginated with Arabic numerals, rather than in the preface. The term ''preface'' can also mean any preliminary or introductory statement. It is sometimes abbreviated ''pref''. Pre ...
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Loa (Spanish Play)
A loa is a short theatrical piece, a prologue, written to introduce plays of the Spanish Golden Age or Siglo de Oro during the 16th and 17th centuries. These plays included ''comedias'' (secular plays) and '' autos sacramentales'' (sacred/religious plays). The main purposes for the loa included initially capturing the interest of the audience, pleading for their attention throughout the play, and setting the mood for the rest of the performance. This Spanish prologue is specifically characterized by praise and laudatory language for various people and places, often the royal court for example, to introduce the full-length play. The loa was also popular with Latin American or "New World" playwrights during the 17th and 18th centuries through Spanish colonization. Purpose During 16th century public performances of comedias in Madrid, Spain would begin at 2pm in courtyards and later corrales. Audiences would arrive early and vendors would sell foods. Soon these audiences would beco ...
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Introduction (writing)
In an essay, article, or book, an introduction (also known as a prolegomenon) is a beginning section which states the purpose and goals of the following writing. This is generally followed by the body and conclusion. Common features and techniques The introduction typically describes the scope of the document and gives a brief explanation or a summary of the document. It may also explain certain elements that are important to the document. The readers can thus have an idea about the following text before they actually start reading it. The University of Toronto provides advice about how to write essays: A good introduction should identify your topic, provide essential context, and indicate your particular focus in the essay. It also needs to engage your readers’ interest. Some authors write their introduction first, while others prefer to leave it for a later stage in the writing process; another option is to start with a rough draft introduction, and then come back to finis ...
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Interlude (other)
Interlude may refer to: *a short play or, in general, any representation between parts of a larger stage production *''Entr'acte'', a piece of music performed between acts of a theatrical production *a section in a movement of a musical piece, see: Bridge or Break *a piece of music composed of one or more movements, to be inserted between sections of another composition: see also intermezzo, and for the Baroque era, sinfonia Music Albums * ''Interlude'' (Billy Taylor album), 1961 * ''Interlude'' (Toshiko Akiyoshi album), 1987 * ''Interlude'' (Kool Moe Dee album), 1994 * ''Interlude'' (EP), a 1999 EP by Iron Savior * ''Interlude'' (Saint Etienne album), 2001 * ''Interlude'' (David Lyttle album), 2012 * ''Interlude'' (Delain album), 2013 * ''Interlude'' (Jamie Cullum album), 2014 Songs *"Interlude" (aka " A Night in Tunisia"), a 1942 composition by Dizzy Gillespie * "Interlude" (1957 song), a Skinner/Webster song recorded by the McGuire Sisters in 1957 *a song by Cardiacs on the al ...
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Foreword
A foreword is a (usually short) piece of writing, sometimes placed at the beginning of a book or other piece of literature. Typically written by someone other than the primary author of the work, it often tells of some interaction between the writer of the foreword and the book's primary author or the story the book tells. Later editions of a book sometimes have a new foreword prepended (appearing before an older foreword if there was one), which might explain in what respects that edition differs from previous ones. When written by the author, the foreword may cover the story of how the book came into being or how the idea for the book was developed, and may include thanks and acknowledgments to people who were helpful to the author during the time of writing. Unlike a preface, a foreword is always signed. Information essential to the main text is generally placed in a set of explanatory notes, or perhaps in an introduction, rather than in the foreword or like preface. The ...
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Epilogue
An epilogue or epilog (from Greek ἐπίλογος ''epílogos'', "conclusion" from ἐπί ''epi'', "in addition" and λόγος ''logos'', "word") is a piece of writing at the end of a work of literature, usually used to bring closure to the work. It is presented from the perspective of within the story. When the author steps in and speaks directly to the reader, that is more properly considered an afterword. The opposite is a prologue—a piece of writing at the ''beginning'' of a work of literature or drama, usually used to open the story and capture interest. Some genres, for example television programs and video games, call the epilogue an "outro" patterned on the use of "intro" for "introduction". Epilogues are usually set in the future, after the main story is completed. Within some genres it can be used to hint at the next installment in a series of work. It is also used to satisfy the reader's curiosity and to cover any loose ends of the story. History of the term T ...
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Epigraph (literature)
In literature, an epigraph is a phrase, quotation, or poem that is set at the beginning of a document, monograph or section thereof. The epigraph may serve as a preface to the work; as a summary; as a counter-example; or as a link from the work to a wider literary canon, with the purpose of either inviting comparison or enlisting a conventional context. A book may have an overall epigraphy that is part of the front matter, or one for each chapter. Examples * As the epigraph to '' The Sum of All Fears'', Tom Clancy quotes Winston Churchill in the context of thermonuclear war:Why, you may take the most gallant sailor, the most intrepid airman or the most audacious soldier, put them at a table together – what do you get? The sum of their fears. * The long quotation from Dante's ''Inferno'' that prefaces T. S. Eliot's "The Love Song of J. Alfred Prufrock" is part of a speech by one of the damned in Dante's Hell. * The epigraph to E. L. Doctorow's ''Ragtime'' quotes Scott Joplin' ...
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The Museum Of Eterna's Novel
''The Museum of Eterna's Novel'' (original Spanish-language title: ''Museo de la Novela de la Eterna'') is an avant-garde experimental novel by the Argentine writer Macedonio Fernández. The book has been described as Fernández' masterwork. Fernández started writing it in 1925, and continued working on it for the rest of his life. It was published posthumously in 1967, 15 years after his death. Fernández is widely regarded as a major influence on Jorge Luis Borges, and its writing style bears some resemblance to Borges'. It has been described as an "anti-novel". The book is written in a non-linear style, as a set of multi-layered diversions, discursions and self-reflections, with over fifty prologues before the "main" text of the novel begins. See also * Ultraist movement The Ultraist movement () was a literary movement born in Spain in 1918, with the declared intention of opposing Modernismo, which had dominated Spanish poetry since the end of the 19th century. The m ...
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Canterbury Tales
''The Canterbury Tales'' ( enm, Tales of Caunterbury) is a collection of twenty-four stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400. It is widely regarded as Chaucer's ''magnum opus''. The tales (mostly written in verse, although some are in prose) are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return. It has been suggested that the greatest contribution of ''The Canterbury Tales'' to English literature was the popularisation of the English vernacular in mainstream literature, as opposed to French, Italian or Latin. English had, however, been used as a literary language centuries before Chaucer's time, and several of Chaucer's contemporaries—John Gower, William Langland, the Pearl Poet, and J ...
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