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Production Schedule
The production schedule is a project plan of how the production budget will be spent over a given timescale, for every phase of a business project. The scheduling process starts with the script, which is analysed and broken down, scene by scene, onto a sequence of breakdown sheets, each of which records the resources required to execute the scene. These resources include: * Cast Actors * Special Effects * Wardrobe * Special Equipment * Stunts * Extras/Silent Bits * Props * Make-up/Hair * Extras/Atmosphere * Vehicles/Animals * Sound Effects/Music * Production Notes * Others From the breakdown sheets, the Production Manager compiles a production board which is used as the basis for a shooting schedule for every day of the shoot. See also Breaking down the script References * ''Film Scheduling'' by Dennis . King (2nd Ed, 1991) * ''Film Production Management'' by Bastian Clevé Bastian Clevé (born 1 January 1950, in Munich), is a German filmmaker and producer. He is Profess ...
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Project Plan
A project plan, according to the Project Management Body of Knowledge (PMBOK), is: "...a formal, approved document used to guide both ''project execution'' and ''project control''. The primary uses of the project plan are to document planning assumptions and decisions, facilitate communication among ''project stakeholders'', and document approved scope, cost, and schedule ''baselines''. A project plan may be summarized or detailed." The latest edition of the PMBOK (v6) uses the term ''project charter'' to refer to the contract that the project sponsor and project manager use to agree on the initial vision of the project (scope, baseline, resources, objectives, etc.) at a high level. In the PMI methodology described in the PMBOK v5, the project charter and the project management plan are the two most important documents for describing a project during the initiation and planning phases. PRINCE2 defines a project plan as: :"...a statement of how and when a project's objectives ...
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Production Budget
Production budget is a term used specifically in film production and, more generally, in business. A "film production budget" determines how much will be spent on the entire film project. This involves identifying the elements and then estimating their cost, for each phase of filmmaking (development, pre-production, production, post-production and distribution). The budget structure normally separates " above-the-line" (creative) and " below-the-line" (technical) costs. In business, "production budget" refers to the budget set by a corporation for the number of units of a product that will be required and produced; (archived) see demand forecasting, capacity planning and ; and financial forecast more generally. See also *Film budgeting *Television crew *Budget References Sources * ''Film Budgeting'' by Ralph S. Singleton (1996) * ''Film Production Management'' by Bastian Clevé Bastian Clevé (born 1 January 1950, in Munich), is a German filmmaker and producer. He ...
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Production Board
A traditional production board, stripboard, or production strip is a filmmaking term for a cardboard or wooden chart displaying color-coded strips of paper, each containing information about a scene in the film's shooting script. The strips can then be rearranged and laid out sequentially to represent the order one wants to film in, providing a schedule that can be used to plan the production. This is done because most films are shot "out of sequence," meaning that they do not necessarily begin with the first scene and end with the last. For logistical purposes, scenes are often grouped by talent or location and are arranged to accommodate the schedules of cast and crew. A production board is not to be confused with a Stripboard used for electronics prototyping. A modern version of a strip board will commonly be printed using dedicated computer software, such as MovieMagic Scheduling, Celtx, or Scenechronize, or by customizing general purpose software such as OpenOffice.org Calc or ...
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Shooting Schedule
A shooting schedule is a project plan of each day's shooting for a film production. It is normally created and managed by the assistant director, who reports to the production manager managing the production schedule The production schedule is a project plan of how the production budget will be spent over a given timescale, for every phase of a business project. The scheduling process starts with the script, which is analysed and broken down, scene by scene, .... Both schedules represent a timeline stating where and when production resources are used. References External links Online sample pages of shooting schedule for "Poltergeist"Online sample pages of shooting schedule for "Orlando" Film production Television terminology {{tv-term-stub ...
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Breaking Down The Script
A script breakdown is an intermediate step in the production of a play, film, comic book, or any other work that is originally planned using a script. Film and television In film and television, a script breakdown is an analysis of a screenplay in which all of the production elements are reduced into lists. Within these lists, are in essence the foundation of creating a production board, which is fundamental in creating a production schedule and production budget of an entire production of any film or television program in pre-production. This process is a very tedious and complex task, and is usually the responsibility of the Assistant Director or first or 1AD within the production staff of any given production company. However, many film directors, film producers have knowledge of breaking down a script. In particular, literally breaking down the script is a very a thorough and detailed creative analysis of dramatic action in filmmaking, highlighting the reciprocal struggle, t ...
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Bastian Clevé
Bastian Clevé (born 1 January 1950, in Munich), is a German filmmaker and producer. He is Professor and Head of the Film Production-Department at the Film Academy Baden-Wuerttemberg in Ludwigsburg, Germany. Biography Clevé grew up in Hamburg. After a two-year stint as sound-assistant at the TV-studios in Munich he studied ''Visual Communication'' in Hamburg at the Hochschule für bildende Künste Hamburg (University of Fine Arts of Hamburg) where he continued filmmaking. In 1975/76 he was awarded a one-year scholarship by the German Academic Exchange Service ''DAAD'' to study at the San Francisco Art Institute. He was touring with his experimental short films throughout the continent. After a brief return to Germany he relocated to Los Angeles in 1979 where he worked as a freelance writer, director and producer. In 1991 he returned to Germany to become Professor and Head of the Department for “Film Production and the Business of Entertainment” at the newly established Film ...
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