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Prodigal Sons
''Prodigal Sons'' is a studio album by the Irish folk group The Dubliners. Produced by Bill Whelan, who later became famous for ''Riverdance'', this album featured cellist Nigel Warren-Green as guest musician. Although Luke Kelly recorded his famous versions of " Raglan Road" and "Song for Ireland" during these sessions, neither track featured on this album, although Seán Cannon's version of "Song for Ireland" did. The two Kelly recordings would first appear on the compilation album, '' Luke's Legacy'' after his death. The album took its name from John Sheahan's composition, "The Prodigal Son". The album featured both contemporary and traditional songs as well as instrumental pieces. Track listing Side One: # "Building Up and Tearing England Down" (Dominic Behan) # "Jigs - My Darling Asleep/Paddy in London/An Tathair Jack Walsh" # "The Newry Highwayman" # "When Margaret Was Eleven" (Pete St. John) # "Prodigal Son" (John Sheahan) Side Two: # "The Waterford Boys" # "Reels - Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dubliners
The Dubliners were an Folk music of Ireland, Irish folk band founded in Dublin in 1962 as The Ronnie Drew Ballad Group, named after its founding member; they subsequently renamed themselves The Dubliners. The line-up saw many changes in personnel over their fifty-year career, but the group's success was centred on lead singers Luke Kelly and Ronnie Drew. The band garnered international success with their lively Irish folk songs, traditional street ballads and instrumentals. The band were regulars on the folk scenes in both Dublin and London in the early 1960s, and were signed to the Major Minor Records, Major Minor label in 1965 after backing from Dominic Behan who was paid by Major-Minor to work with the Dubliners and help them to build a better act fit for larger concert hall venues. The Dubliners worked with Behan regularly between 1965 and 1966; Behan wrote numerous songs for this act including the song McAlpine's Fusiliers created specifically to showcase Ronnie Drew's grave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dubliners Albums
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun '' thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eamonn Campbell
Eamonn Campbell (29 November 1946 – 18 October 2017) was an Irish musician who was a member of The Dubliners from 1987 until his death. He was also in the Dubliners when they recorded their 25th anniversary show on '' The Late Late Show'' hosted by Gay Byrne. He is known as a guitarist and has a rough voice similar to the late Dubliner founding member Ronnie Drew. He toured with three other ex-Dubliners as "The Dublin Legends", now that the group name has been retired with the death of Barney McKenna. Campbell was originally from Drogheda in County Louth, but latterly lived in Walkinstown, a suburb of Dublin. It was his suggestion that the Dubliners work with London-based Irish band The Pogues in the mid-1980s, thus giving them their second biggest UK hit to date ("The Irish Rover"); their biggest hit was Seven Drunken Nights which reached number 7 in the charts in 1967. and an appearance on ''Top of the Pops''. He produced all of the Dubliners' albums from 1987 onwards, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seán Cannon
Seán Cannon (born 29 November 1940 in Galway) is an Irish musician. Since 1982 he has been a guitarist for The Dubliners and their follow-up-band The Dublin Legends. Early life Seán Cannon was born in Galway, Ireland. He travelled around Europe at an early age, rambling in England, Germany, Switzerland and Spain. It was during these trips that Cannon learned to speak several languages. He moved to England and became a renowned solo artist, playing in almost every folk club in Britain. Family Cannon married Pamela Blick and has two sons, James and Robert Cannon. They later divorced. Seán Cannon lives in Coventry, United Kingdom. His father, Jim Cannon, was born in Donegal, but moved to Galway City and married Kathleen Byrne, who came from Ballinue, Aughrim, Co Galway. Family still living in Ireland: cousin Martin Byrne, living in Banagher Co Offaly, Seamus Byrne Florencecourt Enniskillen Co Fermanagh, cousin Tom Forde living in Ballinasloe, Co Galway. Career By 1969, Cannon ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barney McKenna
Bernard Noël "Banjo Barney" McKenna (16 December 1939 – 5 April 2012) was an Irish musician and a founding member of The Dubliners. He played the tenor banjo, violin, mandolin, and melodeon. He was most renowned as a banjo player. Biography Born in Donnycarney, Dublin, McKenna played the banjo from an early age, beginning because he could not afford to buy the instrument of his choice, a mandolin. He was a member of The Dubliners from 1962 and was the only living member of the original (1962) formation at the time of his death. Prior to joining the Dubliners, he had spent a few months in The Chieftains. In addition to his work on traditional Irish music, he also played jazz on occasion. Artistic performance Barney used GDAE tuning on a 19-fret tenor banjo, an octave below fiddle/mandolin and, according to musician Mick Moloney, was single-handedly responsible for making the GDAE-tuned tenor banjo the standard banjo in Irish music. Barney remained a great favourite with li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronnie Drew
Joseph Ronald Drew (16 September 1934 – 16 August 2008) was an Irish people, Irish singer, folk musician and actor who achieved international fame during a fifty-year career recording with The Dubliners. He is most recognised for his lead vocals on the single "Seven Drunken Nights" and "The Irish Rover" both charting in the UK top 10 and then performed on ''Top of the Pops, TOTP''. He was recognisable for his long beard and pale blue eyes and his voice, which was once described by Nathan Joseph as being "like the sound of Coke (fuel), coke being crushed under a door". Early life Ronnie Drew was born in Dún Laoghaire, Dún Laoghaire, County Dublin in 1934. Although he was so intimately associated with being "a Dubliner", he would sometimes say, "I was born and grew up in Dún Laoghaire, and no true Dubliner would accept that at all!", a quip that Andy Irvine (musician), Andy Irvine relayed in his song "O'Donoghue's".''Mozaik – Changing Trains'', Compass Records 744682, 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phil Colclough
Phil Colclough (11 January 1940 - 23 September 2019) was an English contemporary folk singer and songwriter. His best known works, co-written with his wife, June Colclough (1941 – 12 October 2004), are "Song for Ireland" and "The Call and the Answer". June and Phil Colclough both came from North Staffordshire, England, and both had careers in education. Phil had been a navigator in the Merchant Navy, which provided source material for some of his songs. The Colcloughs founded the first folk music club in Stoke-on-Trent in 1960. In 1966, they moved to London, where they were members of the Critics Group led by Ewan MacColl and Peggy Seeger; they eventually left the group due to bitter disputes stemming from MacColl's "authoritarian tendencies". In the 1970s, the Colcloughs returned to North Staffordshire, where they produced a folk music radio program for BBC Radio Stoke. "Song for Ireland" was inspired by a trip the Colcloughs took to the Dingle Peninsula. Describe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Newry Highwayman
"The Newry Highwayman" is a traditional Irish or British folk song about a criminal's life, deeds, and death. It is also found in Ireland, the USA and Canada with titles such as "Rambling Boy" and "Rude And Rambling Man". The earliest known version is from 1788, likely printed by John Brown, in a chapbook entitled "The irish robbers's icadventure. To which is added An Elegy on the Death of Captain Allen." The earliest broadside is from 1824 (Bodleian Harding B 25(2054)). Some versions mention "Mansfield" and this is sometimes taken to be William Murray, first Earl of Mansfield (1706-1793). The 1788 version mentions "Reddans Town" instead of Newry, though the rest of the song is nearly identical to later versions. British variants are generally classified as Roud 490; American variants are classified as Laws L12. Other titles for this song include: * Wild and Wicked Youth * The Flash Lad * In Newry Town * Newlyn Town * The Rambling Boy * The Roving Blade * Adieu Adieu * The Irish Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumental
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk reviv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Music
Contemporary classical music is classical music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism. History Background At the beginning of the twentieth century, composers of classical music were experimenting with an increasingly dissonant pitch language, which sometimes yielded atonal pieces. Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a neoclassic style, which sought to recapture the balanced forms and clearly perceptible thematic processes of earlier styles (see also New Objectivity and Social Realism). After World War II, modernist composers sought to achieve greater levels o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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