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Princeton Vase
The Princeton Vase is a noted example of Late Classic Maya ceramics in codex style. It was illegally looted and now held by Princeton University Art Museum. Originally serving as a drinking vessel for chocolate, it depicts a throne room occupied by an aged deity, wearing an owl headdress, and by five young women surrounding him. In front of the throne, a bound captive is being decapitated by two masked men. This scene was long believed to refer to an episode in the Popol Vuh. The vase is said to be comparable to the Jaguar Baby vase in New York City's Metropolitan Museum of Art. Description The vase, with an overall cream and incidental orange and brown-black slip, as well as traces of post-fire Maya blue pigment, dates to the Late Classic period of Maya civilization (late 7th or early 8th century). It originated in the Nakbé region, Mirador Basin, Petén, Guatemala. A photograph of it was first published in M.D. Coe's ''The Maya Scribe and His World'' (1973). Toward the rim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Princeton Vase
The Princeton Vase is a noted example of Late Classic Maya ceramics in codex style. It was illegally looted and now held by Princeton University Art Museum. Originally serving as a drinking vessel for chocolate, it depicts a throne room occupied by an aged deity, wearing an owl headdress, and by five young women surrounding him. In front of the throne, a bound captive is being decapitated by two masked men. This scene was long believed to refer to an episode in the Popol Vuh. The vase is said to be comparable to the Maya jaguar gods, Jaguar Baby vase in New York City's Metropolitan Museum of Art. Description The vase, with an overall cream and incidental orange and brown-black slip, as well as traces of post-fire Maya blue pigment, dates to the Late Classic period of Maya civilization (late 7th or early 8th century). It originated in the Nakbé region, Mirador Basin, Petén Department, Petén, Guatemala. A photograph of it was first published in M.D. Coe's ''The Maya Scribe and His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed just with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves and gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative aspect. A building's projecti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pre-Columbian Pottery
In the history of the Americas, the pre-Columbian era spans from the original settlement of North and South America in the Upper Paleolithic period through European colonization, which began with Christopher Columbus's voyage of 1492. Usually, the era covers the history of Indigenous cultures until significant influence by Europeans. This may have occurred decades or even centuries after Columbus for certain cultures. Many pre-Columbian civilizations were marked by permanent settlements, cities, agriculture, civic and monumental architecture, major earthworks, and complex societal hierarchies. Some of these civilizations had long faded by the time of the first permanent European colonies (c. late 16th–early 17th centuries), and are known only through archaeological investigations and oral history. Other civilizations were contemporary with the colonial period and were described in European historical accounts of the time. A few, such as the Maya civilization, had their own wri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesoamerican Art
Mesoamerica is a historical region and cultural area in southern North America and most of Central America. It extends from approximately central Mexico through Belize, Guatemala, El Salvador, Honduras, Nicaragua, and northern Costa Rica. Within this region pre-Columbian societies flourished for more than 3,000 years before the Spanish colonization of the Americas. Mesoamerica was the site of two of the most profound historical transformations in world history: primary urban generation, and the formation of New World cultures out of the long encounters among indigenous, European, African and Asian cultures. In the 16th century, Eurasian diseases such as smallpox and measles, which were endemic among the colonists but new to North America, caused the deaths of upwards of 90% of the indigenous people, resulting in great losses to their societies and cultures. Mesoamerica is one of the five areas in the world where ancient civilization arose independently (see cradle of c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maya Classic Period
Mesoamerican chronology divides the history of prehispanic Mesoamerica into several periods: the Paleo-Indian (first human habitation until 3500 BCE); the Archaic (before 2600 BCE), the Preclassic or Formative (2500 BCE – 250 CE), the Classic (250–900 CE), and the Postclassic (); as well as the post European contact Colonial Period (1521–1821), and Postcolonial, or the period after independence from Spain (1821–present). The periodisation of Mesoamerica by researchers is based on archaeological, ethnohistorical, and modern cultural anthropology research dating to the early twentieth century. Archaeologists, ethnohistorians, historians, and cultural anthropologists continue to work to develop cultural histories of the region. Overview Paleo-Indian period 10,000–3500 BCE The Paleo-Indian (less frequently, '' Lithic'') period or era is that which spans from the first signs of human presence in the region, to the establishment of agricul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maya Art
Ancient Maya art is the visual arts of the Maya civilization, an eastern and south-eastern Mesoamerican culture made up of a great number of small kingdoms in present-day Mexico, Guatemala, Belize and Honduras. Many regional artistic traditions existed side by side, usually coinciding with the changing boundaries of Maya polities. This civilization took shape in the course of the later Preclassic Period (from c. 750 BC to 100 BC), when the first cities and monumental architecture started to develop and the hieroglyphic script came into being. Its greatest artistic flowering occurred during the seven centuries of the Classic Period (c. 250 to 950 CE). Maya art forms tend to be more stiffly organized during the Early Classic (250-550 CE) and to become more expressive during the Late Classic phase (550-950 CE). In the course of history, influences of various other Mesoamerican cultures were absorbed. In the late Preclassic, the influence of the Olmec style is still discernible (as i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xibalba
(), roughly translated as "place of fright", is the name of the underworld (or quc, Mitnal) in Maya mythology, ruled by the Maya death gods and their helpers. In 16th-century Verapaz, the entrance to Xibalba was traditionally held to be a cave in the vicinity of Cobán, Guatemala. Cave systems in nearby Belize have also been referred to as the entrance to Xibalba. In some Maya areas, the Milky Way is viewed as the road to Xibalba. Inhabitants Xibalba is described in the ''Popol Vuh'' as a court below the surface of the Earth associated with death and with twelve gods or powerful rulers known as the Lords of Xibalba. The first among the Maya death gods ruling Xibalba were Hun-Came ("One Death") and Vucub-Came ("Seven Death"), though Hun-Came is the senior of the two. The remaining ten Lords are often referred to as demons and are given commission and domain over various forms of human suffering: to cause sickness, starvation, fear, destitution, pain, and ultimately death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hero Twins
The Maya Hero Twins are the central figures of a narrative included within the colonial Kʼicheʼ document called Popol Vuh, and constituting the oldest Maya myth to have been preserved in its entirety. Called Hunahpu and Xbalanque in the Kʼicheʼ language, the Twins have also been identified in the art of the Classic Mayas (200–900 AD). The twins are often portrayed as complementary forces. The complementary pairings of life and death, sky and earth, day and night, Sun and Moon, among multiple others have been used to represent the twins. The duality that occurs between male and female is often seen in twin myths, as a male and female twin are conceptualized to be born to represent the two sides of a single entity. The Twin motif recurs in many Native American mythologies; the Maya Twins, in particular, could be considered as mythical ancestors to the Maya ruling lineages. The Hero Twins in word and image After being invited to Xibalba by One-Death and Seven-Death, the L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
K'iche' People
K'iche', K'ichee', or Quiché may refer to: *K'iche' people of Guatemala, a subgroup of the Maya *K'iche' language, a Maya language spoken by the K'iche' people **Classical K'iche' language, the 16th century form of the K'iche' language *Kʼicheʼ kingdom of Qʼumarkaj, a pre-Columbian state in the Guatemalan highlands See also *Quiche (other) Quiche is a kind of pie with a savory custard filling; ''quiche lorraine'' is one variant. Quiche may also refer to: * Kishu or Quiche of ''Tokyo Mew Mew'', a manga and anime character * Quiche Lorraine is a minor character in ''Bloom County'' (c ... {{disambig Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Batik
Batik is an Indonesian technique of wax-resist dyeing applied to the whole cloth. This technique originated from the island of Java, Indonesia. Batik is made either by drawing dots and lines of the resist with a spouted tool called a ''canting'', or by printing the resist with a copper stamp called a ''cap''. The applied wax resists dyes and therefore allows the artisan to colour selectively by soaking the cloth in one colour, removing the wax with boiling water, and repeating if multiple colours are desired. Batik is an ancient art form of Indonesia made with wax resistant dye on fabrics. Indonesian coastal batik (''batik pesisir'') made in the island of Java has a history of acculturation, a mixture of native and foreign cultures. It is a newer model compared to inland batik, and it uses more colors, though the patterns are a lot less intricate. This is because inland batik used to be made by select experts living in palace areas, while coastal batik can be made by anyon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarong
A sarong or sarung () is a large tube or length of fabric, often wrapped around the waist, worn in Southeast Asia, South Asia, Western Asia, Northern Africa, East Africa, West Africa, and on many Pacific islands. The fabric often has woven plaid or checkered patterns, or may be brightly colored by means of batik or ikat dyeing. Many modern sarongs have printed designs, often depicting animals or plants. Different types of sarongs are worn in different places in the world, notably the lungi in the Indian subcontinent and the izaar in the Arabian Peninsula. Etymology The term ''sarong'' () is an English loanword of Malay origin meaning 'to cover' or 'to sheath'. It was first used in 1834 referring to the skirt-like garment of the Malay. ''Sarong'' is also the colloquial and old spelling of the Indonesian and Malay word for , while in formal Indonesian it is known as ().Sarongis known in many names across Asia; including , ; , ; ; and . In West Africa, the word ''srong'' or '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goddess I
Goddess I is the Taube's Schellhas-Zimmermann letter designation for one of the most important Maya deities: a youthful woman to whom considerable parts of the post-Classic codices are dedicated, and who equally figures in Classic Period scenes. Based on her representation in codical almanacs, she is considered to represent vital functions of the fertile woman, and to preside over eroticism, human procreation, and marriage. Her aged form is associated with weaving. Goddess I could, perhaps, be seen as a terrestrial counterpart to the Maya moon goddess. In important respects, she corresponds to Xochiquetzal among the Aztecs, a deity with no apparent connection to the moon. Name and attributes The hieroglyphical name of the goddess consists of a female head characterized by a hair-like curl (prefixed or infixed). The curl is not unimportant, since it is usually assumed to be the sign of the earth (''kabʼ n') or the moon ( Landa's ''u''-sign), with the goddess being identified accor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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