Pretty Persuasion (song)
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Pretty Persuasion (song)
"Pretty Persuasion" is a song by R.E.M. that was first released on the band's 1984 album '' Reckoning''. It was released as a promotional single and reached number 44 on ''Billboard'''s Rock Tracks chart. According to R.E.M. biographer Tony Fletcher, it is often regarded as "the 'archetypal' R.E.M. anthem". Background Although not released commercially until 1984, R.E.M. performed "Pretty Persuasion" live in concert as early as 1980 and 1981. A live version of the song was recorded for the band's 1983 debut album '' Murmur'' but was not released on that album, although the recording was eventually included as a bonus track on a 1992 release of ''Reckoning''. Producer Mitch Easter wanted to record the song again for ''Reckoning'' but the band, particularly lead singer Michael Stipe who no longer liked the song, was initially reluctant. They eventually agreed to a multi-track studio recording for ''Reckoning'' due to the popularity of the song live with fans. Content Lyric ...
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(Don't Go Back To) Rockville
"(Don't Go Back To) Rockville" is the second and final single released by American rock band R.E.M. from their second studio album, '' Reckoning''. The song failed to chart on either the ''Billboard'' Hot 100 or the UK Singles Charts. Background The song was written by Mike Mills (credited to Berry/Buck/Mills/Stipe), in 1980, as a plea to his then girlfriend, Ingrid Schorr, not to return to Rockville, Maryland, where her parents lived. Schorr, who later became a journalist, has written about her amusement with the factual inaccuracies about her relationship with Mills and the background of the song that often appear in books about the band. Peter Buck has stated that the song was originally performed in a punk/thrash style, and that it was recorded for this single in its now more-familiar country-inspired arrangement as a joke aimed at R.E.M. manager Bertis Downs.Liner notes to R.E.M.'s ''Eponymous''. Over time, Mike Mills has taken over lead vocals instead of Michael Stipe wh ...
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Rolling Stones
The Rolling Stones are an English Rock music, rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the album era, rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, multi-instrumentalist Brian Jones, guitarist Keith Richards, bassist Bill Wyman, and drummer Charlie Watts. During their formative years, Jones was the primary leader: he assembled the band, named it, and drove their sound and image. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. Jagger–Richards, Jagger and Richards became the primary creative force behind the band, alienating Jones, who had developed a drug addiction that interfered with his ability to contribute meaningfully. Rooted in blues and early rock and roll, the Rolling Stones started out playing ...
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Accelerate (R
In mechanics, acceleration is the rate of change of the velocity of an object with respect to time. Accelerations are vector quantities (in that they have magnitude and direction). The orientation of an object's acceleration is given by the orientation of the ''net'' force acting on that object. The magnitude of an object's acceleration, as described by Newton's Second Law, is the combined effect of two causes: * the net balance of all external forces acting onto that object — magnitude is directly proportional to this net resulting force; * that object's mass, depending on the materials out of which it is made — magnitude is inversely proportional to the object's mass. The SI unit for acceleration is metre per second squared (, \mathrm). For example, when a vehicle starts from a standstill (zero velocity, in an inertial frame of reference) and travels in a straight line at increasing speeds, it is accelerating in the direction of travel. If the vehicle turns, an acc ...
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Eric Weisbard
Eric Weisbard is an American music critic known for founding the Pop Conference, which is hosted annually by the Museum of Pop Culture (formerly known as the EMP Museum). He also organized the conference for many years. Career Weisbard serves as an associate professor of American studies at the University of Alabama. He is also the author of both a 33⅓ book entry about ''Use Your Illusion'' and the 2014 book ''Top 40 Democracy: The Rival Mainstreams of American Music'', and a former editor for ''Spin (magazine), Spin''. With Craig Marks, he was also the co-editor of the ''Spin Alternative Record Guide'', and has also written for ''the Village Voice''. For ''Top 40 Democracy'', he received the 2015 Woody Guthrie Award from the International Association for the Study of Popular Music's United States branch. Personal life Weisbard is married to Ann Powers, a music critic for NPR. They were married in 1998. References External links

* Living people American music critics ...
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Spin (magazine)
''Spin'' (stylized in all caps) is an American music magazine founded in 1985 by publisher Bob Guccione, Jr. Now owned by Next Management Partners, the magazine is an online publication since it stopped issuing a print edition in 2012. History Early history ''Spin'' was established in 1985 by Bob Guccione, Jr. In August 1987, the publisher announced it would stop publishing ''Spin'', but Guccione Jr. retained control of the magazine and partnered with former MTV president David H. Horowitz to quickly revive the magazine. During this time, it was published by Camouflage Publishing with Guccione Jr. serving as president and chief executive and Horowitz as investor and chairman. In its early years, ''Spin'' was known for its narrow music coverage with an emphasis on college rock, grunge, indie rock, and the ongoing emergence of hip-hop, while virtually ignoring other genres, such as country and metal. It pointedly provided a national alternative to ''Rolling Stone's'' more e ...
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Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Rickenbacker
Rickenbacker International Corporation is a string instrument manufacturer based in Santa Ana, California. The company is credited as the first known maker of electric guitars – a steel guitar in 1932 – and today produces a range of electric guitars and basses. Rickenbacker twelve-string guitars were favoured by George Harrison of the Beatles, Roger McGuinn of the Byrds, Pete Townshend of the Who, and Tom Petty. Players of the six-string include John Lennon of the Beatles, John Fogerty of Creedence Clearwater Revival, Paul Weller of the Jam, John Kay of Steppenwolf, Peter Buck of R.E.M., Johnny Marr of the Smiths, and Susanna Hoffs of the Bangles. Players who have used Rickenbacker basses include Paul McCartney of the Beatles, Lemmy Kilmister of Motörhead, Cliff Burton of Metallica, Roger Glover and Glenn Hughes of Deep Purple, Chuck Panozzo of Styx, Dougie Thomson of Supertramp, Paul Wilson of Snow Patrol, Bruce Foxton of the Jam, Roger Waters of P ...
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Twelve-string Guitar
A twelve-string guitar (or 12-string guitar) is a steel-string guitar with 12 strings in six courses, which produces a thicker, more ringing tone than a standard six-string guitar. Typically, the strings of the lower four courses are tuned in octaves, with those of the upper two courses tuned in unison. The gap between the strings within each dual-string course is narrow, and the strings of each course are fretted and plucked as a single unit. The neck is wider, to accommodate the extra strings, and is similar to the width of a classical guitar neck. The sound, particularly on acoustic instruments, is fuller and more harmonically resonant than six-string instruments. The 12-string guitar can be played like a 6-string guitar as players still use the same notes, chords and guitar techniques like a standard 6-string guitar, but advanced techniques might be tough as players need to play or pluck two strings simultaneously. Structurally, 12-string guitars, especially those built befo ...
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Roger McGuinn
James Roger McGuinn (born James Joseph McGuinn III; July 13, 1942) is an American musician. He is best known for being the frontman and leader of the Byrds. He was inducted into the Rock and Roll Hall of Fame for his work with the Byrds. As a solo artist he has released 10 albums and collaborated with, among others, Bob Dylan, Tom Petty and Chris Hillman. The 12-string Rickenbacker guitar is his signature instrument. Early life McGuinn was born and raised in Chicago, Illinois, United States, son of James Joseph McGuinn Jr (b. 1909) and Dorothy Irene (b. 1911), daughter of engineer Louis Heyn. His parents worked in journalism and public relations, and during his childhood, they had written a bestseller titled ''Parents Can't Win''. He attended the Latin School of Chicago. He became interested in music after hearing Elvis Presley's "Heartbreak Hotel", and asked his parents to buy a guitar for him. (During the early 1980s, he paid tribute to the song that encouraged him to play gu ...
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The Byrds
The Byrds () were an American rock band formed in Los Angeles, California, in 1964. The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn (known as Jim McGuinn until mid-1967) remaining the sole consistent member. Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s, the Byrds are today considered by critics to be among the most influential rock acts of their era. Their signature blend of clear harmony singing and McGuinn's jangly 12-string Rickenbacker guitar was "absorbed into the vocabulary of rock" and has continued to be influential. Initially, the Byrds pioneered the musical genre of folk rock as a popular format in 1965, by melding the influence of the Beatles and other British Invasion bands with contemporary and traditional folk music on their first and second albums, and the hit singles " Mr. Tambourine Man" and "Turn! Turn! Turn!". As the 1960s progressed, ...
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Couldn't I Just Tell You
"Couldn't I Just Tell You" is a song written by American musician Todd Rundgren that was released on his 1972 album ''Something/Anything?''. In July, it was released as a single and reached number 93 on the ''Billboard'' Pop Singles chart. The song is considered influential to the development of the power pop genre. Unlike most of ''Something/Anything?'', which consists primarily of piano-based compositions, "Couldn't I Just Tell You" is a rock song. Rundgren reflected that there would have been more songs in this style if he had not been performing all the music by himself: "I was pretty happy with the song because I realized it was the kind of thing I would probably have done more of if I had been using other players." Legacy On a television performance in 1978, Rundgren introduced "Couldn't I Just Tell You" as a part of "the latest musical trend, power pop." The song became influential to artists in the genre. Music journalist Paul Lester called the recording a "masterclass i ...
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